saintmelangell:

to be fully honest this new trend of remaking and sanitizing not only gothic fiction and its genres (hill house, dorian grey, turn of the screw) and horror movies more generally (carrie, the exorcist) point to much more serious cultural movement than the death of art or the death of horror as a genre in the mainstream. specifically it is gesturing to a sanitizing effect in which cultural authority has now deemed the subversive as worthy of living but only if it is a) commodified and b) divested of all its subversive elements. we can play-act at feminism, trans inclusion, and anti-racism as long as it serves a corporate interest and does not actually challenge cultural authorities. we can adopt its aesthetics as something to be sold without actually inhabiting it ideologically. it is the newest manifestation of cultural authorities anesthetizing effect on anything that threatens it and it is becoming more and more prevalent. anyway i want to beat mike flanagan with hammers

rozieramati:

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https://coastalhorrors.tumblr.com/post/779660845543292928
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joelpersels:

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bleedingspiral:

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bleedingspiral:

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The Mangled Mermaid - Alice Madness Returns

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xsushirollsx-deactivated2021031:

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nattyjayna:

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embarrassment has good bones

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natirra:

Fool’s Mate N.225 200.07

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exdeputysonso:

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Blue Velvet (1986) French Lobby Cards

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rienafoutre:

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brothersonahotelbed:

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preacherboyd:

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True Detective | 1x04 Who Goes There

fullslack:

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“Leda and the Swan” (1962), by Cy Twombly

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ferncloud:

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🐈‍⬛🎐

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