This observation seems intuitively obvious in Europe and pearl-clutchingly shocking in America:
What’s perfectly acceptable behaviour when you are a relatively small company becomes outright illegal (and rightly so) when you become dominant in an industry.
Past some point, making a system more efficient will mean making it less resilient, and, conversely, building in robustness tends to make a system less efficient (at least in the short run).
This is true of software, networks, and organisations.
When we set metrics or goals for a system or a team or an organization that ask for efficiency, let us be aware that, absent countervailing pressures, we are probably also asking for the system to become more brittle and fragile, too.
To be honest, I’m not all that convinced by Robin’s arguments here about overhauling the governance model at the World Wide Web Consortium (partly because the way he describes the current model sounds pretty okay to me). But I’m very interested in what he has to say in the broader philosophical sense about using values to solve problems:
A value is worth something if it’s there to help you when the rubber hits the road and starts hydroplaning. Sure, you’ll need a handful of high-level lofty values as reminders, if only because there’s always a vocal guy (it’s always a guy) who thinks it’s just outrageous to put people before profits. But mostly you want Values You Can Use.
That might be the best description I’ve come across yet for design principles: values you can use.
When we say that engineering is about trade-offs, we’re saying that engineers solve their hardest problems using values (which they call “heuristics” because everyone’s entitled to be fancy some). In implementing a system, you might need to decide between an option that provides people with the best experience, another that delivers the greatest value to the shareholders, and yet a third one that makes the control centre blinkenlights dance in the prettiest way.
I had fun coming up five trad music tracks related to the letter J.
I played a lot Lords of Midnight (and Doomdark’s Revenge) on my Amstrad 464 when I was a kid. Turns out there’s a dedicated labour of love to port the games to modern platforms. I just downloaded the OS X port, so there goes my weekend.
I wrote a while back about one of my favourite photographs but this might just give it a run for its money.
It was only near the end of the 19th century that shutter speeds improved, as did emulsions, meaning that spontaneous moments could be captured. Still, smiling was not part of many cultures. It could be seen as unseemly or undignified, and many people rarely sat for photos anyway.
Well, this is a rather wonderful mashup made with data from thesession.org:
The distribution of Irish traditional tunes which reference place names in Ireland
Myself and Jessica joining in some reels and jigs.
This is nifty—a map of all the Irish music sessions and events happening around the world, using the data from TheSession.org.
If you’re interested in using data from The Session, there’s a read-only API and regularly-updated data dumps.
A fascinating thought experiment from Ted Chiang:
So let’s imagine a world in which Chinese characters were never invented in the first place. Given such a void, the alphabet might have spread east from India in a way that it couldn’t in our history, but, to keep this from being an Indo-Eurocentric thought experiment, let’s suppose that the ancient Chinese invented their own phonetic system of writing, something like the modern Bopomofo, some thirty-two hundred years ago. What might the consequences be?
An examination of how sites like The Session are meshing with older ideas of traditional Irish music:
There is a very interesting tension at play here – one that speaks directly to the design of new technologies. On the one hand, Irish musicians appear to be enthusiastically adopting digital media to establish a common repertoire of tunes, while on the other the actual performance of these tunes in a live session is governed by a strong etiquette that emphasizes the importance of playing by ear.
There’s an accompanying paper called Supporting Traditional Music-Making: Designing for Situated Discretion (PDF).
Okay, this is kind of nuts: some researchers have seeded a neural network with all the tunes from The Session. Some of the results are surprisingly okay. It’s certainly a fascinating project.
Like an Enid Blyton adventure for the 21st century, James goes out into the country and explores the networks of microwave transmitters enabling high-frequency trading.
If you think that London’s skyscraper boom is impressive – the Shard, the Walkie-Talkie, the Cheesegrater, the Gherkin – go to Slough. It is not height that matters, but bandwidth.
A really nice short film about the Willie Clancy Summer School. It makes me want to get back to Miltown Malbay this July.
I remember a talk and discussion at SxSW a few years back about trying to improve the efficiency of trade networks by making them more web-like: there are ships full of empty cargo containers, simply because companies insist on using the container with their logo on it. I really, really like the idea of applying the principles of packet-switching to physical networks.
But here’s the hard part:
The technology is not a problem. We could do it all in 10 years. It’s the business models and the mental models in people’s minds.
The trailer for a documentary on flutemaker Patrick Olwell. The film should be done later this year.
Freaky stuff. If you’ve seen Kevin Slavin or James Bridle talking about the increase in property prices on Wall Street as the buildings get closer to the network hub …that’s nothing—these are the new centres of world power; places where the speed of light interferes least with the speed of transactions.
Amazon will now pay you for your old video games. Good move.
Matt Ridley's new book sounds like a corker.
The cumalative effect of these captioned pictures will ease you through any financial crisis.