How I Did It
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‘Avatar: The Last Airbender’ Filmmakers Explain How They Visualized Bending for Live-Action | How I Did It
“The most important thing was being true to the animated series,” VFX supervisor Marion Spates tells TheWrap
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‘Only Murders in the Building’ Composer and Songwriters on the ‘Pure Joy’ of Crafting Season 3’s Big Musical Numbers | How I Did It
Benj Pasek, Justin Paul and Siddhartha Khosla unpack the Hulu series’ big musical season and that “Pickwick Triplets” number
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‘Griselda’ Filmmakers Spent a Year Designing Sofia Vergara’s Transformed Look | How I Did It
The “Modern Family” actress is wholly unrecognizable as a crime boss in the true-story limited series
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‘Star Trek: Strange New Worlds’ Star and Songwriters Break Down the Emotional Heart of That Musical Episode | How I Did It
“We’re bonded in a way that I don’t know many other ‘Trek’ families are, truthfully,” actress Celia Rose Gooding says
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In ‘Tokyo Vice,’ Historical and Cultural Accuracy Drove the Show’s Portrayal of 1990s Japan | How I Did It
“When I see the Japanese audience responding enthusiastically to the show, then I feel like we’ve really done our job,” EP and director Alan Poul says
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‘Lessons in Chemistry’ Team Had to Craft 3 Different Decades of Sets, Hair and Makeup: ‘It Was Always About Realism’ | How I Did It
“The prep for the overall show was huge,” hair department head Teressa Hill says in TheWrap’s video series
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‘Killers of the Flower Moon’ Design Team Felt a ‘Personal Challenge’ to Tell the Osage’s Story Correctly | How I Did It
Production designer Jack Fisk and costume designer Jacqueline West unpack their authentic approach to the Oscar-nominated Apple film
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‘Barbie’ Designers Created a Dream House That Was an ‘Idealized Version of a Remembered Past’ | How I Did It
“We weren’t recreating a dream house, we were making our dream house,” Sarah Greenwood says
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‘Society of the Snow’ Director J.A. Bayona and His Team of Artisans on Their Unique Approach to Telling the Emotional Story | How I Did It
Composer Michael Giacchino, a longtime friend of Bayona, scored a scene the morning after screening an early cut of the Netflix film
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‘The Color Purple’ Filmmaking Team on the Delicate Balance of Musical Sequences and Dramatic Scenes | How I Did It
“You don’t feel like you’re stopping a dialogue scene and starting a music scene,’” says editor Jon Poll
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Dua Lipa Approached Writing ‘Dance the Night’ as If She Was Scoring the Scene | How I Did It
“It’s very different when you’re writing to picture,” Lipa tells TheWrap of her approach to the “Barbie” dance anthem
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‘Invisible’ Visual Effects in ‘Killers of the Flower Moon’ Were Vital to the Film’s Storytelling | How I Did It
Visual effects supervisor Pablo Helman reveals the bounty of CG effects that go unnoticed in Martin Scorsese’s epic
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‘Perry Mason’ Season 2 Production and Costume Designers Crafted 1930s LA Noir for the HBO Series | How I Did It
“The one mandate that we had from everybody was, let’s make this as real as we possibly can”
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‘May December’ Director Todd Haynes Breaks Down the Film’s Use of Mirrors to Reinforce Key Themes | How I Did It
Presented by Netflix, the filmmaker, cinematographer and writer of the drama explain how they captured visual tension between characters
