• And that’s it, that’s those little…brave baby steps we gotta take. To try and…become whole again, try and find purpose. But you gotta move on. You gotta move on.

  • Just finished rewatching Taxi (1932) with Jimmy Cagney and what a stupid delight it is. Cabbies vs the mob! An impromptu tough guy foxtrot competition! Two married people who kind of profoundly dislike each other but also love each other! Cagney apparently being somewhat solidly bilingual! Good old pre-code live ammunition! Leila Bennett’s weird fucking delivery and Loretta Young being Loretta Young! Some asshole getting thrown out of a window for real! What more could you want?

    (Also not for nothing but every time I start writing pre-war Rogers-Barnes household interactions my brain starts playing a loop of the scene where a (very bewildered, very Irish) cop asks (very amused, also very Irish) Cagney where his family’s from in Ireland after he witnesses him having this whole ass conversation in Yiddish with some guy and Cagney, cool as a cucumber, replies “Delancey Street”. Peak, truly.)

  • the way fandom views critique of their special thing as Hate that should be violently pushed back on and vague'd about is so lame to me. If you love something I think you should be able to approach the nuances that are inherently applied by the fact all art is made by people with world views

  • I don't know I engage with a lot of art that is very divisive and contentious because I think the way the complications of people mix with technical know how is interesting and worth talking about and noting and you can gush about the beauty of the writing of a line and the craft in the same breath as a critique about it's implications it doesn't make the other untrue and you Should be talking about it if you claim to love something

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