procrastination > actually writing

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
creatrackers
ruvastuon

Pick 3 OCs and give them each a song

Thanks for the tag, @literally-just-zay

I was planning to just do three but it was pretty fun so I just did the whole squad.

MA- Time in a bottle (Jim Croce)

Above all else, MA loves the world and wants to cherish every moment in it.

Owen- Army Dreamers (Kate Bush)

I had trouble with this one, but it fits him best because he could have been so much more if he had been given proper care.

Ember- Gasoline (Halsey)

Ember wasn't always a piromaniac, but one too many blows to the head, and one failed burning execution changed many things about her.

Bonus!

Tori-Baker (Aimee Carty)

He is quite skilled and, in his own way, very good at his job. He just works with crazy people who are better than him in their fields.

Hati- Believer (Imagine Dragons)

A core concept of Hati is his ability to change the world based on his beliefs

Billy- Gotta Be A Reason (Alec Benjamin)

The centuries have not been kind to Billy, but he has to keep moving because who else will?

No pressure tagging: @kuebiko-writing @renasdoodles @davycoquette @flurrysahin ,

@somethingclevermahogony @creatrackers

creatrackers

So fun!! Thanks for the tag!!

Holly (Creatrackers): Ghost Adventure Spirit Orb - Chloe Moriondo

Milly (MOTS): My Tears Ricochet - Taylor Swift

Aurymn (MOTS): Meet Me In The Woods Tonight - Lord Huron

Honestly so many Lord Huron songs fit both Milly and Aurymn... At Sea... Cursed...

I'll be tagging @annarts05 @comicgoblinwrites @toribookworm22 @little-mouse-gardens @buffythevampirelover + open tag!

annarts05

ooh thanks for the tag!!

Thomas: Paper Crown by Alec Benjamin

Ralph: Tough to be a Dreamer by Felix Hagen and the Family

Cordelia: Lunar Years by Maisie Peters

tagginggggg: @youjustfeelthemforever @splashinkling @kaylinalexanderbooks

author-a-holmes
nondelphic

how to outline a story:

  1. write a bullet point list of everything that happens
  2. realize it doesn’t make sense
  3. cry
  4. start writing anyway
author-a-holmes

  1. Write a bullet point list of everything that happens.
  2. Realise that it doesn't make sense, but that's okay because an outline is just a guideline anyway.
  3. Start writing, and notice that as you write you are changing things from your outline to better tell the story you wanted to tell.
  4. Be shocked that you can adjust your outline as you write, to accomodate the additional storytelling you've discovered as you go, and that an outline is just a set of railroad tracks to take you in the right direction, meanwhile, the story is the train.
  5. Have FUN.
they change constantly thats the POINT
em-dash-press-deactivated202410
archaeren

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol)

Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3)

The other factors that have improved my writing are thus:

1. Writing nonlinearly.
I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that.

It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it.

Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this.

And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate.

Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long.

But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it.

If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!!

Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work.
I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!)

Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing.

So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol)

(Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.)

When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them.

As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong.

3. Marinating in the headspace of the story.
For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it!

Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

best advice this makes so much more sense now o-o
thetruearchmagos
insomniac-arrest

I don’t think any movie will make me feel the same ethereal sense of otherworldly sorrow and disembodied awe as that scene in Lord of the Rings where the loyal son is sent off into a doomed battle to please his vindictive father while Pippin sings a mourning song of his people

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I was like 12 and high off this shit

lotrlocked

These movies CHANGED ME

jaskierxyennefer

This is one of my favourite parts of the whole trilogy. It’s haunting.

ink-splotch

And that Pippin takes actually a happy walking song of his people, because Hobbit songs are generally happy and about food and drink and gifts and things, and *transforms* it into a mourning song.

The song is from Fellowship, before all the heavy plot hits and they’re still in the Shire. It’s about walking, and how eventually all the bad things that scare or sadden you will fade away and you’ll be home warm by the fire.

And Pippin takes it, changes the lines, the key, and sings a song that is truly fit for Denethor’s great hall.

fiddlepickdouglas

Knowing Billy Boyd gave his own melody to it and everyone had chills after hearing him sing it. This is how you get actors involved with the story and character, this is how amazingly well these films were cast. Fans have been singing that haunting tune in echoing halls and caves and towers for 20 years now and it never loses its beauty.

moonymango

Home is behind

The world ahead

And there are many paths to tread

Through shadow

To the edge of night

Until the stars are all alight

Mist and shadow

Cloud and shade

All shall fade

All shall

Fade

photogirl894

And even better: Billy Boyd composed the tune to the song and then performed it for Peter Jackson and everyone else while filming. They only did one take! That very first take is the one that’s used in the film! He’s just that good!!

freenarnian

Every now and then I like to pull up this video of Billy Boyd being endearing and silly and choked up about Boromir’s death scene, and then performing this song upon request:

theoriginalsuki

I sing it as a lullaby to my children but I use the original “away shall fade” to make it less sad because they’re just babies. uwu

prismatic-bell

Not even my fandom and I have chills.

prismatic-bell

You know what, I’m not done. Every aspiring writer should watch that scene and keep in mind the axiom “every person is the protagonist in their own mind,” because Denethor and Pippin are having TWO ENTIRELY DIFFERENT CONVERSATIONS.

Here’s the translation of how it goes.

WHAT DENETHOR SAYS: can you sing, Master Hobbit?

WHAT DENETHOR MEANS: I want entertainment and you’re from far lands. That’s a novelty here.

WHAT PIPPIN HEARS: I don’t care that I just sent my son to his death. Entertain me.

WHAT PIPPIN SAYS: yes. Well, well enough for my own people. But we have no songs fit for great halls.

WHAT PIPPIN MEANS: yes. But not for you. And our songs aren’t for people who engage in such cruelty.

WHAT DENETHOR HEARS: yes, but I’m embarrassed because mine are simple folk, and you’re very grand and regal. There’s no way I could be of any use to you.

WHAT DENETHOR SAYS: and why should your songs be unfit for my halls? Sing me a song.

WHAT DENETHOR MEANS: we’re all equals culturally. I’m a benevolent ruler, I don’t think your songs are inferior to those produced by my skilled musicians. Let me engage with your culture.

WHAT PIPPIN HEARS: I have literally already forgotten about my son. I’m more interested in entertainment and food, things you normally adore and which I’m making a mockery of by my actions. So sing to me songs of those things you love, entertainment and food. My son doesn’t matter to me and shouldn’t matter to you.

And then Pippin sings.

WHAT DENETHOR HEARS: what a pretty little song.

WHAT PIPPIN IS SAYING WITH THE SONG: fuck you for doing this to your son, who I love. Fuck you for doing this to me, as I mourn. Fuck you for making a mockery of the things I love, when it’s clear you don’t care for them any more than you do for YOUR SON. Your child, who you should want to protect. If you won’t mourn in these halls, by everything I hold dear I swear SOMEONE will.

Pippin can’t say any of this out loud. But his word choices are extremely deliberate. And so are Denethor’s! He does not see himself as a bad person! I don’t know enough LOTR to know if he’s a villain or just an asshole, but the important thing here is HE THINKS OF HIMSELF AS NEITHER. He’s a good guy who’s had to make some hard choices, that’s all. It’s the editing that tells you he’s not actually that at all.


This is a MASTERCLASS in “everyone is their own protagonist” and if this is the standard the movies rise to all the time I understand why y’all love them so much, because holy shit. That’s incredible.

none-ofthisnonsense

@lotrheritageposts

lotrheritageposts

LOTR Heritage Post

elodieunderglass

The best thing about LotR fandom is probably that it’s like a little ecosystem that does not require much new material to chew on. People regularly lift the lid and peek in and there is everyone feasting on a 24 year old adaptation like it’s a whalefall and they’re like are you STILL doing that? and we’re like yeah? Pull up a fuckin bone

choatic-bumblebee-agenda
sleepydrupe

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rgb siblings!!

i loved drawing this sm i feel like the more i draw ninjago the more my art has been improving !!! i wanna draw more of the ninja too besides. cole and kai LOL gotta give the others some more love <33 and if any of y'all ever have any requests feel free to ask!! i can't promise i'll get to them but i will definitely try :')

oh and here's the reference photo i used (found off of pinterest)

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shiobookmark
oiaoe

do you ever look back at a childhood memory and think that it should have by all rights become a significant theme in your life and you wonder why the fuck those things/people haven’t come back around yet and then remember that your life isn’t a perfectly plotted out novel?

oiaoe

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Aww shucks. It’s almost like I asked for this opportunity. (I did. Thank you for indulging me, @laughingthelaughiest) General warnings for the description of things involved with terrible car accidents – aka screeching metal and lots of blood. Happy ending though, I promise! Nobody died.

I am six years old. My father plows snow in the winter months, which means that bolted onto the front of his work truck is a very heavy snow plow that – when not in use – rests primly about a foot above the ground like a lady lifting up her skirts as she steps over a puddle.

“Hey kiddo, do you want to come to work with me?” my dad asks one day during a relatively minor* snowstorm.

(* minor my ass)

Because there was nothing more exciting to me at this time in my life than sitting in a warm truck and watching what is essentially a large metal trough push tons of snow from one end of a parking lot to the other, I practically yell, “WHY YES DAD, THAT SOUNDS GREAT!!!” and we get in the truck.

Only instead of arriving at our intended destination, we encounter a car coming from the opposite direction that spins out on a patch of black ice and manages to hurtle broadside at full speed into the plow.

I am pretty much just flung forwards, and terrible things happen to my face when my body continues on its general trajectory towards the windshield. Thanks, momentum!

Luckily (and novel-like), there was a nurse a couple of cars behind us who stopped to see if everyone was okay. She opened my door to find that I was very clearly not okay, and while my father did his best to staunch the blood that was streaming down my face, she tasked herself with keeping me conscious until the paramedics arrived.

Being six and probably concussed, she didn’t talk to me about anything complicated. I did not know who the president was. I sure as heck couldn’t have told you the date. But my favorite subject in school? I know that! Reading! My favorite color? Yellow! My favorite animal? GIRAFFES.

It’s important at this stage to mention that this car accident occurred on a street where people lived, and there had been a group of boys playing in the snow two houses up from where the truck stopped. Boys + crushed cars + blood = apparently just riveting, because a couple of them were staring at me/the vehicles from a couple yards away.

At my presumably slurred but very enthusiastic response of “GIRAFFES!” one of these boys split off from the rest and hoofed it through the snow towards his house. I was too focused on wanting to sleep and the nurse not letting me to notice this, but it for sure happened. As you will see.

Several sirens later, I am loaded into the ambulance wearing a neck brace and what feels like all of the gauze on planet Earth. My dad climbs in next to me, and the paramedic is just about to shut the doors when there’s a very small voice from outside. 

We are all as so:

  • My father: probably still terrified that I’m going to die, literally could not care less what this other tiny child who is not his has to say, wants to get to the hospital, still has to call and tell my mom that I’m injured
  • The paramedic: good at his job, knows I’m stable, has a moment to spare, leans back out of the ambulance.
  • Myself: still in shock, staring up at the rows of medical supplies and disgustingly bright lighting, more concerned that my dad will crush my fingers than anything else going on in, say, the bleeding face area. (Severe head injury? Who’s she? DAD I KNOW YOU LOVE ME BUT PLEASE LET GO OF MY HAND THAT HURTS.)
  • The boy who had hoofed it home and then evidently hoofed it right back: “Would you please give this to the little girl who got hurt?”
  • Me now in the year 2018: wanting to cry because I still can’t believe this is a real thing that happened to me in real life and it wasn’t a dream it was real

So the paramedic says “Yes, of course. She’ll love it!” or something equally as efficient because I am still technically quite injured and they really do need to get to the hospital at some point. The boy leaves, the door is shut, the paramedic sets something on the stretcher next to me.

[pause for dramatic effect]

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We tried to find the kid who gave him to me, but nothing ever came of it. In the back of my fully healed head I’m still waiting for the novel that must be my life to shoehorn that boy back into the plot. Where are you, giraffe man? I have to thank you for the best gift I’ve ever been given.

extravierge

[Images:

½: a screenshotted tumblr reply from user laughingthelaughiest that reads, in all caps, “joe tell us the story”

2/2: a photo of a giraffe plushie posed on a windowsill.]

AWEE