Philippine Musical

Artists in 18 and 19
th th

Century
Group 5
Antonio Jesús Naguiat
Molina
(1894–1980)
-was a renowned Filipino
composer, conductor, and teacher. He
is widely regarded as one of the
greatest Filipino musicians and is
often called the "Claude Debussy of
the Philippines" because of his
impressionistic musical style.
Molina played a significant role in
shaping Philippine classical music and
is a National Artist of the Philippines,
an honor he received in 1973.
Key Contributions:
1. Musical Works:
-His most famous composition is Hatinggabi (1928), a serenade for solo
violin and piano, which exemplifies his lyrical and impressionistic style.
-He composed over 500 works, including orchestral pieces, chamber music,
choral works, and solo instrumental music.
2. Impressionist Style:
-Molina introduced the impressionist style to Philippine music, influenced by
Western composers like Debussy and Ravel.
-His works often used Filipino themes and melodies, blending Western
techniques with native elements.
3. Educator:
-Molina taught at various institutions, including the University of
the Philippines Conservatory of Music and Centro Escolar
University.
-He mentored numerous students who later became prominent
Filipino musicians.
4. Legacy:
-As a pioneer in Philippine music, Molina was instrumental in
elevating the quality and prestige of classical music in the
country.
-His dedication to preserving Filipino identity through music
continues to inspire musicians and composers today.
Instrumental
Works
1.Hatinggabi
2. Malikmata (Transfiguration)
3. String Quartet in E-flat
Major
4. Ang Kundiman ni Rizal
Choral Works
1.Ang Batingaw
2.Misa Antoniana Grand Festival Mass
Antonio Molina received many awards and
recognitions, including:
• National Artist of the Philippines: In 1973, Molina became the first musician to
receive this highest national honor for Filipino artists.
• Republic Cultural Heritage Award: Molina received this award in 1965 and 1972.
• Phi Kappa Phi Award and the UP Alumni Association Professional
Award: Molina received these awards in 1972.
• Araw ng Maynila Award in music: Molina received this award in 1969.
• Honorary doctor of laws, honoris causa, CEU: Molina received this award in 1953.
• “Choral Conductor of the Year” and “Music Researcher of the Year”: Molina
received these awards from the Music Lovers Society in 1949.
• Commemorative medal and diploma: Molina received this award from the
Department of Education, Health and Public Welfare in 1942.
• Diploma of Honor: Molina received this award from the Manila Music Lovers Society in
1940.
Hatinggabi
Antonino
Buenaventura
(1904 - 1996)
-was a Filipino composer, conductor,
and teacher who wrote many
compositions, including marches,
orchestral works, and ballets. His
compositions often incorporated
folk music and Western
compositional techniques to create
a distinct Filipino sound. He was a
National Artist for Music in 1988.
Teaching
• Founded the UP Junior Orchestra, the first collegiate
orchestra in the Philippines
• Directed the Conservatory of Music at the University
of Sto. Tomas
• Organized the School of Music and Arts at the
University of the East
Musical style
• Combined folk music with Western compositional
devices to create a distinct Filipino sound
• Led military bands, including the Philippine
Constabulary Band and the Philippine Army
Band
Awards and honors
• Band Conductor of the Year (1951, from the Music Lovers Society)
• Republic Cultural Heritage Award for Music (1966, for his Symphony in
C)
• Araw ng Maynila Cultural Award (1971)
• Award of Merit for Outstanding Contribution to Philippine Music (1976,
from the Philippine Army)
• Director Emeritus of the University of the East (1981)
• National Artist of the Philippines (1997)
• Doctor of Humanities (1991, from the University of the Philippines)
• Diwa ng Lahi Award (1995)
Compositions
Symphony C: The first four-movement symphony for orchestra
composed by a Filipino
Second Symphony in E flat: The first four-movement symphony
for symphonic band composed by a Filipino
Parangal: The first three-movement concerto for piano and
symphonic band composed by a Filipino
Pandanggo sa Ilaw: One of his most famous compositions
Triumphal March: A famous march composed by Buenaventura
Pandanggo sa Ilaw
Jovita Fuentes
(1895 – 1978)
-was a celebrated Filipino soprano and a
pioneering figure in Philippine opera. She gained
international acclaim for her performances,
particularly her role as Cio-Cio San in Puccini's
"Madama Butterfly." Fuentes was the first Filipina
National Artist in Music and played a crucial role in
promoting music in the Philippines. She was also a
dedicated teacher at the University of the
Philippines Conservatory of Music and founded
various music associations. Her contributions were
recognized with awards, including the Presidential
Medal of Merit in Music. Fuentes's legacy continues
to inspire future generations of Filipino musicians.
-was a renowned Filipino soprano singer who made a significant
impact on the world of opera, both in the Philippines and
internationally. Born on February 15, 1895, in Capiz, Capiz province
(now Roxas City) , she displayed a passion for music from a young
age, learning to sing habaneras and danzas at five . Her musical
journey took her from the Philippines to Europe, where she honed
her skills and achieved international acclaim.
A Pioneer in Philippine Opera
-Fuentes's contributions to the Philippine music scene were profound. She is
considered the first lady of Philippine music and the first Filipina National Artist in
Music , a testament to her exceptional talent and dedication. She paved the way
for Filipino singers on the international stage, particularly in the realm of opera, at
a time when the Philippines was not widely known in the region.

International Acclaim and Notable Performances

-Fuentes's international debut as Cio-Cio San in Puccini's Madama Butterfly at the

Teatro Municipale di Piacenza in Italy in April 1925 marked the beginning of her
global career . She went on to perform in the Philippines, the United States, and
Europe, captivating audiences with her powerful voice and dramatic presence. Her
performances in major operas like La Bohème, Iris, and Salome solidified her
reputation as a leading soprano . Her performance in the New York production of
Madama Butterfly was particularly acclaimed.
A Legacy of Music and Advocacy

-Fuentes's impact extended beyond her performances. She was a dedicated teacher,
nurturing the next generation of Filipino musicians at the University of the
Philippines Conservatory of Music . She also played a vital role in promoting music
and the arts in the Philippines, founding various music associations like the
Asociacion Musical de Filipinas, the Bach Society of the Philippines, and the Artists'
Guild of the Philippines . Her advocacy extended to charitable causes, using her
talent to raise funds for organizations like San Lazaro Hospital and the Casa de Buen
Pastor.
Recognition and Lasting Impact
Fuentes's contributions to music were recognized with numerous awards and
citations, including the Presidential Medal of Merit in Music in 1958 . Her legacy as
a pioneering figure in Philippine opera and a dedicated advocate for the arts
continues to inspire generations of Filipino musicians. Her story serves as a
testament to the power of talent, dedication, and a deep love for music.
Ay Kalisod
Lucrecia Roces
Kasilag
(1918 - 2008)

- was a Filipino composer

and pianist. She is
particularly known for
incorporating indigenous
Filipino instruments into
orchestral productions.
-an educator, composer, performing artist, administrator and cultural
entrepreneur of national and international caliber, had involved herself wholly
in sharpening the Filipino audience’s appreciation of music.
-Kasilag’s pioneering task to discover the Filipino roots through ethnic music
and fusing it with Western influences has led many Filipino composers to
experiment with such an approach. She dared to incorporate indigenous Filipino
instruments in orchestral productions, such as the prize-winning “Toccata for
Percussions and Winds, Divertissement and Concertante,” and the
scores of the Filiasiana, Misang Pilipino, and De Profundis. “Tita King”, as
she was fondly called, worked closely as music director with colleagues
Lucresia Reyes-Urtula, Isabel Santos, Jose Lardizabal and Dr. Leticia P. de
Guzman and made Bayanihan Philippine Dance Company one of the premier
artistic and cultural groups in the country.
-Her orchestral music includes Love Songs, Legend of the Sarimanok, Ang
Pamana, Philippine Scenes, Her Son, Jose, Sisa and chamber music
like Awit ng mga Awit Psalms, Fantaisie on a 4-Note Theme, and East
Meets Jazz Ethnika.
Honors and awards
• Patnubay ng Sining at Kalinangan Award in Music, 1954
• Presidential Award of Merit as Woman Composer, 1956
• Presidential Award of Merit and Gold Medal for Leadership and Outstanding
Contribution to Music and the Arts, 1960
• Republic Cultural Heritage Award in Music for the Toccata for Winds and
Percussion (1960) and Misang Pilipino (1966)
• Honorary Doctor of Music from Centro Escolar University, 1975
• Honorary Doctor of Laws from the Philippine Women’s University, 1980
• Honorary Doctor of Fine Arts from St. John’s University in New York, 1981
• National Artist of the Philippines, 1989
• Outstanding Filipino Award for the Arts from Jaycee Senate International, 1991
Philippine Scenes
 THANK YOU

Special thanks to Youtube for those video example xD: