References in classic literature ?
Annals of the English Stage, from Thomas Betterton to Edmund Kean.
The first stage of Michael's new adventure involved no unusual hardship, despite the fact that he was so cramped in his crate that he could not stand up and that the jolting and handling of the crate sent countless twinges of pain shooting through his shoulder.
The manager perched himself, book in hand, on a stool close in front of the stage. He was an active little man, of a sweet and cheerful temper; and he gave the signal to begin with as patient an interest in the proceedings as if they had caused him no trouble in the past and promised him no difficulty in the future.
An orchestra of yellow silk women and bald-headed men on an elevated stage near the centre of a great green-hued hall, played a popular waltz.
The floor of the stage consisted of smooth boards, at the sides was some painted cardboard representing trees, and at the back was a cloth stretched over boards.
The audience sat in the cool gloom of a deep twilight, which greatly enhanced the glowing splendors of the stage. It saved gas, too, and people were not sweated to death.
Then by degrees the churches grew too small to hold the great crowds of people who wished to see the plays, and so they were acted outside the church door in the churchyard, on a stage built level with the steps.
Harlequin and Pulcinella were reciting on the stage and, as usual, they were threatening each other with sticks and blows.
Again, when lovers are coming forth, soft music often conducts them on the stage, either to soothe the audience with the softness of the tender passion, or to lull and prepare them for that gentle slumber in which they will most probably be composed by the ensuing scene.
But we continually over-rate the perfection of the geological record, and falsely infer, because certain genera or families have not been found beneath a certain stage, that they did not exist before that stage.
The old stage coach was rumbling along the dusty road that runs from Maplewood to Riverboro.
It is proper rather to Comedy, where those who, in the piece, are the deadliest enemies like Orestes and Aegisthus--quit the stage as friends at the close, and no one slays or is slain.