Anamorphic cinematography

CHRISTINE (1983) Director of Photography: Donald M. Morgan | Director: John Carpenter

Find out here everything you need to know about anamorphic vs spherical lenses and the optical differences between the two. The stunning anamorphic lens flares of The Neon Demon (2016) Directed by Nicolas Winding and cinematographer Natasha Braier. Shot with Cooke Xtal Express and Panavision C Series anamorphic prime lenses. The Neon Demon Aesthetic | anamorphic flare | lens flare | lens flare effect | spherical lenses | cinema aesthetic | cinematography lighting | film stills | movie

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This is the frame I want to base my cinematography from. The entire soft look, practically natural light. The cool tones from the morning sunrise and the silhouettes of the room emulate deep emotion. The shallow depth of field, anamorphic look, and cinematic bars gives the right amount of texture and composition to the image that I want.

NIGHTCRAWLER cinematography by Robert Elswit

MUD (2012) Rating: 7.5/10 Directed and Written by Jeff Nichols. Log-Line: Two young boys encounter a fugitive and form a pact to help him evade the vigilantes that are on his trail and to reunite him with his true love.

Utopia - Anamorphic Composition

We are making up for lost time this week on the podcast. This week we are breaking down a crazy commercial that involved shooting 3 different ads in a 12 hour day. We had kids, sports, cars, and more. 41 shots spread across 4 locations in 11 hours. Can we pull it off?Patreon Podcast: Assasin's Creed to […]