ludic

Revelation is present, and at the same time dissipated, by the ludic movement of the pharmakon, which suggests that an endless search is the only way to find it, to access the divine: "God is in the making.

Digital Startup of the Year was Supermeal, the Birmingham-based home food delivery service looking to take on the might of Deliveroo and Uber Eats, while Coventry-based Ludic Rooms won the Innovation in Arts & Culture award.

Brandauer & Co; Jaguar Land Rover INNOVATION IN ARTS AND CULTURE: Lily Wales; Ludic Rooms; Talking Birds INNOVATION IN PUBLIC SERVICES: Coventry and Warwickshire Partnership NHS Trust; University Hospitals Coventry and Warwickshire; West Midlands Bus Alliance E-COMMERCE SITE OF THE YEAR: Castle Fine Art; Comesto; Ellisons Hair and Beauty INNOVATION IN MEDICINE AND HEALTH, sponsored by Aston University: Professor Bob Stone; SDS MyHealthcare and Substrakt Health; Unique IQ DIGITAL YOUNG PERSON OF THE YEAR, SPONSORED BY CARCLOUD: Daniel Kirby, GuyKat; Chris Meah, School of Code; Waqar Shah, Supermeal WEST MIDLANDS WOMAN IN TECH AWARD, SPONSORED BY ASKEWS LEGAL: Sarah Dowzell, Natural HR; Jane Fallon, PSDM; Cerys Johnson, REPL Group PROP TECH OF THE YEAR: Biosite; CrowdProperty

figure By VINCENT OPIYO IN DAR ES SALAAMKenyan champions Gor Mahia head into Thursdays Cecafa Kagame Cup match against AS Ports of Djibouti knowing nothing short of victory will guarantee them a place in the quarter-finals.Gors lacklustre performance in this tournament has left them with their backs against the wall after sharing spoils of a two-all draw against Rwandan giants Rayon Sports and Burundis Lydia Ludic.

Ludic Dreaming: How to Listen Away From Contemporary Technoculture

Kuharski, "Fifty Years of Ariane Mnouchkine and the Theatre du Soleil: The Director as Dramaturge, Theater Historian and Public Intellectual" (132-50); Les Essif, "Norodom Sihanouk: The 'Unfinished' Story of American Global Totalitarianism by Helene Cixous and the Theatre du Soleil" (151-63); Vassiliki Rapti, "Oedipus King / Oedipus Pig: Nanos Valaoritis's Ludic Politics" (164-78); Thomas Butler, "Friends Dying Before Our Eyes in Annie Baker's The Aliens" (179-91); Yuko Kurahashi, "A Comparative Analysis of Three Plays on Disasters: Omnium Gatherum, Carried Away on the Crest of a Wave, and Radio 311" (192-208); Doug Phillips, "Perceptions of Memory and Mechanisms of Power: Beckett, Williams and Pinter" (209-16).

This change from adult-presenter to a symbolically represented child-presenter (little dog), allows (NOT causally determines) identification with the ludic protagonist and the represented skills.

Far from the ludic mode portended by its title, Play outmanages Michael Haneke in its lockdown of every image and effect.