Recycled and Reusable Materials
Recycled and Reusable Materials
Recycled and Reusable Materials
AKASH G
KHARUNYA C
RASHMI CHRISTINA
SHYAM KUMAR R
INTRODUCTION
CASE STUDY
COLLAGE HOUSE
TIMELINE: 2015
AREA: 520m²
PROJECT DESCRIPTION
Living in Mumbai, India it is impossible to ignore the informal settlements in the city, and if
looked at closely there are many lessons to be learnt in frugality, adaptability, multi-tasking,
resourcefulness and ingenuity. A visual language emerges that is of the found object, ad-hoc,
eclectic, patched and collaged. An attempt has been made here to apply some of these lessons
without romanticizing or fetishizing them. The project looks at the idea of recycling and collage
in several ways, from the very physical - like materials, energy, etc. to the intangible - like
history, space and memories.
DESIGN DESCRIPTION
The front façade sets the tone for
what lies within, with a “corner of
windows” that recycles old
windows and doors of demolished
houses in the city. This becomes a
major backdrop for the living room
with a exposed concrete faceted
ceiling above countered by the
polished white marble with
intricate brass inlay on the floor.
Metal pipe leftovers pieced
together like bamboo form a “pipe
wall” integrating structural
columns, rainwater downtake
pipes and a sculpture of spouts
that in the monsoon are a delight
for all the senses.
DESIGN
DETAILS
COLLAGE
ELEMENTS
DESIGN APPROACH
To build on top of a hill is always exciting,
until the architects discovered here that
they were surrounded by neighbours on
all sides. This led early on in the design
process to look inwards and build around
the quintessential Indian courtyard, albeit
slightly modified. The court is actually
raised a floor above the ground level and
hidden below is a large rainwater
harvesting tank wrapped with rock that
was removed from the hillside during
excavation. It is the core around which
this large four-generation family is
organized and comes together.
USE OF RECYCLED MATERIALS
In the central courtyard on one side scrap rusted metal plates are riveted
together, Kitsch colored tile samples retain a planter in the middle and on
the third side is a wall clad in cut-waste stone slivers lifted off the back of
stone cutting yards and waste generated on site. Hundred-year-old
columns from a dismantled house bring back memories, and nostalgia is
nourished with a lightweight, steel and glass pavilion (with solar panels
above) on the terrace level overlooking fabulous views down the hillside.
This approach is reinforced again in the interior materials and elements. It
plays up this contrast between the old and the new, the traditional and the
contemporary, the rough and the finished. One finds use of recycled
materials like old textile blocks, Flooring out of old Burma teak rafters and
purlins, colonial furniture, fabric waste (chindi) along with new ways of using
traditional elements and materials like carved wooden mouldings, beveled
mirrors, heritage cement tiles, etc.
ARCHITECT’S TAKE ON COST