Meet my father-in-law, Bob Coats. He is a retired veteran. He’s been a CPA for over 50 years. He is a good husband. He is a good father and grandfather. All of those things are awesome….yet every time I am around him, I always end up asking him about his time at the Tiger Movie theater in Auburn, Alabama.
His dad, Gus Coats, was the manager of the Tiger theater from the late 1930s until 1959. So it is safe to say that Bob grew up in his dad’s movie theater. After years of asking Bob lots of Tiger theater questions…I finally figured it was time to share this information. So here….after eleven plus years of questions is my “interview” with Bob Coats.
Cogerson: So how did your dad end up being the Tiger theater manager in Auburn, Alabama?
Bob Coats: My dad actually was a vaudeville stage manager in Chicago. As vaudeville started to fade out many of the vaudeville theaters became movie theaters. So it was a pretty natural transition for him to move from vaudeville theaters to movie theaters. He went from Chicago to the Empire theater in Montgomery, Alabama to the Tiger theater in Auburn.
Cogerson: So did your dad get to know any famous performers during his time in vaudeville?
Bob Coats: Yes he did. Probably his best friendship was with Jimmy Durante. Durante had a very popular radio show and television show. At the end of each show Durante would say “Good night, Mrs. Calabash, wherever you are.” For years it was a great mystery as to who Mrs. Calabash was and why Durante said it. My dad hinted that Durante shared the Mrs. Calabash secret with him.
Cogerson: So what are your first memories of the Tiger theater?
Bob Coats: I remember when I was around 5 years old (1944), my dad would grab our red wagon, load up me, my older brother Gus and our Boston bulldog Major, and drag us over a mile to the Tiger theater. Once we got to the theater, Gus (my brother), Major, and I would play hide and seek in the theater as my dad would be checking the prints of the movies. Eventually Major would get bored and head to the seats in the front of theater where the kids usually sat and find the used bubble gum that was always laying on the floor. Every time we left, our mother would say…”Keep Major away from the gum”…and every time we came home his head and whiskers would be covered in gum. Every time my mom would have to clean Major up…. including using alcohol to get his whiskers clean…. which Major did not like at all. As I got older playing time was replaced by working at the theater. From 1944 to 1961 I went from playing hide and seek to being the marquee person to running the concession stands to the assistant manager of the Tiger theater.
Cogerson: Was the Tiger theater the only movie theater in town?
Bob Coats: Auburn had two theaters back then…. our Tiger theater and the War Eagle theater. Our theater was part of a chain that was based in Atlanta, Georgia. The War Eagle theater was an independent theater. Back then the studios had contracts with the theaters. Because ours was part of a chain the studios were more interested in signing contracts with the Tiger theater than the War Eagle theater. We ended up with contracts with Paramount, Warner Brothers and MGM. The War Eagle had contracts with RKO and United Artist. So, if you wanted to see the new Bob Hope or Bing Crosby movie you had to come to the Tiger theater…. if a new Disney movie came out you had to see it at the War Eagle theater.
Cogerson: How long would it take for a new movie to reach Auburn?
Bob Coats: Back then movies were released differently. There was no real opening weekend like you see today. Back than a new movie would open in the big cities. Then slowly the movie would reach the rest of the country. The closest big city to us was Birmingham, Alabama. About a month to 6 weeks after it played in Birmingham it would finally reach Auburn.
Cogerson: Wow…today even the biggest box office hit is pretty much out of theaters in 6 weeks. How did you combat the delay of it getting to Auburn?
Bob Coats: Not many people had the time to drive to Birmingham to see a new movie. Plus, the movie theaters were one of the first places to have air conditioning. We used to have a banner hanging in front of the movie that advertised about how nice and cool it was in the theater. Being in the deep south that was a huge advantage for us in the summertime. The draw of air conditioning far outweighed the need to see a new movie miles away. Our theater had used cooling towers as air conditioning units…which were huge and very loud. Those cooling towers had excess water trays that had near-freezing water in them…..during the summer we would drop a couple of watermelons in those water trays…and about two hours later you would have the best tasting, perfect temperature watermelons ever! Just one of the benefits of working at the Tiger theater.
Cogerson: How did Paramount get the movie reels to your theater?
Bob Coats: Well, my dad’s theater was part of a chain. That chain had a guy whose job was to pick up and drop off the movie reels and promotional materials on a weekly basis. He had a key to our theater and would drop off and pick up the reels in the middle of every Thursday night or Friday morning. We never saw him…. but we knew when he had been in the theater…. because the old stuff was gone, and the new stuff had arrived. The night before he was due, we had to collect all the promotional materials that Paramount had sent out to promote the movie and get them ready for pick-up. This included all the photos they sent out, the movie posters, and all other items related to the movie. The only thing we could keep was the 24-sheeters.
Cogerson: What are 24-sheeters and why did the studios not want them back too?
Bob Coats: 24-sheeters were used for outdoors promotions. They would arrive with 24 individual sheets that together would make one giant billboard poster for an upcoming movie. We would paste all the sheets together on the side of the building…it was basically like putting a puzzle together. Generally, they would stay up for about a month……until a new 24-sheeter would arrive. The only reason the studio did not want them back was because they were trash when it came time to take them down.
Cogerson: So, you only had a movie for a week and then it was gone? What if it was a big hit and the demand was still great?
Bob Coats: We usually had so many showings that anybody who wanted to see a movie had the chance to see it Friday through Tuesday. Typically, a new movie only played Friday night, Saturday night, all day Sunday, Monday and Tuesday. On Wednesday and Thursday, we would run a second run movie. A second run movie would be a movie that already had played in our theater…and was usually a year or two old. However, when Bing Crosby and Bob Hope had a new movie…those movies played all week…. we called them all-weekers. Normally Friday and Saturday mornings and afternoons belonged to the kids….and we would run B Westerns and serials. Saturday was when Gene Autry, Roy Rogers, Randolph Scott, and Trigger ruled. The Three Stooges were also very popular. Some of the kids would arrive in the morning and sit through all the showings of the movie….in many ways the theater was like a baby-sitter service.
I liked when Crosby and Hope had a new movie…because it meant I did not have to change the marquee as many times. Changing the marquee was one of my main jobs at the theater and normally in a week I would have to change the marquee three to four times a week. I earned 50 cents a hour changing the marquee. We even posted the high school and college football scores on the marquee. One of the first rules I learned about doing the marquee signs was the “one thumb width” rule. Between each letter you had to leave “one thumb width” of space. If you did not follow that rule…the marquee would look terrible. Generally, it would take me about 40 minutes to do each side of the marquee.
Cogerson: In this picture of the marquee – why is Opelika misspelled?
Bob Coats: Ha, ha, ha…. that was a sly insult at the rivals in the next town over. They were so unimportant; we didn’t need to spell their name correctly.
Cogerson: Sounds like Friday and Saturday afternoon would get crazy when you got invaded by all the kids showing up.
Bob Coats: Well….the kids did not come empty handed. They normally brought enough money to keep the concession stand hopping. A dollar could get you through the whole day back then. The concession stand was another one of my main responsibilities. Back then…just like today…. concession sales is where the money is at in theaters. I have many fond memories at that concession stand. Me and a buddy used to see who could get the popcorn in the box the fastest….gotta admit he had better technique than mine. He could take a flatten box, and with one hand pop it open and seal the bottom of the box while he scooped popcorn with the other hand. I remember when I was going to Auburn University, I used to have set up the concession stand and make popcorn before going to class. Later, people would smell popcorn on me and want to know why I did not bring any for them.
Bob Coats: I remember one little boy who turned out to be a very clever thief. Every time he came to the theater, he brought an empty tennis ball can. We could not figure out what he was doing with it. Finally, one day he was spotted sliding candy from the concession stand into the can. When we opened the tennis ball can we found the candy and at the bottom of the can was a bunch of cotton. That way the candy made no noise when he slid the candy into the can….and the person behind the counter never heard the candy falling into the can. I imagine he had to spend some extra time in church for that one. Speaking of church…. on Sunday we were allowed to be open, but we could not open until 1 PM and we could not show movies from 5:00 PM to 7:00 PM. Basically, any time you could be at church services the movie theater could not be open.
Cogerson: One of my favorite movies is called Cinema Paradiso….that one is about a movie theater in Italy right after World War 2….which is the same time frame when you were at the Tiger theater. In that movie…. fire in the projectionist booth was a great fear. Did the Tiger theater ever have any issues in the projectionist booth?
Bob Coats: Thankfully we did not. But the film celluloid was very, very flammable. Our projectionist booth was fireproof. It had crash bars and no wood. It was very, very loud and very hot. Carbon arcs provided the light for movies. The projectionist would strike the arc by turning on the power and then striking the carbons together. The projectionist had to maintain the arc by using two motors in a device called a lamphouse. The carbons burned at about 6,000 degrees.
Cogerson: What was the difference between a good projectionist and a bad projectionist?
Bob Coats: The ones that did not fall asleep were the good ones. The projectionist booth had a two-minute warning saying the reel was about to run out. At that point they would watch for little white bubbles to appear on the screen….and then they would switch over to the new reel. Sometimes the projectionist would fall asleep, and the movie would stop….the booing from the crowd would normally wake up the projectionist. During the summer the projectionist had it rough. It was very hot in there…and there was no air conditioning. Heck they even had a bathroom in the room….and food was brought to them. So once they went in the projectionist booth they did not come out until their shift was over.
Cogerson: Any other memories or thoughts you want to share?
Bob Coats: Sadly there is not much left of the Tiger theater. It was opened in 1928 and stayed open for almost 60 years. Today it is a Gap clothings store. The only item left from the theater that is still there is the tiger architectural sculpture that is on the outside of the building. I did secure some of Tiger theater doors. I had two of them installed at my office and my oldest daughter turned another door into a coffee table that she keeps in her office.
Cogerson: Thanks for all of this great information…..but I do have one final question…..your dad saw the death of vaudeville….did he get concerned when television started to keep movie goers home?
Bob Coats: My dad was not worried at all. First of all.. Hollywood was not going to go down without a fight. First came 3D movies which became very popular for a little bit. Then came CinemaScope which offered the biggest picture ever. We actually had to remodel the theater to be able to have the larger screen. Our seating capacity went from 715 to right around 600. Finally he felt that as long as Hollywood made quality movies then people will come out to the theater. He felt that going to the movies was a social event….and people would never stop coming. His words have come true. Even today with all the entertainment choices, people are still heading to movie theaters.
2021 update: Due to a question from Ronnie Cooper (6 June 2021): “Tell me, how did the theater handle the black patrons, or were they simply rejected?”
Bob Coats: Prior to integration in the South, the Martin Theater in Opelika had a balcony and a separate ticket booth and entrance for the blacks. Neither the Tiger Theater or War Eagle Theater in Auburn had a balcony or a way to separately accommodate blacks. There was a small theater in Auburn for blacks, but I don’t remember much about it, as I spent all of my time at Tiger. I do recall black patrons inside Tiger a few times, standing up at the back, but I don’t recall the situations or any fuss about it. Tiger did have black employees. Keep in mind, this was all well before James Meredith was admitted as a student to the University of Mississippi in 1962, or Auburn University’s integration in 1964.
More Tiger Theater Photos
Thank you. I would love to see some old photos of my uncle Don. I don’t know if your father would have met my father Hubert Stone. He worked for WK Theater Company in Atlanta that owned the Tiger as well as several other theaters in the South. I also remember Nash Wheeler who was my father’s boss at WK in Atlanta.
I remember Gus and Bob Coats and their dad very well. The Tiger Theater was special. In the late 1950s I was the head projectionist for the theater. Donnie Stone was my boss. We had four or five huge reels for each movie. We spliced the news and cartoons each time we changed movies. We had two projectors with carbon arc lamps that provided exceptionally bright (and hot) light. Change overs from reel to reel had to be very smooth to avoid gaps in the movies. It was a great job for a college student.
Homer – my dad, Bob Coats, only has a vague recollection. My dad’s duties were downstairs at the candy and popcorn counter. My uncle Gus was the family person with projection duties, but he passed away in 2018.
Do you have any pictures from this era you would like us to add to the page? I found your email address and offered up Dad’s home phone number and my mom’s email address if you’d like to reconnect with Bob.
WoC
MY OWN PRIVATE TIGER and memories of other Belfast cinemas in days long-past
[Extracted from exchanges with Bruce yesterday and tody about Christmas movies]]
I mentioned that the director of the 1951 Scrooge -Brian Desmond Hurst – lived in the Belfast street where my wife was born (and raised until she was 20 and married me). She was at 52 Ribble Street and he lived in No 23 – though they were like ships that passed in the night as she was born in 1951 the year that he directed his Scrooge of course! [His entire family worked in the Belfast Shipyard at one time or another].
Coincidentally the Strand Cinema which is about 2 mins drive from where I now live is the only Northern Ireland cinema still standing that was around in my youth-
and that was where the young Bob in the 1950s sat enthralled with for example Brando in Guys and Dolls and Sayonara, The Duke in Hondo and The Searchers, Golden Holden in Escape from Fort Bravo and The Proud and the Profane, and Laddie in O’Rourke of the Royal Mounted and The Proud Rebel –
and at the entrance door to the Strand there is today a plaque commemorating Brian Desmond Hurst and his connection with both Scrooge and Ribble Street Belfast.
Anyway the other GOOD NEWS: IMDB – which unlike the Work Horse does include TV movies in its list of 100 Greatest Xmas Movies! – rates Hurst’s Scrooge as not just the definitive version of Scrooge but 3rd the best Christmas movie overall EVER.
And the BAD news? Sadly IMDB lists that 1951 Scrooge just below Die Hard which is at no 2. I suppose that you can’t win em all as the saying goes [the likes of The Duke and Laddie apart of course] .
Hey Bob. Funny that you commented on this page. That Bob, her dad, visited us this Christmas (mainly because KTCat94 just had her first child. Anyway my in laws flew in, but their airline had a serious issue, so we had to drive them back. Well during that 450 mile trip we talked about his time at the Tiger. We were talking about his interview when I looked up his page and saw your comment. I agree with your name 100%. Everybody should have a Tiger or Strand in their life.
As for the Xmas movie rankings, good to see that you are finally reading some good sources…..lol. Sadly the Die Hard holiday season is almost over! Happy New Year!
HI BRUCE: Thanks for keeping me informed of some of your current key family matters. Some coincidence that “Tiger” drive, wasn’t it?
Actually in the mid-sixties you could say I had a 2nd Tiger experience following my Strand days in the 1950s.
[I may have mentioned this before -I mention MANY things!] When I was serving with the British Royal Air Force in the Middle East during 1963/64 we had an open-air cinema which I nicknamed “The Cinema with No Name” [even, albeit shortly, before Clint’s Fistful of Dollars emerged].
It mostly showed old films along with a few new ones and because of my familiarity with the stars and the taglines I was “hired” to handle the advertising via printed programmes etc; my fee was a permanent pass to the cinema for my entire military tour of the Middle East which was for 12 months!
In the early 1950s I used to show up at the Strand last thing on a Saturday night and hold posters for the usher who was making the weekly change to advertise next week’s films. On one occasion he promised me a free pass
for a movie as my reward but it never materilaised. He was maybe as “tight” as Randy Scott and Al Leach (who reportedly although rolling in money shared an apartment together for a while so that they could hoard even more dollars)!
Anyway as you indicate another Die Hard Christmas season now moving further away in our rear-view mirror but what will 2023 bring – Die Hard 6: The Straight to Video Cut ? For now though I’ll close with Happy New Year to the Cogersons – and the McClanes!
Small child tossing and turning in bed on Christmas Eve one year in the Cogerson household:
“Daddy , I can’t sleep!”
The Work Horse: “I fully understand. You are over- excited about Santa’s coming visit.”
“That’s right,” replies the child yawning.
LATER in the Cogerson master bedroom Wo C says “You are now tossing and turning, dear. YOU don’t believe in Santa, do you?”
The Work Horse: “Of course not. It’s just that I can’t wait until we all sit down together again on Christmas Day and watch Die Hard.”
W o C: My oh my! You must have seen that more often than Howard Hughes watched The Conqueror or Elvis watched The Wild One.
The Work Horse: “Well love it’s one of the all-time great Christmas movies. Surely EVERYBODY must be watching it over the festive season.”
W o C: “Which for me has given a whole new meaning in this household to the 1940 Dick Powell/Preston Sturges movie Christmas in July”!
Tell me, how did the theater handle the black patrons, or were they simply rejected?
Hey Ronnie. That is an awesome question. I currently do not know the answer but I am heading to Alabama later this month, and I’ll be sure to ask my father-in-law how that worked. In previous conversations I know Auburn head two theaters. Those theaters were separated by film studios versus race. As soon as I find out the answer I will share it here.
Page updated above (see last paragraph) with the answer to this question. We got not only more movie theater memories, but his Army stories related to the Cuban Missile Crisis, and his Army unit involvement with integration at the University of Mississippi in 1962.
I seem to remember going to the Tiger for Saturday morning shows. I believe they were kids shows. We had to have two Golden Flake Potato Chip bags and six Coke bottle tops. Can you tell me anything about what years this might have been?
Bill,
I called my father to ask – he doesn’t remember anything about potato chip bags and coke bottle tops. He says the Saturday morning for kids started after WWII, and ended when TV became a big thing – late 1960’s or so. Kids would be dropped off in the morning and stay there all day watching movies and eating snacks, then the parents would pick them up in the afternoon.
I do remember the kids shows and I remember that you could get in for 10 RC bottle caps. My name is John Stone and I am the nephew of Donnie Stone. I do remember Mr Coats and I think was in elementary school when he passed away. After Mr Coats passed away they made my uncle Donnie the manager of the theater. I spent several summers in Auburn and even worked at the Tiger a few summers. I don’t remember ever meeting Bob Coates but I sure remember his father, Mr Coats.
Hey John. Thanks for stopping by and checking out our Tiger Theater page. My wife is reaching out to her dad to see what he remembers. Good to see you remember the good ole days of the Tiger Theater.
John – my father easily remember your uncle. He has pictures of him in action. We will see about hunting them down and posting them here.