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do you think she's a forgot...
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ppspspsspsps @harlsive
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If you're a writer you're supposed to write a lot of bullshit. It's part of the gig. You have to write a lot of absolute garbage in order to get to the good bits. Every once in a while you'll be like "Oh, I wish I hadn't wasted all that time writing bullshit," but that's dumb. That's exactly the same as an Olympic runner being like "Oh, I wish I hadn't wasted all that time running all those practice laps"
stellarbearextraordinaire-deact
This is incredibly true. Natalie Goldberg in Writing Down the Bones calls this process composting and describes how she has filled notebook after notebook with, paraphrasing her own words, self-indulgent and unconsidered writing. Intentionally! Because it's good for the process. It's good to write whatever comes to mind without judging it while you write it and then come back later with a critical (but appreciative) eye.
Reblogged grubus
Anonymous asked:
this might be weird to ask, but how do I critically look at another person's writing and implement what I like in their writing in my own writing? I've been having trouble improving in my writing, and frankly Im not sure how to go about doing that, even. It's easy to see what I like about another person's writing, but hard to pinpoint exactly why...
THIS IS NOT WEIRD TO ASK. It is, in fact, the most important question EVER.
How to Read Like a Writer
Re-read. If you get halfway into a chapter and think, Wow this chapter is super creepy–I wonder how they did that. Or get to the end of a book and think, I feel the poignancy of the fragility of human life in an inherently volatile economic system–I wonder how the writer made me feel that way… Go back and re-read that shit.
Read slowly. When you read like a reader, you read pretty fast. When you go in for your second, or third, or fourth re-read of a passage, chapter, or book that you want to know more about, read it slowly. Really. Slowly.
Read for technique, not content. Readers read for content (”In this paragraph, Damien gave Harold a classified envelope.”). Writers read for technique. (”In this paragraph, the writer made me feel curious about the contents of the envelope by giving sensory details about its appearance and weight.”)
Ask the right questions. They usually start with HOW: How did the writer make me feel? How did they accomplish that?
Read small. Did a chapter make you feel sad? Find out WHERE EXACTLY. What paragraph, sentence, or WORD did it for you? Was it a physical detail? A line of dialogue? A well-placed piece of punctuation? Stories are made of words and sentences. Narrow it down.
Practice. Reading like a writer is a skill that takes time to develop. Over time, you’ll get better at it!
How about y’all? Anything to add to this list? I made it off the top of my head so I’m sure I’m forgetting something. What have been your experiences with learning to read like a writer?
Hope this helps!
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The Literary Architect is a writing advice blog run by me, Bucket Siler. For more writing help, check out my Free Resource Library or get The Complete Guide to Self-Editing for Fiction Writers. xoxo
Reblogged grubus
it's so wild to me that you absolutely cannot force a hyperfixation to happen. like you'll watch the most perfectly tailor-made-for-you content that everyone says you'll love and feel absolutely nothing, and then the thing you watch on a whim to fill time will reach through the screen and put its damn fingers in your brain and start rearranging the neurons right in front of you and every single time you're like THIS??? THIS??????? and this happens like every 6-12 months forever
Reblogged nights-at-crystarium
Periodic rent-lowering-gunshots:
- Fiction is not reality.
- You can enjoy things in fiction that would be awful in the real world. Like playing a murderhobo in a game! In the real world, being or supporting a murderer-thief would be pretty damn awful, while in the game it's just good fun. Same with anything else you choose to do with the pixels on the screen, like kinks that don't affect anyone real, so they're okay in fiction, but would be pretty damn bad in real life.
- No one else is responsible for your online experience. They are required not to harass you, but they are not and never will be obligated to not post about ships, kinks, or tropes you dislike just to avoid you seeing them. It's up to you to blacklist words or phrases, block tags, or even block users as needed to avoid seeing content that upsets you.
- No one can force you to read anything against your consent. Any content you don't like seeing can be instantly avoided by closing out of the offending post/fic.
- You are not owed an online experience free of discomfort.
- Nothing that happens in your imagination can ever make you a bad person. Words you write or read about fictional characters will never make you a bad person.
- The claim that media consumption influences real-life behavior is intellectually dishonest and serves only to excuse the behavior of real offenders.
- Fiction is a safe way to explore horrifying or confusing concepts. Therapists agree that fiction, even (or especially) about taboo topics is a good coping mechanism, especially, but not exclusively, for trauma survivors. Fiction is to adults what play therapy is to children. This doesn't stop being true if the work in question is of a sexual nature.
- Sex isn't an inherently worse or better motivation than anything else. A work written to create feelings of arousal isn't dirty, shameful, or in any way less pure than works written to entertain, provoke moral questions, or for other reasons. And worth noting is that multiple purposes can exist in the same story, especially fanfiction.
- You aren't entitled to an explanation for why someone reads, writes, or otherwise enjoys certain works, kinks, tropes, ships, etc.