Philosophical Perspectives on Fashion, ed. by G. Matteucci and S. Marino, Bloomsbury, London-New York 2017, 2017
ABSTRACT
"Philosophical Perspectives on Fashion" places philosophical approaches at the heart of... more ABSTRACT
"Philosophical Perspectives on Fashion" places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these relationships have influenced and shaped our views on identity and taste, this ground-breaking book also explores the various intellectual and cultural movements that inform how people dress. The leading fashion and philosophy scholars contributing to this volume refer to and apply theories posed by key thinkers of the modern and contemporary age, from Darwin and Wittgenstein to Husserl and Goodman, in order to answer questions such as: What is the essence of fashion and the reasons behind its fascination? What is 'anti-fashion'? What or who do we imitate when we 'follow' fashion? What is fashion criticism and what should it be? Anyone studying or interested in fashion or philosophy will find this book a rich source of ideas, insight and information. "Philosophical Perspectives on Fashion" is a valuable contribution to contemporary fashion theory, one that revitalises the way we look at the form, purpose and meaning of fashion.
TABLE OF CONTENTS.
Introduction: Philosophical Perspectives on Fashion,
Giovanni Matteucci and Stefano Marino
- 1 Philosophical Accounts of Fashion in the Nineteenth and Twentieth Century,
Stefano Marino
- 2 Fashion: A Conceptual Constellation,
Giovanni Matteucci
- 3 Anti-Fashion: If Not Fashion, Then What?,
Nickolas Pappas
- 4 Fits of Fashion: THe Somaesthetics of Style,
Richard Shusterman
- 5 On Fashion Criticism,
Lars Svendsen
- 6 Thought Without Concept: Carol Christian Poel's Paradoxical Aesthetics,
Christian Michel
- 7 Caprices of Fashion in Culture and Biology: Charles Darwin's Aesthetics of 'Ornament',
Winifried Menninghaus
- 8 Fashionable Proteus: The Euphoria of FAshion for Fashion's Sake,
Cesar Moreno-Marquez
- 9 The Fascination of Contingency: Fashion and Modern Society,
Elena Esposito
Index
REVIEWS.
“This edited volume is likely to provoke much-needed debate about the relationship between philosophy and fashion. Using a philosophical lens, the authors address and push questions with which fashion theorists have been grappling: is anti-fashion a useful concept in fashion criticism? Is there, or can there be, an essence of fashion? To what extent can fashion be understood as a dialectic between imitation and differentiation? To what extent does fashion rely on ambivalence and ambiguity? Philosophical Perspectives on Fashion will be a welcome addition to the literatures on fashion and philosophy alike.” – Susan B. Kaiser, University of California, Davis, USA,
“A timely and thought-provoking collection of contributions, which explore fashion from a specifically philosophical perspective and reflect on the complex and dynamic nature of fashion itself. This book, much needed in philosophy, will open the field to further debates and lines of inquiry.” – Flavia Loscialpo, Southampton Solent University, UK.
Uploads
Papers by elena esposito
In a second step, the paper specifically addresses the web and digital data processing, asking why lists are spreading right now, especially in the last three decades. It analyses the relationship of the form of the list with the web and with algorithms, which are its central tools of information processing.
In a second step, the paper specifically addresses the web and digital data processing, asking why lists are spreading right now, especially in the last three decades. It analyses the relationship of the form of the list with the web and with algorithms, which are its central tools of information processing.
"Philosophical Perspectives on Fashion" places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these relationships have influenced and shaped our views on identity and taste, this ground-breaking book also explores the various intellectual and cultural movements that inform how people dress. The leading fashion and philosophy scholars contributing to this volume refer to and apply theories posed by key thinkers of the modern and contemporary age, from Darwin and Wittgenstein to Husserl and Goodman, in order to answer questions such as: What is the essence of fashion and the reasons behind its fascination? What is 'anti-fashion'? What or who do we imitate when we 'follow' fashion? What is fashion criticism and what should it be? Anyone studying or interested in fashion or philosophy will find this book a rich source of ideas, insight and information. "Philosophical Perspectives on Fashion" is a valuable contribution to contemporary fashion theory, one that revitalises the way we look at the form, purpose and meaning of fashion.
TABLE OF CONTENTS.
Introduction: Philosophical Perspectives on Fashion,
Giovanni Matteucci and Stefano Marino
- 1 Philosophical Accounts of Fashion in the Nineteenth and Twentieth Century,
Stefano Marino
- 2 Fashion: A Conceptual Constellation,
Giovanni Matteucci
- 3 Anti-Fashion: If Not Fashion, Then What?,
Nickolas Pappas
- 4 Fits of Fashion: THe Somaesthetics of Style,
Richard Shusterman
- 5 On Fashion Criticism,
Lars Svendsen
- 6 Thought Without Concept: Carol Christian Poel's Paradoxical Aesthetics,
Christian Michel
- 7 Caprices of Fashion in Culture and Biology: Charles Darwin's Aesthetics of 'Ornament',
Winifried Menninghaus
- 8 Fashionable Proteus: The Euphoria of FAshion for Fashion's Sake,
Cesar Moreno-Marquez
- 9 The Fascination of Contingency: Fashion and Modern Society,
Elena Esposito
Index
REVIEWS.
“This edited volume is likely to provoke much-needed debate about the relationship between philosophy and fashion. Using a philosophical lens, the authors address and push questions with which fashion theorists have been grappling: is anti-fashion a useful concept in fashion criticism? Is there, or can there be, an essence of fashion? To what extent can fashion be understood as a dialectic between imitation and differentiation? To what extent does fashion rely on ambivalence and ambiguity? Philosophical Perspectives on Fashion will be a welcome addition to the literatures on fashion and philosophy alike.” – Susan B. Kaiser, University of California, Davis, USA,
“A timely and thought-provoking collection of contributions, which explore fashion from a specifically philosophical perspective and reflect on the complex and dynamic nature of fashion itself. This book, much needed in philosophy, will open the field to further debates and lines of inquiry.” – Flavia Loscialpo, Southampton Solent University, UK.