Again, such references are related to Indian religion and literature, where the body of a woman is sometimes compared to that of a river, an inexhaustible source of energy that, through the practice of tantric yoga, may be awakened and transmitted to her partner, the
yogin. The same applies to "Goddess of the Rocks--Prajnaparamita--Wisdom and femininity", painted between July and November 1954 (figure 9), in which the painter seems to associate a woman bathing in the pools surrounded by dark rocks in the torrents of the Pellice valley to the Buddhist goddess Prajnaparamita, the symbol of the "Perfection of Wisdom" body of Mahayana texts bearing that title.
of California-Berkeley) explores how Sangye Gyaltsen (1452-1507) became the Madman of Tsang, Tsangnyon Heruka, and summarizes his subsequent activities as a mad
yogin. He also places the figure of the mad
yogin historically and geographically.
"Fakirs,
Yogins, Europeans" e o titulo do capitulo segundo, no qual Singleton revela algumas representacoes de yogues elaboradas por visitantes europeus quando em visita a India.
As the Divine
Yogin and the Eternal Creator, both of
By emptying the flow of subtle energy from the peripheral channels into the central channel (also called sunyata nadi) and guiding it upwards into the crown cakra via a series of advanced practices including khecari mudra and kevala kumbhaka, the adept
yogin or yogini becomes aware of deeper and more penetrating levels of consciousness and witnesses (or visualizes) the progressive transformation of the material body (sarira) into an immortal or divine body (divya deha).
Carter Page III Woody Harrelson Lynn Lockner Kristin Scott Thomas Natalie Van Miter Lauren Bacall Abigail Delorean Lily Tomlin Jack Delorean Ned Beatty Emek
Yogin Moritz Bleibtreu Larry Lockner Willem Dafoe Mungo Tenant William Hope Detective Dixon Geff Francis Robbie Kononsberg Steven Hartley Chrissie Morgan Mary Beth Hurt Paul Schrader's "The Walker" reworks one of his favorite plot tropes: the ne'er-do-well whose soul is purified in the heat of a murder investigation.
The poetic voice that appears in the sections comprising the poems central column is compared to a
yogin practicing pratyahara, the process of "controlling consciousness by diverting attention away from attachment of the senses to external objects and redirecting the senses and mind back into the Subtle Body" (97).
'The
yogin, absorbed in contemplation, contributes in his degree to creation: he breathes a divine perfume, he hears wonderful things." (31) Similarly, in one of the most serene and affecting passages in Walden, Thoreau shows his indebtedness to the yoga of meditation in "Sounds": Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sang around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller's wagon on the distant highway, I was reminded of the lapse of time.
In yogic perception, the
yogin, through meditation, acquires the ability to pierce through the veil of tamas so that the mind can make direct contact with the objects.
identified as the proper end for the
yogin, as is articulated, e.g., in
phyogs med rikhrod) is the itinerant
yogin's rightful abode, as he or she has ideally severed all societal ties.
