Vernacular Architecture Mudra
Vernacular Architecture Mudra
Vernacular Architecture Mudra
The typical house consists of stone and timber walls, constructed in what is known
as Kath-Kona style, an indigenous style of construction in which the walls are made
with alternate courses of dry stonemasonry and timber without any cementing
mortar.
• In the hamlets located in the, the walls of the traditional houses are
built mostly with the dried masonry, without using any alternate layers
of timber. These walls are plastered with mud both from inside and the
outside.
• A common alternative is to make the lower storey of the house in dry
stone masonry without any layer of timber beams and the upper floor
exclusively in timber. The upper floor is projected on all the four sides
supported by wooden posts and brackets.
• In some parts of Himachal Pradesh, there is a popular use of the Dhajji wall
construction. In this construction system, the walls are made of timber
frames with in-fills of light thin panels made by close packaging of mud
mortar, stone and ballast.
• The hill house usually consists of two rooms. One on top of another and is
built with mud, stone and timber. Usually the ground floor is used for keeping
cattle and storing grain and fodder. The upper floor is the main living area.
Construction materials
• In the vernacular architecture of the Himalayan region wood
is extensively used, as the forests of the deodar wood and
other mixed forests were easily available. Deodar wood has
been used traditionally to impart stability to tall structures.
Construction…
• In the well built structure,
the wood is very carefully
arranged, the beams with
thickness around 30 cms in
depth extending over the
whole length of wall - a
beam on the outside and
another beam on the
inside, the space in
between is filled with
stones.
Roofing techniques
• Over the walls, a frame of the timber rafters and
purlins is laid out for the pitched roof. The
roofing on top is with slates as the material.
To counter the seismic forces, the traditional
structures usually stand on a high solid plinth, made
up of dry dressed stonemasonry. The huge mass
serves as a dampener pad to the earthquake forces
and the dry construction allows for vibration and
hence faster dissipation of the energy.
• Varying topography gives pockets of land for development
which give rise to discontinuous organic mosaic of building
with varying sizes and spaces. No space is perceived in
isolation. Buildings appear visually integrated with each
other, establishing continuity in perception. It is the total
composition, which becomes the most important.
Points to remember
while designing:
•Harsh Chauhan
•Kunaal Gadhavi
•Mudra Tomar