Red cinematic photography

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Red Cinematic Photography, Red In Movies, Red Cinematography, Vertigo 1958, Halloween Collage, Kim Novak, I See Red, Color Fields, Title Sequence

There is a threshold in art and design where a work can become so iconic as to transcend its own scope and become a symbol for its medium. Consider Warhol’s soup cans or Mondrian’s color fields, or – to bring it closer to home – Saul Bass’ iconic AT&T or United Airlines logos. And just as it would be difficult to find an American unfamiliar with these works, so too would it be difficult to find a moviegoer unfamiliar with the title sequence to Vertigo. Credit Bernard Herrmann’s haunting…

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