Carl gustav carus

In which he establishes separate style and themes from Friedrich, paints some wonderful landscapes in Italy, and explores the nocturne.

by Victor Davis Hanson // PJ Media I woke up one morning not long ago, and noticed that the world that I was born into no longer exists. It was as if I had once lived in Republican Italy, took a n…

Schloss Milkel in Moonlight (ca. 1833-35) by Carl Gustav Carus (German, 1789-1869), oil on canvas, 28.5 × 21.5 cm - The MET Fifth Avenue (New York, NY)

Page of The Goethe Monument by CARUS, Carl Gustav in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900)

Carl Gustav Carus (1789–1869) Blue pencil.svg wikidata:Q61987 Title: Allegory of Music (Harp at Night) Date: C 1852 -1860 Medium: Black pencil, heightened with white, on gray-green paper Dimensions: height: 449 mm (17.67 in); width: 285 mm (11.22 in) Collection: Kupferstich-Kabinett Dresden Blue pencil.svg wikidata:Q570620

The exhibition features approximately ninety highly influential texts and outstanding works of art, providing a compelling overview of ideas championed by the Romantics and also implemented by them in private estates and public parks in Europe and the United States, notably New York's Central Park.

Carl Gustav Carus 1789-1869 Duitsland

Timeless voices still echo within the ruins of the Flavian Amphitheater: that ones of the people who rejoiced, suffered or gazed there in wonder, and that ones of the people who dreamed of the greatness of Ancient Rome, who painted their visions or filled sheets of papers with passionate verses. The nocturnal splendor of the Colosseum also charmed the alienated and mysterious soul of Edgar Allan Poe, the eerie giant of American literature.

Carl Gustav-Carus (German 1789–1869) [Romanticism] View from the Fingal's Cave.