Museum identity

The insights and thinking of the winning concept step far away from graphic design framework. Memotype, not logotype. Memography, not typography. Memoryment, not monument. It focuses on the function of memory in the 21st century. The visual form not on…

The Museum’s basis is a collection of the best works of the Azerbaijani avant-garde, from the mid-twentieth century until now. The collection, encompassing painting and sculpture, reflects aspiration, striving and freedom of the human soul.Logotypes & Ma…

Emilka Bojańczyk/Zuza Charkiewicz, designers; Emilka Bojańczyk, creative director; Zuza Charkiewicz, illustrator; Zuza Charkiewicz/Ewa Najnigier-Galiń...

Today marks the 10th anniversary of the passing of Alan Fletcher, one of the most celebrated designers of the 20th Century. In this spotlight we explore his enduring work and legacy. | Sep 21, 2016 | By Gary Broadbent

studio thonik on Instagram: "(3/3) A new visual identity for Almaty Museum of Arts. The new visual identity mirrors the architecture, and responds to the prominence of the location by creating a unique interlinked sculptural form with dynamic angles, pointing out towards the city and the mountains. This new Kazakh Museum will house an exceptional permanent collection of art as well as host world class travelling and temporary exhibitions."

Bitum in use for the new identity of the Archaeological Museum of the Institute of Archeology of the National Academy of Sciences of Ukraine (IA NASU) in Kyiv. Founded in 1966 and opened in 1969, the museum has 10,000 exhibits that reflect the ancient history of Ukraine from the

A new (fictional) identity for the De Young Museum, designed as a project at ArtCenter College Of Design during the fall term of 2016. The De Young logotype directly relates to the museum’s ability to adapt and thrive to changing times and shifting environments. The collective

The corporate identity for South Korea's National Museum of Modern and Contemporary Art aims to simplify communication. To achieve this, the full name was abbreviated with the majuscules “MMCA”. A wide colour spectrum in combination with an adaptable image language allows it to 'emotionally' appeal to the target group. In visual aspects, the logo tries

Pentagram has partnered with The National Women's History Museum to create a new dynamic visual branding system. The new branding is elegant and contemporary and can grow with the institution for years to come. This new identity coincides with the institution's 25th anniversary, just as the Museum is introducing its first physical presence in exhibitions and programs in Washington, DC, in 2022. This new identity from Paula Scher and her team at Pentagram is just further proof

the ontario college of art and design has a new identity designed by bruce mau design. the new scheme is based on the iconic windows of will alsop's 'sharp centre for design'.