Nan Goldin

In honor of the 30th anniversary of Nan Goldin's book, "The Ballad of Sexual Dependency," here are six photographs from the iconic work.

Ms. Goldin’s multimedia project “Scopophilia” — a term that means “love of looking” — pairs her photos with photos of works from the Louvre.

Outsiders is a new, AGO-curated exhibition of more than 300 photographs and five films by such American masters as Diane Arbus, Garry Winogrand, Nan Goldin, Gordon Parks and Robert Frank

Rafael at Home, 1997 Mark Morrisroe in Bed, 1989 “I am not a photographer,” Gail Thacker insists. “I am a painter who discovered a medium that has a soul with…

How Nan Goldin displayed the effect of AIDS across society through her best medium

All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.

A reissue of “The Beautiful Smile” looks back on Nan Goldin’s highly personal work that combines art photography with a snapshot aesthetic.

Naomi Fry on Laura Poitras’s documentary “All the Beauty and the Bloodshed,” on the photographer Nan Goldin and on the Sackler family’s role in the opioid crisis.

Nan Goldin, Bruce bleaching his eyebrows, Pleasant St., Cambridge, 1975. Silver dye bleach print, sheet: 40 × 27 3/8 in. (101.6 × 69.5 cm) Image: 38 3/8 × 25 3/4 in. (97.5 × 65.4 cm) Frame: 41 × 28 3/8 × 1 3/4 in. (104.1 × 72.1 × 4.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 99.148. © Nan Goldin

“The Ballad of Sexual Dependency” was the seminal photography collection of the eighties, capturing the era’s lawless bohemianism.