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Critical Approaches to
the Study of the Gospels
Daniel Nii Aboagye Aryeh, PhD There are many critical or analytical methods that scholars have engaged to examine the gospels.
There is lower criticism and higher criticism. Lower
criticism refers to methods used in the analysis or the comparison between the gospels as canonized documents. This is also known as textual criticism, which is a means of comparing ancient documents. Higher criticism refers to the use of disciplines that seeks to explain how the original documents of the gospels were composed. It looks at the sources, redaction, and circumstances that led to the composition. • Higher criticism is divided into two main disciples: (i) historical criticism and (ii) literary criticism. Historical criticism studies the pre-history behind the text, and various historical influences of communities on the text culminating in the editing/redacting of the oral traditions, fragmentary documents, proto-gospels etc. Literary criticism shows that the relationship between Matthew, Mark, and Luke can be studied together. Form Criticism
Form Criticism belongs to the Higher
criticism subsection of historical criticism. It is composed of (i) analysis of form, (ii) sitz in Leben (cultural setting of the text/life situation), and (iii) Transmission of tradition. Key scholars in the development of Form Criticism are twentieth- centuries German scholars: K. L. Schmidt, Martin Dibelius, and Rudolf Bultmann. They posited that (i) the gospels can be divided into forms: pronouncement, parables, miracles, passion narratives, myth/legendary; (ii) assigned sitz in Leben (life situation) to each of the “Forms”. For example, pronouncement stories were believed to have been popular preachings, apologetic interactions etc. Legendary stories were created to glorify Jesus as a hero. Parables belong to storytellers etc. Form critics designed rules for transmission of the oral tradition. The transmission of the oral tradition gets longer from generation to generation. The tradition was embellished by assigning names, contexts, etc to narratives that actors were not originally named and contexts stated. Sometimes interpretations were given to some narratives ex. In the parable of the Sower, some miracles were assigned reasons why they were performed. The task of the form critics is to do away with all the secondary layers of the text to discover the original text. These layers were considered satellites around the kernel. The contributions of Form Criticism: (i) segmentation/categorization of the gospel materials/documents; (ii) interpretative models for each category; (iii) identification of sources, differences, and similarities; (iv) uniqueness of each gospel etc. The weaknesses of Form Criticism: (i) analogous materials; (ii) scientific methods; (iii) disqualification of some gospel genres; (iv) the role of the Spirit played down Literary Criticism is sometimes used synonymously with Source Criticism