In a significant step forward for digital preservation, Google Search is now making it easier than ever to access the past. Starting today, users everywhere can view archived versions of webpages directly through Google Search, with a simple link to the Internet Archive’s Wayback Machine.
How It Works
To access this new feature, conduct a search on Google as usual. Next to each search result, you’ll find three dots—clicking on these will bring up the “About this Result” panel. Within this panel, select “More About This Page” to reveal a link to the Wayback Machine page for that website.
Through this direct link, you’ll be able to view previous versions of a webpage via the Wayback Machine, offering a snapshot of how it appeared at different points in time.
A Commitment to Preservation
At the Internet Archive, our mission is to provide, “Universal Access to All Knowledge.” The Wayback Machine, one of our best-known services, provides access to billions of archived webpages, ensuring that the digital record remains accessible for future generations.
As Mark Graham, director of the Wayback Machine, explains:
“The web is aging, and with it, countless URLs now lead to digital ghosts. Businesses fold, governments shift, disasters strike, and content management systems evolve—all erasing swaths of online history. Sometimes, creators themselves hit delete, or bow to political pressure. Enter the Internet Archive’s Wayback Machine: for more than 25 years, it’s been preserving snapshots of the public web. This digital time capsule transforms our “now-only” browsing into a journey through internet history. And now, it’s just a click away from Google search results, opening a portal to a fuller, richer web—one that remembers what others have forgotten.”
This collaboration with Google underscores the importance of web archiving and expands the reach of the Wayback Machine, making it even easier for users to access and explore archived content. However, the link to archived webpages will not be available in instances where the rights holder has opted out of having their site archived or if the webpage violates content policies.
For more information about the Wayback Machine and how you can explore the web’s history, visit https://web.archive.org/.
The following interview with African folklore scholars Laura Gibbs and Helen Nde is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age.
Crafting and sharing folktales by word or performance is a long-standing tradition on the African continent. No one owned the stories. They were community treasures passed down through the generations.
Over time, many disappeared. The few stories that were written down enjoyed a broader audience once published. As those books were harder to find or out of print, digitized versions kept some folktales alive.
Laura Gibbs and Helen Nde are among researchers of African folktales who rely on digital collections to do their work. They maintain that digital preservation is essential for these rare cultural artifacts to remain accessible to the public.
Much of the transmission of African stories through performance has been lost. “That’s a culture that has either completely vanished or is vanishing,” said Nde, who immigrated from Cameroon to the United States.
Helen Nde, author & African folklore scholar
In her forthcoming book on African folklore by Watkins Publishing (March 2025), Nde said 70% of her references were from sources she found through the Internet Archive. The Atlanta-based folklorist uses material either in the public domain or available through controlled digital lending (CDL) for her research. She also turns to the online collection to inform writing for her educational platform, Mythological Africans.
Many books produced on the African continent by smaller publishing houses are now out of print or very expensive. Nde said without access to a library that carries these folktales, they can be forgotten.
“What’s tragic is that quite often those books that are so hard to get are the books that are written by people from within the culture, or African scholars,” Nde said. “They speak the languages and in some cases, remember the traditional ways the stories are told. They understand the stories in ways that people from outside the cultures cannot.”
“I cannot emphasize enough how important it is that these [African folklore] texts be not only preserved, but made accessible. With the recent ruling in the publishers’ lawsuit, I fear researchers, journalists, writers and other people on or from the African continent who investigate and curate knowledge for the public have lost a valuable tool for countering false narratives.”
Helen Nde, author
These authors can fill in gaps from researchers with a different perspective than those who documented the stories from outside, she said, adding that’s why digital preservation is so important. While many African folklore texts are in the public domain in the United States, much of the anthropological and historical texts with commentary from both African and non-African scholars that provide the necessary context for these folktales are not, Nde said. “In many instances, these important auxiliary texts are out of print, which means access via the Internet Archive is the best way scholars not located in the West might ever be able to access them,” Nde said. “I cannot emphasize enough how important it is that these texts be not only preserved, but made accessible. With the recent ruling in the publishers’ lawsuit, I fear researchers, journalists, writers and other people on or from the African continent who investigate and curate knowledge for the public have lost a valuable tool for countering false narratives.”
For Gibbs, online access to digitized books is critical to the volunteer work she does since retiring from teaching mythology and folklore at the University of Oklahoma. She compiled A Reader’s Guide to African Folktales at the Internet Archive, a curated bibliography of hundreds of folktale books that she has shared with the public through the Internet Archive.
Laura Gibbs, author & African folklore scholar, showing a book she owns that is no longer available on archive.org.
“For me doing my work, the Internet Archive is my library,” said Gibbs, who lives in Austin, Texas. “There are books at the Internet Archive that I can’t get at my local library or even in my local university library. Some of these books are really obscure. There just physically aren’t that many copies out there.”
Being able to check out one digital title at a time through controlled digital lending opened up new possibilities. In her research, she can use the search function with the title of a book, name of an illustrator or some other kind of detail. Now in her digital research, she can use the search function to perform work that she couldn’t do with physical books, such as keyword searches, with speed and precision. The collection also has been helpful in her recent project at Wikipedia to fill in information on African oral literature, such as proverbs and folktales.
“Digital preservation is not only preservation, it’s also transformation. Because when things have been digitized, you can share them in different ways, explore them in different ways, connect them in different ways,” Gibbs said. “So, I connect different versions of the stories to one another, and then I can help readers connect to all those different versions of the stories. But now, because of the publishers’ lawsuit, many important African folktale collections and reference works are no longer available for borrowing at the Archive.”
What would it mean to lose digital access to these folktales? “It would be the end of my work,” said Gibbs. “My whole goal is to make the African folktales at the Archive more accessible to readers around the world by providing bibliographies, indexes, and summaries of the stories. But now the publishers are shutting down that public access.”
“The stories were embodied in the traditional storytellers and in their communities, and the continuity of that tradition over time has been so disrupted,” Gibbs said. “The loss is just staggering. The stories that were recorded are just a tiny fraction of the thousands of stories in the hundreds of different African languages…We can’t afford to let this kind of loss happen again in the digital world.”
Gibbs adds that just as museums are repatriating artifacts from colonized countries, the original stories of African countries need to be made available to their communities. “Digital libraries like the Internet Archive are a crucial way to make these stories available to African readers.”
Preservation of African folklore is not just important for research purposes, but also for self-exploration and reflection. When examining African folklore, Nde often asks: “What can these stories tell me about myself?” she said. “Speaking from my own experience, African folktales are an underexplored resource for understanding the cultural history of African peoples,” Nde said. “Mythology and folklore are how people make sense of themselves as people on this planet.”
We are disappointed in today’s opinion about the Internet Archive’s digital lending of books that are available electronically elsewhere. We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books.
Take Action Sign the open letter to publishers, asking them to restore access to the 500,000 books removed from our library: https://change.org/LetReadersRead
On August 13, Community Webs members from all over the US and Canada gathered in Chicago for the 2024 Community Webs National Symposium. Launched in 2017, Internet Archive’s Community Webs program empowers public libraries and other cultural heritage organizations to document their communities. Members of the program receive access to Internet Archive’s Archive-It web archiving service and Vault digital preservation service as well as training, technical support, and opportunities for professional development.
Members of Internet Archive’s Community Webs program at the Community Webs National Symposium
This event was made possible in part by support from the Mellon Foundation. Held at the Museum of Contemporary Art Chicago, this year’s symposium was an opportunity for members to learn together and connect with each other. The day was organized around two workshops designed to support the community archiving and digital preservation work happening across Community Webs member institutions.
The first workshop, “Collective Wisdom: Collaborative Learning to Support Your Community Archiving Projects,” was taught by Natalie Milbrodt, CUNY University Archivist and co-founder of the Queens Memory Project. Attendees spent time working in small groups to create definitions of “Community Archiving” and reflect on some of the shared challenges and opportunities they were experiencing when engaging in community-centered work. This workshop emphasized the value of the collective wisdom of Community Webs members and will inform future educational opportunities. The community archives focus of this workshop also supported the Community Webs Affiliates Program, which encourages relationship-building among public libraries and other community-focused cultural heritage and social service organizations to broaden access to archiving tools for documenting the lives of their patrons.
Attendees work together to discuss strategies for documenting their communities
In the second half of the day, Stacey Erdman and Jaime Schumacher of Digital POWRR led a “Walk the Workflow” workshop which demonstrated a step-by-step digital preservation process using a variety of free preservation tools including Internet Archive’s Vault digital preservation system.
A main goal for the symposium was to provide an opportunity for Community Webs members to connect and learn from each other. Throughout the day, attendees discussed projects, shared ideas, described lessons learned, and brainstormed possible avenues for future collaboration.
A digital preservation workshop provided attendees with strategies for supporting long term preservation of digital collections
The following day, Community Webs members toured the Chicago Public Library Special Collections. Johanna Russ, Unit Head for Special Collections, gave a presentation about the complex, multi-year project CPL undertook to preserve and provide access to the records of the Chicago Park District. Highlights from this collection were available for attendees to view in the reading room.
That afternoon, the Archive-It Partner Meeting provided opportunities for Community Webs members and other Archive-It users to spend some time with Internet Archive staff to discuss topics such as strategies for capturing social media and making web archives more useful.
Community Webs members view highlights from Chicago Public Library’s special collections
In-person events like this are instrumental in achieving a key goal of the program: offering opportunities for networking and professional development for Community Webs members. Internet Archive’s support for this national network of practitioners empowers their work on a local level to preserve and provide access to digital heritage sources reflecting the unique life and culture of their communities.
The following guest post from audio preservation expert George Blood is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age.
Thomas Edison produces the first machine that can record and playback sound in 1877. The flat disc is first patented in 1888. The concept is very simple: a sound wave is captured on the record as a physical wave in the disc, most often shellac (the shell of the lac beetle). Most discs spin at approximately 78 rpm, hence the name 78s. Other speeds, such as 80, 90 and 100 rpm are not uncommon. In addition to speed, the equalization and stylus size varies – either to improve the sound or to dodge someone else’s patent. In the 1950s they slowly give way to the LP or microgroove record, though in some parts of the world they remain common well into the 1960s.
Why is it important to preserve 78rpm discs?
The cultural record of the 20th century is different from all other periods of human history by the presence of audiovisual recordings. Prior to 1877, there was no way to record the sound of a nursery rhyme being read at bedtime, a musical or theatrical performance, or the world around us. During the ensuing 147 years, formats came and went as technology and preferences changed. Yet for nearly half that time, 78rpm discs were the way we learned about each other and entertained the world. It was a time when the world became a much smaller place. The invention of the automobile and the airplane, the expansion of the railroads, the telephone and radio, to the dawn of the space age, 78s were there. Through 78s, we could hear traditional music from Hawaii long before it was a state. American popular music – jazz, fox trot, big bands, even the Beatles – spread out across the globe, well ahead of Hollywood, and long before television. A thousand people might attend a concert, a theater performance, a speech, or a dramatic reading by Charles Dickens. With the 78, it became possible for those experiences to be shared and repeated, and spread far and wide, not once and done.
The period of 78s doesn’t just parallel other historical developments. The sounds on 78s document cultural norms, performance practices, tastes, and the interests of people who, after centuries of drudgery and lives spent in the fields and hard labor, finally had free time. My mother liked to remind me that nothing tells you more about a person than what makes them laugh. The comedy routines and lyrics give us a window into a time when groups of people were preyed upon, disparaged, and disrespected in stereotypes and bigotry, which shines a mirror on how we can still do better to our fellow beings. We hear the buoyant sounds of the roaring ‘20s, a happy, hopeful time, of liberation and greed. Music borne of the heavy hand of oppression and poverty that conveys gospel, blues, and gives us jazz—all quintessentially American. On 78s, we can hear and learn of the other peoples of the world: of ragas and gamalans, performers who do not traverse great oceans, the cultures of foreign lands we could only read about. We can feel the despondency of the Great Depression in the songs that empathize with the struggles of a nation. Through 78s we can hear firsthand accounts of the attack on Pearl Harbor, the angry, vile speeches of dictators, the songs that inspired a once divided nation to pull together in a common cause against evil, to fight for peace for our time, for days that will live in infamy. Bursting out of the war to end all wars, big bands, swing, then rock n’ roll. It makes one long to hear Bach play the organ, Mozart play the piano, Paganini play the violin, or Orpheus beg for the turn of Euridice, and know, that if we preserved these 78rpm recordings, future generations will understand our joys and pains, to have a window, through sound, into the arc of history, the slow advance of progress of the human condition.
To remember half of recorded history, it is important to preserve 78rpm discs.
About the author
George Blood is an expert in the audio and video preservation industry.
A previously lost cache of celebrity and historical interviews from a long-dormant radio show have been discovered, digitized, and made available for all.
The Internet Archive is now home to 53 episodes of The Famous Computer Cafe, a 1980s radio show about the new world of home computers. The program included computer industry news, product reviews, and interviews, and aired from 1983 through 1986 on radio stations in southern and central California.
The creators of The Famous Computer Cafe saved every episode on reel-to-reel tapes, but over the years the tapes were forgotten, and, ultimately, lost. Earlier this year archivist Kay Savetz recovered several of the tapes in a property sale, and recognizing their value and worthiness of professional transfer, launched a GoFundMe to have them digitized, and made them available at Internet Archive with the permission of the show’s creators.
While full of time-capsule descriptions of 1980s technology news, the most exciting aspect of the show has been the variety and uniqueness of the interviews. The list of people that the show interviewed is a who’s-who of tech luminaries of the 1980s: computer people, musicians, publishers, philosophers, journalists. Interviews in the recovered recordings include Timothy Leary, Douglas Adams, Bill Gates, Atari’s Jack Tramiel, Apple’s Bill Atkinson, and dozens of others. The recovered shows span November 17 1984 through July 12, 1985.
Many more of the original reel-to-reel tapes — including shows with interviews with Ray Bradbury, Robert Moog, Donny Osmond, and Gene Roddenberry — are still lost, and perhaps are still waiting to be found in the Los Angeles area.
The stories of how The Famous Computer Cafe was created — and saved, 40 years later — is explored in an episode of the Radio Survivor podcast. The podcast interviewed show co-creator Ellen Fields and archivist Kay Savetz, providing a dual perspective of how the show was created and how it was recovered.
The recovery of these interviews, 40 years after their original airing, holds out hope that many more relics and treasures still await discovery.
Episode: ‘Meet the man archiving Biden’s presidency’
From POLITICO Tech: “The transition from one presidential administration to the next is generally thought to start around Election Day and end with the inauguration. But for the Internet Archive, it’s already underway. The nonprofit leads a coalition of libraries and universities that works to preserve the government’s digital history and to protect it from partisan tampering during administration changes. On POLITICO Tech, host Steven Overly discusses what it takes to archive a president with the Internet Archive’s Mark Graham.”
This October, we are publishing The Vanishing Culture Report, a new open access report examining the power and importance of preservation in our digital age.
As more content is created digitally and provided to individuals and memory institutions through temporary licensing deals rather than ownership, materials such as sound recordings, books, television shows, and films are at constant risk of being removed from streaming platforms. This means they are vanishing from our culture without ever being archived or preserved by libraries.
But the threat of vanishing is not exclusive to digital content. As time marches on, analog materials on obsolete formats—VHS tapes, 78rpm recordings, floppy disks—are deteriorating and require urgent attention to ensure their survival. Without proper archiving, digitization, and access, the cultural artifacts stored in these formats are in danger of being lost forever.
By highlighting the importance of ownership and preservation in the digital age, The Vanishing Culture Report aims to inform individuals, institutions, and policymakers about the breadth and scale of cultural loss thus far, and inspire them to take proactive steps in ensuring that our cultural record remains accessible for future generations.
Share Your Story!
As part of the Vanishing Culture report, we’d like to hear from you. We invite you to share your stories about why preservation is important for the media you use on our site. Whether it’s a website crawl in the Wayback Machine, a rare book that shaped your perspective, a vintage film that captured your imagination, or a collection that you revisit often, we want to know why preserving these items is important to you. Share your story now!
We have a new pop-up space at DWeb Camp this year: the Migration Station, a space for archiving migration mementos and self-organized workshops. The exact location is TBD, but it will be located near the Library and rock climbing station.
Planned layout of the Migration Station
Our theme of this year’s Camp is Migration: Moving Together — to touch upon what is a pertinent reality for so many worldwide, and relate their experience to the DWeb. Beyond a poetic metaphor for moving people from the centralized web to the decentralized web, we’d like to acknowledge how masses of people are displaced due to war, genocide, climate change, and other reasons, for the sake of survival. We want to reflect on how network technology can address their needs amidst catastrophe.
And along this theme, we’re inviting all Campers to bring a small memento (up to 5×5 inches/120×120 mm) to reflect on their own personal, or resonant, migration stories. At the Migration Station, you will be able to photograph the item, write a note, and record an audio story using the Custodisco and Audiovisco kiosks.
Photo of the Custodisco Kiosk, where you can photograph and add your migration story to the digital memento archive.
Over the course of the week, you will have an opportunity to add your objects and stories. After Camp, we will take this archive, as well as a carefully selected set of small objects folks are willing to part with, and create both a digital and physical time capsule to be buried for 24 years and unearthed in 2048. The physical time capsule will be buried at the Internet Archive. The digital time capsule will be preserved using a variety of different DWeb tools and protocols in order to practically test different approaches for cultural preservation.
The exact location where we’re planning on burying the physical time capsule, at the Internet Archive garden.
Memento Ideas
Possible mementos include: A copy of family photo or historical document; a shawl, scarf or other textiles that was worn or used to carry objects; hand made art, small statues, talismans or other religious artifacts; an interesting rock from a special place; jewelry, baskets, bags, or even an old key and the story of what it once unlocked.
If you’re unable to bring a memento, you can always visit the Art Barn to create something at Camp.
A very limited number of objects will fit into the time capsule, so if you’d like your object to be considered for inclusion, please bring a memento that is no larger than a CD and is robust enough to survive for 24 years underground (i.e. no low quality paper or organic material). If your object is larger than a CD, or you don’t want to part with your object for sentimental reasons, you will still have the opportunity to create an entry in the digital archive recording your object and its story.
Above is a photo of DWeb Camp’s Executive Producer, Wendy Hanamura’s grandmother and grandfather. Wendy will be archiving the story of how both of her grandmothers came to the United States as picture brides through Angel Island in California.
Migration Station Workshops
Throughout the week, the space will also offer self-organizing workshops, including:
Collective story sharing/listening
Archive exploration sessions
Discussions on archiving experiences
Map drawing workshops
Working with the archival material (ex. noise cleaning, translations)
Reviewing favorite archived materials
Discussions on the future significance of the archive
We hope you bring your mementos, stories, and dreams.
Guest blog by ngọc triệu, DWeb Fellowship Director
The DWeb Camp 2024 theme is “Migration: Moving Together.” Migration, in the context of decentralization, involves moving people and their data to a more open, secure, equitable, and accessible decentralized web. It is a call for collective action and resource gathering that will not only enable these migrations, but also surface and address the various issues that come with them.
Conversely, communities experience forced migration due to war, environmental degradation, corporate land grabs, and political forces beyond their control. Decentralized and distributed tools can offer significant benefits to these displaced populations by providing solutions to secure identity verification, access to resources and currency, censorship resistance, data sovereignty, and the preservation of cultural artifacts. We’ve learned this through the story of the stateless Rohingya people and how they’ve overcome authoritarian controls to preserve their identity and culture, the story of how Maasai Tribespeople of Tanzania locate and map their oral storytelling traditions about places of significant meaning, and the story of how communities in repressive environments bypass censorship or maintain secure community-owned and operated networks in the face of Internet shutdowns and intermittent connectivity.
Tools are better when they are built with the communities they are intended to serve. This is why the DWeb Fellowship Program seeks out people who work directly with marginalized communities, or in service to them. Often, our Fellows find themselves navigating the harsh realities of repressive regimes, striving to challenge and counteract the many oppressive forces at play. These exceptional individuals stand on the frontlines, harnessing technology to forge pathways to liberation, resilience, agency, and autonomy for those who need it most.
This year, we are honored to welcome 25 Fellows from 21 countries across Europe, North America, South America, East Asia, South Asia, West Africa, East Africa, and the Middle East — 21 of whom will be joining us in the ancient Redwoods of California, eager to share their knowledge, learn, and connect.
Our Fellows represent a diverse tapestry of cultural and professional backgrounds. They are human rights activists, technologists, educators, community organizers, archivists, researchers, artists, musicians, scientists, cultural conservationists, civil society workers, and digital security experts. Through intersectional approaches to decentralization and decolonization, our Fellows fight for environmental and social justice. Together, they strive to ensure equal access to knowledge, enhance security and privacy, and uphold sovereignty and autonomy for their communities. Together, they spearhead the DWeb movement, moving toward a more just, inclusive, and accessible web.
Please meet our 2024 DWeb Fellows:
Alex Zhang
Alex Zhang is strongly passionate about research and activism in the areas of censorship measurement and circumvention. Over the past five years, the work he led has helped millions of users in China and Iran to bypass various emerging censorship challenges during politically sensitive periods of time. His work has thus received media coverage and several awards: the IMC 2020 Best Paper Runner-up, the 2023 Best Practical Paper Award from the FOCI community, First Place in the CSAW 2023 Applied Research Competition, and the IETF/IRTF Applied Networking Research Prize in 2024. Additionally, Zhang has been contributing to the GFW Report, an English and Chinese website focused on studying and understanding censorship incidents in China.
Andreas Dzialocha is an electric bass player, producer, composer and developer. His work consists of both digital and physical environments, spaces, festivals, software or platforms for participants and listeners. The computer itself serves as an artistical, political, social or philosophical medium, dealing with computer culture, machine learning, platform politics or decentralized networks.
He is member of the band Sun Kit with Jules Reidy, member of the Berlin-based community computing space offline, co-founder and core-contributor of the local-first protocol p2panda, co-founder of the music label Hyperdelia and the intermedial score platform Y-E-S. Sometimes he teaches artistic computer practices, recently at UdK Berlin. He studied art history, musicology, media philosophy and computer science in Berlin where he also lives and works.
Batool advocates for transforming cultural norms to facilitate the adoption of open research practices, tools, and ethos, while addressing the existing power dynamics and inequalities in knowledge production. She believes that Open science is fundamentally about decolonization by challenging the legacy of settler colonialism, which often marginalized indigenous knowledge systems, and by promoting the integration and respect of these diverse perspectives in the broader scientific discourse. She founded the Open Science community in Saudi Arabia (OSCSA), which introduces and contextualizes Open Science practices in Arabic-speaking countries.
Batool is actively engaged as a mentor and governance committee member for The Open Life Science program. She is also a core contributor to The Turing Way and a member of the Open Science expert group organized by the International Association of Universities (IAU) where she co-develop a new approaches to assessments of and incentives for researchers to engage in Open Science in the Universities.
When she’s not coding, Batool loves going on spontaneous road trips to explore new places.
Bendjedid Rachad Sanoussi is a telecom engineer passionate about environmental protection, focusing on sustainable solutions to socio-economic and environmental challenges. Currently, Rachad is pursuing a PhD in digital and artificial intelligence for management.
As Technical Lead at Digital Grassroots, a youth-led organization enhancing local digital citizenship, Rachad led the Digital Rights Monopoly project, creating a virtual platform for decentralized power distribution and amplifying marginalized youth voices.
Rachad’s interest in internet-related issues began in 2016 with the Internet Society Benin, where he now serves as Secretary-General. At Digital Grassroots, he curated the Community Leaders Program for Internet Advocacy, focusing on democratic participation through the Internet. He also coordinated the universal access and meaningful connectivity working group for the Project Youth Summit. As an Open Internet Leader, Rachad collaborated with the AU-EU Digital for Development Hub to represent youth at the 17th Internet Governance Forum (IGF).
Rachad received the Youth Digital Champion Award and the Inaugural Paul Muchene Fellow Award, honoring an ICANN staff member dedicated to enhancing the Internet’s resilience. He advocates for youth inclusion in environmental and digital policies and aspires to become a policy analyst. His hobbies include agriculture, tourism, and football.
Billion is Taiwanese and a co-founder of Cofacts. She started this project in 2016 and she has been advocating for marriage equality and open freedom, dedicating herself to connecting different communities and providing empowerment courses to combat disinformation. She has previously visited PolitiFact in the United States as a fellow. She has exchanged and connected contributors from different countries, to collaborate on clarifying information. She manages a community working on OSINT fact-checking skills and media literacy. She likes cakes and cookies.
Evan Hahn is a computer programmer based in Chicago. He works at Awana Digital (previously known as Digital Democracy) building Mapeo, a Hypercore-powered mapping app used by frontline communities to defend their environmental and human rights. Previously, Evan worked at Signal, the encrypted messenger.
fauno’s work and activism focus on investigating, re-thinking, adapting, modifying, and implementing ecological and resilient technologies, especially autonomous, collectively managed infrastructure.
He has been involved in free software and hacktivist communities since 2007, with a special interest in the intersection of technology and grassroots organization. This interest led him to work on technology development from intersectional, trans-feminist, anti-oppressive, decolonial, and ecological perspectives, along with many friends and colleagues.
In the last six years, he has been working almost exclusively on resilient websites and developing a platform for updating and hosting them called Sutty, which is also the name of the worker-owned cooperative through which he sustains this work.
This work has led him into the dweb space. Through his alliance with Distributed Press, the websites built at Sutty are available on several distributed protocols, and lately, he has enabled social interactions through ActivityPub, the protocol for the Fediverse.
Juan Cruz was born in Venezuela and has been living in Colombia for 6 years. He’s currently a final semester student pursuing a degree in Systems and Computer Engineering. His journey with community networks began over two years ago when he joined Red Fusa Libre. What started as a quest for knowledge and a desire to contribute has grown into a deep passion for connecting marginalized communities with the world.
He is dedicated to community networks stems from witnessing firsthand the transformative impact of internet access in underserved areas. Through his work at Colnodo, Juan has been involved in implementing and supporting various community-driven initiatives across Colombia. These experiences have not only sharpened my technical skills but also taught him invaluable lessons in empathy, collaboration, and resilience.
Juan is committed to advocating for decentralized technologies and believes in empowering communities through digital inclusion. His goal is to leverage technology to bridge the digital divide, ensuring that everyone has equitable access to information and opportunities.
As a software developer and sociologist, Marie Kochsiek (she/her) is particularly interested in the intersections between societies, technologies and sexual health. She is an active member of the Heart of Code, a feminist hackspace in Berlin. With a team of three she started the drip app, a free and open source period and fertility tracking app.
Melquiades (Kiado) Cruz is a prominent Zapotec communicator, activist, and researcher from the community of Yagavila in the Rincón de la Sierra Norte of Oaxaca. He is a co-founder of SURCO, Servicios Universitarios y Redes de Conocimientos en Oaxaca, A.C. where he has worked to support community media projects, access to information, open source technologies, and community education. He is currently contributing to the INDIGITAL initiative, a collaborative project focused on ensuring access to information in indigenous languages and data. He was a 2023 participant in the LACNIC (Latin American and Caribbean Internet Addresses Registry) Líderes Program on Internet Governance, and will be a Digital Civil Society Lab Technology & Racial Equity Practitioner Fellow with the Center for Philanthropy and Civil Society at Stanford University during the 2024-25 academic year.
Nádia Coelho (she/her) is an electrical engineer, who’s been studying regenerative agriculture for the last five years. After spending three years visiting and researching alternative farming experiences throughout Brazil, she established herself in the Atlantic Rainforest in the State of São Paulo. There, she co-founded Tekoporã, a project focused on building tailor-made digital systems for agroecological social organizations, using proper tools with free software and hardware.
Nat Decker (they/them) is a Chicago-born Los Angeles-based artist interrogating the politicality of the alienated body/mind networked within a call for collective care and liberation. Working critically with technology, they identify the computer :::as a portal::: as an assistive tool affording a more accessible and capacious practice. They reflect on the virtual as a space of potential requiring contestation for the ways it mirrors patterns of exploitation and exclusion. Their practice fundamentally integrates accessibility, collectivism, and friction as generative mediums.
Working with computational and sculptural processes, they trace serpentine connections between the body and modes of technology. They render the mobility device/disabled body as cultural expansion and agitation of conventional desirability politics, as formal object laden with stigma while freedom-giving, sterile and metallic while sensual and soft, (un)aestheticized while interacting with designations of usefulness, function, and capitalistic innovation.
Nat is a 2024 Eyebeam Democracy Machine Fellow with their collective Cripping_CG, a Y10 member of NEW INC and was a 2023 Processing Foundation Fellow. They are also a community organizer and access worker. In June 2022, they graduated from UCLA with a degree in Design|Media Arts and Disability Studies.
Muhammad Noor, a Rohingya visionary and the founder of the Rohingya Project, is a pioneer in blockchain for social and financial inclusion for stateless communities. His multifaceted role extends to founding and directing impactful institutions, including the globally acclaimed Rohingya Vision (RVISION) TV broadcast station, watched by millions worldwide. With vast expertise in journalism, humanitarian work, and corporate leadership, Noor actively uses technologies such as Blockchain, AI, Crypto, Metaverse, Data Science, security, and privacy to benefit marginalized people. He also mentors students and has given talks on refugee issues and technology at universities throughout the world.
Sarah Grant is an American media artist and educator based in Berlin, Germany. She is a member of the Weise7 studio in Berlin and Lecturer in the Digital Arts program at Die Angewandte in Vienna, Austria. She holds a Bachelors of Arts in Fine Art from UC Davis and a Masters of Professional Studies in Media Arts from New York University’s Interactive Telecommunications Program. Her teaching and media art practice engages with the electromagnetic spectrum and computer networks as artistic material, social habitat, and political landscape. With a focus on radio art and computer networking, she researches and develops artworks as educational tools and workshops that demystify computer networking and radio technology. Since 2015, she has organized the Radical Networks conference in New York and Berlin, a community event and arts festival for critical investigations and creative experiments in telecommunications.
Senka Hadzic is a telecom engineer, researcher and public interest technologist working on affordable connectivity solutions for remote areas and disadvantaged populations. She is part of the iNethi team, a Cape Town based project enabling decentralized content distribution in community networks, and collaborating with Grassroots Economics to bootstrap circular economy in the communities by using a locally-owned network and community inclusion token as a catalyst.
Shadrach Ankrah is an Information Technology (IT) Specialist and the Founder and Executive Director of Connect Rurals, a nonprofit organization focused on bridging the digital divide in rural and underserved communities in Ghana. The organization provides digital skills training including coding and graphic design, and is committed to connecting rural communities to the Internet to provide access to various opportunities. He advocates for Internet access and has actively participated in Internet governance discussions and initiatives since 2017. He has mentored and guided over 150 youths on Internet governance issues, helping them navigate the ecosystem and contribute to the development of the Internet. He is affiliated with various global Internet organizations, including the Internet Society (ISOC), the Internet Corporation for Assigned Names and Numbers (ICANN), the African Network Information Centre (AFRINIC), and the United Nations Internet Governance Forum (IGF). Shadrach has been a fellow at ICANN72 & ICANN77, AFRINIC-31, and the 2019 Hackathon@AIS (Africa Internet Summit). His vision is to see rural and underserved African communities have access to decentralized technologies and tools that provide them with Internet access, digital literacy, and job opportunities.
Stacco Troncoso is an avid synthesizer of information and a radical polymath working towards elemental, people-led change on a burning planet.
Stacco lives, breathes, teaches and writes on the Commons, P2P politics and economics, open culture, post-growth futures, Platform and Open Cooperativism, decentralized governance, blockchain and more as part of DisCO.coop, Commons Transition and Guerrilla Translation.
Tanveer Anoy (They/Them) is a Bangladeshi queer author, academic, archivist, and human rights activist. Anoy has provided leadership and edited several queer print productions. As a writer, Anoy addresses critical socio-political issues such as the gender binary, bullying, and religious violence. Anoy is the founder of MONDRO, the first and largest Bangladeshi queer archive that collects and preserves the artistic and cultural history of communities of marginal gender and sexual diversities. Anoy also established Bangladesh Feminist Archives, a comprehensive digital platform dedicated to preserving, documenting, and promoting the intersectional feminist movement in Bangladesh.
Wassim Alsindi is the founder and creative director of the 0xSalon, which conducts experiments in post-disciplinary collective knowledge practices. A veteran of the timechain, Wassim specializes in conceptual design and philosophy of peer-to-peer systems, on which he writes, speaks, teaches, and consults. He has an editorial column at the MIT Computational Law Report, and he co-founded MIT’s Cryptoeconomic Systems journal and conference series. Wassim has curated arts festivals, led a sculptural engineering laboratory and published experimental music, satirical theater, fiction, games, poetry, and speculative scripture. Wassim holds a Ph.D. in ultrafast supramolecular photophysics from the University of Nottingham.
As a Gen-Z artist, Ziye Zhang leverages diverse digital tools and mediums to delve into contemporary culture and the nuances of social life in the digital era, highlighting the unique challenges encountered by the Digital Native Community. Additionally, Ziye has a high level of expertise in emerging technologies in VR, virtual production, and motion capture.
Ziye also uses his game design knowledge to encourage people to solve social issues through games and hosts board game design workshops at MIT, NYU, etc. In addition, Ziye is an invited guest speaker by Hasbro China.
Now, he is conducting field research and studies for his new works, which will discuss individual consciousness neglected on the internet through interactive installations, continuing to refine his theoretical research and artistic language.
Zoe is a software consultant, open source advocate, and conference organizer. Her work often focuses on underserved communities. She is currently working to restart Oakland’s Sudomesh network. Away from tech, her hobbies include photography, fixing bicycles, and flying and maintaining experimental aircraft.
Fendji is an Associate Professor in Computer Science at the University of Ngaoundere, Cameroon, and Research Director at Afroleadership. He holds a Ph.D. from the University of Bremen, Germany. Post-Ph.D., he collaborated with German cooperation initiatives in Cameroon to establish community networks in the northern regions of the country. With APC funding, he proposed a regulatory framework for community networks in Francophone African countries.
Fendji’s recent research interests include artificial intelligence, particularly natural language processing, sustainable agriculture, education, and addressing bias and ethical issues. He collaborated with the Alan Turing Institute on the ADJRP project and held sessions at the Mozilla Festival. In 2021, he facilitated the UNESCO Forum on Youth and AI in Yaoundé.
He has been awarded fellowships at the Stellenbosch Institute for Advanced Study and the Hamburg Institute for Advanced Study. Fendji is a member of the ICT and AI Commission at the National Committee for Technology Development in Cameroon and mentors in the African track of the Scaling Responsible AI Solutions project led by CEIMIA and GPAI.
Michael Suantak, also known as Pumsuanhang Suantak, is a distinguished social innovator and entrepreneur known for his impactful work in Myanmar and India. He founded and directs ASORCOM (Alternative Solutions for Rural Communities), where he has established community wireless networks connecting over 20 remote jungle villages in Myanmar’s Chin State, providing vital educational content and local news. Beginning his career as a founding member of the Burma Information Technology (BIT) team in 2002 and later serving as an organizational manager in New Delhi, Suantak has also become a prominent digital and cybersecurity trainer. His expertise includes policy development, law, and integrating modern technology into education across Asia. As a DeBoer fellow, he leads digital and cybersecurity research at ASORCOM, enhancing community development through strategic internet and wireless technology use.
Nzambi is an experienced and skilled professional with a strong background in data collection, operations, program support, and project Implementation. Her work has involved collaboratively designing, implementing, and coordinating projects with data, technology, and design components, making her well-equipped to contribute to the DWeb ecosystem.
She is a techie who believes that her passion for using technology to address societal issues, combined with her strong project management and research capabilities, makes her a valuable asset in the pursuit of a more decentralized, equitable, and inclusive web. She looks forward to engaging with the DWeb Community and exploring ways in which she can collaborate to advance the DWeb movement.
Shalini finished her Bachelors of Engineering in Tumkur and joined Servelots and Janastu soon after. And that was 15 years ago. After realizing that her role is essential for keeping the programs of working with communities alive she decided to get involved with all activities of the organizations including keeping the account books ready! Now she is working with the village women in various capacities — craft center to local mesh deployment, while also handling the overall management of activities of the organizations. One of them being the decentralization of a platform that caters to keeping the local knowledge, much of which also has personal stories of women. Shalini works with the women, listening to their stories and keeping it for next iteration. In the meantime, the stories are shared with the people the women trust and annotated so they can get back fast to things that are of interest to them. This also means that the annotations will be media that will be tagged. Most women are not literate so we have a way of asking them to associate with a person who they trust and can use the system. Shalini and her team are looking at ways to include them as first class users of the system – with face and voice recognition to start.
Taslim is a software engineer at eQualitie, an open-source company dedicated to developing tools for online freedom and privacy. He contributes actively to the company’s open-source browser, Ceno Browser, which aims to provide secure access to online content for all users worldwide.
