Building Construction and Material: Submitted To: Ar. Karan Varma

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BUILDING

CONSTRUCTION AND
MATERIAL

SUBMITTED BY:
SUBMITTED TO:
TISHA GARG
AR. KARAN
ISHA KARODI
VARMA
HARSHIT MATHUR
LOTUS TEMPLE

The Lotus temple is due to its flowerlike shape. Lotus temple is also known by the “BAHAI House of
worship/ BAHAI FAITH”. The Temple are well known for their architectural splendor and the temple
constructed in Delhi is a continuation of this rich tradition. This is prominent attraction in Delhi. It was
completed in 1986 and serves as the mother temple of the India subcontinent. The temple structure like
as the half open lotus flower, afloat surrounded by its leaves. The temple is open to people of all
cultures, faiths, and languages. It is the symbol of a United India.
ARCHITECT – MR. FARIBURZ SAHBA

CONCEPT - TO BRING OUT PURITY, SIMPLICITY AND


FRESHNESS OF BAHA’I FAITH, THE FORM
WAS CONCEIVED AS A LOTUS
CONTRACTORS – ECC CONSTRUCTION GROUP OF LARSEN AND TOUBRO
LIMITED
CONSULTANTS – FLINTH AND NEILL PARTNERSHIP OF LONDON

9 pools around the temple represent floating leaves. apart


from serving an obvious aesthetic function, the pools also
help in ventilation

WALKWAYS AROUND THE TEMPLE


MASSIVE ARCHES BELOW THE TOP VIEW OF INNER
ENTRANCE AND THE OUTER
LEAVES LEAVES AND ARCHES

ROW OF STEPS LEADING TO THE


MAIN HALL THROUGH EACH ARCH

➢There are 3 sets of petals of thin


concrete shells.
➢Outermost set of 9 petals - “entrance
leaves”
Open outwards, form 9 entrances around
the central hall.
➢The next set of 9 petals – “outer
leaves”
➢The third set of 9 petals – “inner
ENTRANCE leaves” this portion which rises above the
LEAVES rest , forms the main structure housing
the central hall.
SECTION SHOWING INTERIOR DOME
AND ARCHES

THE ARCH - ALL around the central hall there


are 9 splendid arches placed at an
angular interval of 40, bear almost
the load of the superstructure

THE DOME – From the crown of each arch spring 3


ribs. while the center one rises radially
towards the central hub, the other two move
away from the central rib and intersecting
3 RIBS SPRINGING FROM EACH ARCH with similar base ribs of the adjacent arch.
from each of these intersection rises another
radial rib, all of which meet at center of the
dome.
1) ENTRANCE LEAF
CUSP OF OUTER SHELL
2) OUTER LEAF 6

3) INTERIOR DOME SHELL

4) ARCH

5) INTERIOR DOME RIB

6) CENTRAL HUB
GLAZING

7) STEPS TO CENTRAL HALL

INNER LEAF
OUTER LEAF SECTION THROUGH ENTRANCE LEAF
AND INTERIOR DOME
ENTRANCE LEAF

LEAF SHAPED POOLS


1) PODIUM LEVEL 1) MAIN ARCHES
2) POOL DECK LVL 2) STEPS LEADING
3) POOL 3) TO ASSEMBLY AREA
4) BRIDGE 4) STEPS LEADING
5) INNER LEAF TO POOL DECK
6) INTERIOR DOME
7) OUTER LEAF
8) GLAZING
9) DOME RIBS
1) CROWN OF DOME
2) ENTRANCE LEAF

12 • BRIDGE POOL
1) POOL DECK
GLAZING
ENTRANCE LEAF

SECTION THROUGH INNER AND OUTER LEAVES


1)RIDGE OR CUSP OF OUTER LEAF
2)EDGE LINE OF SHELL
3)GLAZING
4)OUTER LEAF
5)ENTRANCE LEAF

6) PODIUM LVL
ENTRANCE LEAF
SHELL SPANS – 18.2m
HT OF SHELL – 7.8m
THICKNESS –
135mm TOWARDS
THE BOTTOM
OUTER LEAF ENTRANCE LEAF WITH A
-
SHELL SPANS –255mm
15.4m THICKNESS OF 255mm
ON THE TIP
HT OF SHELL -TOWA
22.5m
THICKNESS -135mm
RDS TOWARDS THE BOTTOM
-255mm TOWARDS THE TIP
THE
INNER LEAF TIP

SHELL SPANS – 14m


HT OF SHELL - 34.3 m
THICKNESS -
200mm UNIFORMLY
STAGING AND FORMWORK

FOLLOWING ASPECTS WERE CONSIDERED –

➢the concrete of the shell should be taken up 3 at a time, 120º apart, so


that the lateral loads on the staging supporting the formwork were
reduced.
➢construction joints were, as far as possible, were avoided so
SECTIONAL PLAN
that the exposed concrete did not show any lines.
➢after the formwork was approved the sheathing joints were sealed with
putty made of epoxy resin, plaster of paris and a protective coating
applied over the plywood surface.

1) STRUCTURAL STEEL PURLIN

2) 100X100mm TIMBER JOISTS

3) SHUTTER FRAME CROSS SECTION


1) CUSP FRAME
4) ANGLE CLEAT 2) RE-ENTRANT FRAME
3) INNER LEAF SHELL
5) 12mm PLYWOOD 4) INTERIOR DOME RIBS
FORMWORK DETAIL 5) RADIAL BEAMS
• INNER STEEL STAGING

• INNER FORM
• OUTER FORM
• OUTER STEEL STAGING

DETAILS OF SHAPED • WORKING PLATFORM


MEMBERS AND
• CONCRETE SHELL
BACK FORM
• 10mm THICK RUBBER
WASHER
• 40mm DIA PIPE
• 60mm DIA PVC SLEEVE
DETAILS OF
FORMWORK • SHAPED MEMBER
IN INNER
LEAF • BACK FORM PANEL
• LONGITUDINAL
MEMBER
• WEDGES
CONSTRUCTION SYSTEM
1. The lotus temple is constructed based on the arcaded construction
system.
2. Based on 9 radial grids.
3. The Lotus Temple in which the structure of inner leaves enclose
the interior dome in a canopy made of crisscrossing ribs and shells
of intricate pattern.
4. When views from inside each layer of ribs and shells disappears
as it rises, behind the next, lower layer.

CONSTRUCTION SEQUENCE OF CONSTRUCTION

1. Sequence
2. In the starting of construction basement and the interior podium were first built. From there, to raise the arches and
shells, the structure was divided in parts, bearing in mind that when the formwork was removed, the constructed part
would support itself until the next part was complete. The structure was divided in the following way:
3. Arches
4. Inner leaves, radial beam & central axis
5. Interior Dome
6. Access & outer leaves
7. Staging & Formworks
top of the structure appears open but actually contains a glass-and-steel roof that admits natural daylight. The
overall effect is that of a floating lotus flower on the verge of blooming and surrounded by its leaves.
CONCRETE

• In The Lotus Temple all the ribs and shells up to radial beam
level are in white concrete.
• To avoid crazing and shrinkage cracks in lotus temple structure,
a mix of M30 Grade white concrete was designed.
• Water/cement ratio: 0.43
• Slump achieved was in the range of 70-100 mm.
• Bush hammered finish for interior dome, inner and outer leaves.
• Three inner leaves at 120 spacing, were concreted at a time, in
only two lifts from their bases to the level of the star beams above.
• Outer and Entrance leaves were concreted in a continuous
operation one at a time, using the removable outer shutter panels
for access for concrete and vibrators to avoid cold joints.
• Systems of horizontal sprinkler pipes were used in curing.
REINFORCEMENT

• The structure of lotus temple petals were reinforced with 300 t


of galvanized bar to avoid the risk of rust staining and cracking
and to maintain the pristine appearance of this monumental
structure.

• The Lotus Temple structure in which the reinforcement used in


the white concrete shells as well as the binding wires was
entirely galvanized so as to prevent the long- term effect of
rusting of reinforcement on the white concrete.
• In the lotus temple structure to avoid the impression of cover blocks on the exposed surface of the shells, the inner layer of
reinforcement was held in position by special steel spacers supported from the outer formwork.
MARBLE CLADDING

• Lotus Temple in which the Shells & arches are clad in white Greek
Marble panels, performed in Italy to the surface profile and to patterns
related to the geometry by Marmi Vicentine S.P.A Company.
• The lotus temple in which the panels are fixed by means of stainless
steel brackets secured by bolts in holes drilled after concreting and the
joints were filled with molded rubber cordon & silicon sealant was
applied over it.
• Floor finishes were also of white marble.
• Balustrades, stairs were precast
• Stones used for stairs were made of red sandstone.
CONCLUSION

• The Lotus Temple structure related Forms and their supports


for the all shells were designed withstand pressure from
continuous concreting and the outer forms were placed as
concreting proceeded.

• The structure of three inner leaves were concreted at a time,


generally n only two lifts.

• Lightening and Natural ventilation used in the building.

• The structure of lotus temple is very typical and complex.

• High standard of quality demanded at the time of


construction.

• The work is very innovative so the skills worker and labour


used at the time of construction.

• The complete structure is both Architectural and Engineering


point of view Wonderful and Marvel.
T
H
A
N
K
Y
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