Master studies

I found this great image online. you could just sense the paints thickness, he preached to let the paint retain the tracks of the brush. i have a little suspicion that as much as he squinted he would also blurred his vision with eyes wide open in order to eliminate the number of planes and detail, in order to see color mass and color variations. This is why i think he was among the greatest to capture flesh tones because he then was more able to see color by itself instead of color as the…

In the fall 2006 issue of Drawing, we explored how the best lessons in value, light, and form are clearly visible in John Singer Sargent's drawings. We present a excerpt from the article that discusses

A master copy drawing sketch is a great way to find compelling compositions. Learn how to create your own (composition) drawing study with this tutorial!

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A stunning new exhibition at the Ashmolean Museum in Oxford shines new light on the Renaissance Master’s language of drawing​

As we grow and develop in life one of the many ways we learn is through the emulation of others. Whether we copy someone else’s way of walking, talking, their mannerisms, or habits and more, this is in part how we learn to become who we are. When an art student reaches a certain point in th

The Classical Pulse: Master Painting: Bouguereau Heads, Part 2

Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

Download free image of Mrs. George Swinton (Elizabeth Ebsworth) (1897) by John Singer Sargent. Original from The Art Institute of Chicago. Digitally enhanced by rawpixel. by The Art Institute of Chicago (Source) about portrait, john singer sargent, oil painting, women painting, and sargent 2923056