This article relies largely or entirely on a single source. (May 2023) |
This is an incomplete list of the paintings of John Constable ( 11 June 1776 – 31 March 1837), an artist of the Romanticism, famous for his rural scenes.[1]
Timeline
edit- 1776–1809 Early Years
- 1809–1816 Early Maturity
- 1817–1828 Established Londoner
- 1829-1837 Late Years
Paintings by Constable
editThis list includes paintings attributed to Constable.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate. The circa date may also be put.
Image | Title | Year | Location |
---|---|---|---|
Salisbury Cathedral from the Meadows | 1831 | Tate | |
Salisbury Cathedral from the Bishop's Grounds | 1823 | Victoria and Albert Museum | |
Osmington Bay | 1816 | Clark Art Institute | |
The Wheat Field | 1816 | Clark Art Institute | |
Waterloo Bridge Seen from Whitehall Stairs | 1829 | Clark Art Institute | |
Sketch for The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817 | 1819 | Clark Art Institute | |
Dedham Lock and Mill | 1820 | Victoria and Albert Museum | |
Sandbanks and a Cart and Horses on Hampstead Heath | 1820-1825 | Clark Art Institute | |
Weymouth Bay: Bowleaze Cove and Jordon Hill | 1816 | National Gallery | |
The Cornfield | 1826 | National Gallery | |
The Hay Wain | 1821 | National Gallery | |
Malvern Hall | 1821 | Clark Art Institute | |
Cottage at East Bergholt | 1833 | Lady Lever Art Gallery | |
Boat-Building Near Flatford Mill | 1815 | Victoria and Albert Museum | |
Cenotaph to the Memory of Sir Joshua Reynolds | 1836 | National Gallery | |
Chain Pier, Brighton | 1827 | Tate | |
Flatford Mill | 1816
1811 |
Tate | |
Stratford Saint Mary from the Coombs | c. 1800 | Clark Art Institute | |
Dedham Vale | 1802 | Victoria and Albert Museum | |
Woodland Scene Overlooking Dedham Vale | c. 1802-1803 | Clark Art Institute | |
Bow Fell, Cumberland | 1807 | Clark Art Institute | |
Dedham Church from Flatford | 1810 | Clark Art Institute | |
Flatford Mill from the Lock | 1810 | Clark Art Institute | |
Dedham Vale from the Road to East Bergholt, Sunset | 1810 | Clark Art Institute | |
Study of a Burdock | 1810-14 or 1828 | Clark Art Institute | |
Willy Lott's House (recto); Landscape Sketches with Trees and Church Tower (verso) | c.1812–13 (recto); c.1811–13 | Clark Art Institute | |
Flailing Turnip-heads, East Bergholt | 1812-15 | Clark Art Institute | |
East Bergholt Common, View Toward the Rectory | 1813 | Clark Art Institute | |
Hadleigh Castle | 1829 | Tate | |
Die Valley Farm | 1835 | Tate | |
The Lock | 1824 | private collection | |
Wivenhoe Park | 1816 | National Gallery of Art | |
The Watermill | Nationalmuseum | ||
The Vale of Dedham | 1828 | National Galleries of Scotland | |
The Grove, or the Admiral's House in Hampstead | 1821 | Berlin State Museums | |
The Old Mill | 1820 | Walters Art Museum | |
Landscape | 18th century | MuMa Museum of modern art André Malraux | |
Helmingham Dell. Vallon dans le parc de Helmingham | 1800s | Department of Paintings of the Louvre | |
Vue de Salisbury | 1800s | Department of Paintings of the Louvre | |
The White Horse | 1819 | The Frick Collection | |
Salisbury Cathedral from the Bishop's Garden | 1800s | Metropolitan Museum of Art | |
Salisbury Cathedral from the Bishop's Garden | 1826 | The Frick Collection | |
Salisbury Cathedral from the Bishop's Garden | 1821 | São Paulo Museum of Art | |
Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) | 1818 | Metropolitan Museum of Art | |
Stoke-by-Nayland | 1810 | Metropolitan Museum of Art | |
Hampstead Heath with Bathers | 18th century | Metropolitan Museum of Art | |
Netley Abbey | 1800s | Herbert F. Johnson Museum of Art | |
Stonehenge at Sunset | 1836 | Yale Center for British Art | |
The White Horse | 1800s | National Gallery of Art | |
Salisbury Cathedral from Lower Marsh Close | 1820 | National Gallery of ArtAndrew W. Mellon collection | |
Cloud Study: Stormy Sunset | 1800s | National Gallery of Art | |
A View on Hampstead Heath with Harrow in the Distance | 1822 | Fine Arts Museums of San Francisco | |
Arundel Mill | Fine Arts Museums of San Francisco | ||
Hampstead, Stormy Sky | 1814 | Art Institute of Chicago | |
Stoke-by-Nayland | 1836 | Art Institute of Chicago | |
Landscape with Cottages | 18th century | Art Institute of Chicago | |
Study of a Windmill | 18th millennium | Statens Museum for Kunst | |
The Quarters behind Alresford Hall | 1816 | National Gallery of Victoria | |
West End Fields, Hampstead, noon | National Gallery of Victoria | ||
Clouds | 1822 | National Gallery of Victoria | |
Study of A boat passing a lock | 1800s | National Gallery of Victoria | |
Keswick Lake | National Gallery of Victoria | ||
The Mill Stream | 18th millennium | Statens Museum for Kunst | |
Landscape with goatherd and goats (after Claude) | 1823 | Art Gallery of New South Wales | |
A Heath | Museum of Fine Arts | ||
A Hilltop (His Native Village) | 1809 | Museum of Fine Arts | |
Weymouth Bay from the Downs above Osmington Mills | 1816 | Museum of Fine Arts | |
Portrait of a Woman | Museum of Fine Arts | ||
Stour Valley and Dedham Church | 1814 | Museum of Fine Arts | |
Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||
Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||
Coast Scene, Brighton | Philadelphia Museum of Art | ||
Dell at Helmingham Park | Philadelphia Museum of Art | ||
Dell at Helmingham Park | Philadelphia Museum of Art | ||
Gandish Cottage, Suffolk | Philadelphia Museum of Art | ||
Hampstead Heath | 1821 | Philadelphia Museum of Art | |
Hilly Landscape | Philadelphia Museum of Art | ||
Landscape (possibly the Stour valley) | Philadelphia Museum of Art | ||
Landscape with a Lock | Philadelphia Museum of Art | ||
Landscape with a River | Philadelphia Museum of Art | ||
Landscape with Brushwood | Philadelphia Museum of Art | ||
Marine | Philadelphia Museum of Art | ||
Mill | Philadelphia Museum of Art | ||
Near Bergholt Common | Philadelphia Museum of Art | ||
Osmington Bay | Philadelphia Museum of Art | ||
Portrait of a Girl | Philadelphia Museum of Art | ||
Portrait of Master Crosby | 1808 | Philadelphia Museum of Art | |
Rising Moon | Philadelphia Museum of Art | ||
Road to the Spaniards, Hampstead | 1822 | Philadelphia Museum of Art | |
Sketch for A Boat Passing a Lock | 1800s | Philadelphia Museum of Art | |
Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||
Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||
The Stour | 1810 | Philadelphia Museum of Art | |
The Stour | Philadelphia Museum of Art | ||
Two Donkeys | 1816 | Philadelphia Museum of Art | |
View toward the Rectory, East Bergholt | 1810 | Philadelphia Museum of Art | |
Golding Constable's Flower Garden | 1815 | Ipswich Museum | |
Golding Constable's Vegetable Garden | 1815 | Ipswich Museum | |
Windmills in landscape. | 18th century | National Museum in Warsaw | |
Rushes by a pool | 1821 | Yale Center for British Art | |
A View from Hampstead Heath (?) | 1825 | Yale Center for British Art | |
Horse and Cart | Yale Center for British Art | ||
A Cloud Study, Sunset | 1821 | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Cloud Study | Yale Center for British Art | ||
Cloud Study with Tree | 1821 | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Extensive Landscape with Grey Cloud | 1821 | Yale Center for British Art | |
Fen Lane, East Bergholt | 1811 | Yale Center for British Art | |
Captain Richard Gubbin | 1805 | Yale Center for British Art | |
Hampstead Heath, with a Bonfire | 1822 | Yale Center for British Art | |
Sir Richard Steele's Cottage, Hampstead | 1832 | Yale Center for British Art | |
Somerset House Terrace from Waterloo Bridge | 1819 | Yale Center for British Art | |
East Bergholt Church | 1809 | Yale Center for British Art | |
Barge below Flatford Lock | 1810 | Yale Center for British Art | |
Flatford Lock | 1800s | Yale Center for British Art | |
Osmington Village | 1817 | Yale Center for British Art | |
Golding Constable's House, East Bergholt: the Artist's birthplace | 1809 | Yale Center for British Art | |
West Lodge, East Bergholt | 1800s | Yale Center for British Art | |
Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”) | 18th century | Yale Center for British Art | |
Flatford Mill | 1800s | Yale Center for British Art | |
Hadleigh Castle | 1800s | Yale Center for British Art | |
Hampstead Heath Looking Towards Harrow | 1821 | Yale Center for British Art | |
Dedham Lock | 18th century | Yale Center for British Art | |
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night | 1829 | Yale Center for British Art | |
Ploughing Scene in Suffolk | 1825 | Yale Center for British Art | |
Dedham Lock | 18th century | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Malvern Hall, Warwickshire | 1800s | Yale Center for British Art | |
Dedham Vale | 1802 | Yale Center for British Art | |
Mary Freer | 1809 | Yale Center for British Art | |
Coastal Scene with Cliff | 1814 | Yale Center for British Art | |
Lane near Dedham | 1802 | Yale Center for British Art | |
Parham Mill, Gillingham | 1826 | Yale Center for British Art | |
Bardon Hill, Coleorton Hall | 1823 | Yale Center for British Art | |
Hove Beach | 1800s | Yale Center for British Art | |
Study of a Cloudy Sky | 1825 | Yale Center for British Art | |
A Shepherd in a Landscape looking across Dedham Vale towards Langham | 1811 | Yale Center for British Art | |
Study of an Ash Tree | 1800s | Yale Center for British Art | |
Undergrowth | 1821 | Yale Center for British Art | |
Harnham Gate, Salisbury | 1821 | Yale Center for British Art | |
Sketch for "The Haywain" | 1820 | Yale Center for British Art | |
A View at Hampstead with Stormy Weather | 1830 | Yale Center for British Art | |
Harwich: The Low Lighthouse and Beacon Hill | 1820 | Yale Center for British Art | |
East Bergholt | 1813 | Yale Center for British Art | |
Stormy Sea, Brighton | 1828 | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Cloud Study | 1822 | Yale Center for British Art | |
Cloud Study, Early Morning, Looking East from Hampstead | 1821 | Yale Center for British Art | |
An Autumnal Landscape at East Bergholt | 1800s | Yale Center for British Art | |
Cloud Study | 1821 | Yale Center for British Art | |
Hampstead Heath | 18th century | Yale Center for British Art | |
Hampstead Heath looking towards Harrow | 1800s | Yale Center for British Art | |
View Towards the Rectory, East Bergholt | 1813 | Yale Center for British Art | |
Cloud Study | 1822 | Yale Center for British Art | |
Stratford Mill | 1820 | Yale Center for British Art | |
Landscape with Windmills near Haarlem, after Jacob van Ruisdael | 1830 | Dulwich Picture Gallery | |
On the River Stour | 1800s | The Phillips Collection | |
English Landscape | The Phillips Collection | ||
Salisbury Cathedral and Leadenhall from the River Avon | 1820 | National Gallery | |
Stratford Mill | 1820 | National Gallery | |
Weymouth Bay with Approaching Storm | 1818 | Department of Paintings of the Louvre | |
Landscape, Mill and Water | Auckland Art Gallery | ||
East Bergholt - Lock on Stour | Indianapolis Museum of Art | ||
The Cornfield | Indianapolis Museum of Art | ||
Harnham Bridge, Salisbury | Indianapolis Museum of Art | ||
Barge on the Canal | Indianapolis Museum of Art | ||
Laura Moubray, née Hobson (born 1788) | 1808 | National Galleries of Scotland | |
On the Stour (Reverse: Study of Cows) | 1830 | National Galleries of Scotland | |
The Artist's Daughter | Museum of Fine Arts, Houston | ||
The Glebe Farm | 1830 | TateNational Gallery | |
Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank | 1825 | TateNational Gallery | |
Stoke-by-Nayland | 1800s | TateNational Gallery | |
Salisbury Cathedral from the Meadows | 1829 | TateNational Gallery | |
View at Epsom | 1809 | TateNational Gallery | |
The Mill Stream. Verso: Night Scene with Bridge | 1810 | TateNational Gallery | |
Harwich Lighthouse | 1820 | TateNational Gallery | |
Hampstead Heath, with the House Called ‘The Salt Box’ | 18th century | TateNational Gallery | |
Gillingham Bridge, Dorset | 1823 | TateNational Gallery | |
East Bergholt House | 1809 | TateNational Gallery | |
The Glebe Farm | 1830 | TateNational Gallery | |
Flatford Mill (‘Scene on a Navigable River’) | 1817 | TateNational Gallery | |
Hampstead Heath with a Rainbow | 1836 | TateNational Gallery | |
The Grove, Hampstead | 1822 | TateNational Gallery | |
The Church Porch, East Bergholt | 1810 | TateNational Gallery | |
Mrs James Andrew | 1818 | TateNational Gallery | |
Chain Pier, Brighton | 1800s | TateNational Gallery | |
The Revd Dr James Andrew | 1818 | TateNational Gallery | |
Malvern Hall, Warwickshire | 1809 | TateNational Gallery | |
Maria Bicknell, Mrs John Constable | 1816 | TateNational Gallery | |
Trunk and Lower Branches of a Tree | TateNational Gallery | ||
A Bank on Hampstead Heath | 1800s | TateNational Gallery | |
Dedham from Langham | 1813 | TateNational Gallery | |
A Windmill near Brighton | 1824 | TateNational Gallery | |
Trees at Hampstead | 1829 | TateNational Gallery | |
Dedham Lock and Mill | 1817 | TateNational Gallery | |
Yarmouth Jetty | 1824 | TateNational Gallery | |
The Valley Farm | 1835 | TateNational Gallery | |
The Bridges Family | 1804 | TateNational Gallery | |
Sketch for ‘Hadleigh Castle’ | 1800s | TateNational Gallery | |
Branch Hill Pond, Hampstead Heath, with a Cart and Carters | 1825 | TateNational Gallery | |
Susannah Lloyd | 1806 | Tate | |
The Opening of Waterloo Bridge | 1832 | Tate | |
Study of a Girl in a Cloak and Bonnet | 1810 | Tate | |
Brightwell Church and Village | 1815 | Tate | |
Fen Lane, East Bergholt | 1817 | Tate | |
A Cornfield | 1817 | Tate | |
View in the Stour Valley looking towards Langham Church from Dedham | 1805 | Tate | |
The Glebe Farm | 1830 | Tate | |
Maria Constable with Two of her Children. Verso: Copy after Teniers | 1820 | Tate | |
Golding Constable | 1815 | Tate | |
Ann Constable | 18th century | Tate | |
The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers | 1814 | Museum of Fine Arts, Budapest | |
The Dell at Helmingham Park | 1830 | The Nelson-Atkins Museum of Art | |
Écluse sur la rivière Stour | 1812 | Department of Paintings of the Louvre | |
Vue de Hampstead Heath ; Effet d'orage | 1823 | Department of Paintings of the Louvre | |
View of Dedham Vale from East Bergholt | 1815 | Bavarian State Painting Collections | |
Kalkbrennerei (Umkreis) | 18th century | Bavarian State Painting Collections | |
Waldlandschaft (Umkreis) | 1820 | Bavarian State Painting Collections | |
Landschaft mit Fernblick und Gewitterhimmel (Hampstead Heath mit Branch Hill Pond) (Umkreis) | Bavarian State Painting Collections | ||
Willy Lott's Cottage | 1820 | private collection | |
The Washing Line | Carnegie Museum of Art | ||
Yarmouth Jetty | 1822 | National Gallery of Art | |
Waterloo Bridge | 1820 | Cincinnati Art Museum | |
A Road across Hampstead Heath | 1822 | Yale University Art Gallery | |
Das Haus des Admirals in Hampstead, genannt "The Grove" | Berlin State Museums | ||
Higham Village am Flusse Stour | Berlin State Museums | ||
Mrs Mary Fisher | 1816 | Fitzwilliam Museum | |
Archdeacon John Fisher | 1816 | Fitzwilliam Museum | |
Salisbury | 1829 | Fitzwilliam Museum | |
Sky study, sunset | Fitzwilliam Museum | ||
East Bergholt | 1808 | Fitzwilliam Museum | |
Sky study with mauve clouds | Fitzwilliam Museum | ||
Hove beach | Fitzwilliam Museum | ||
Parham's Mill, Gillingham, Dorset | 1824 | Fitzwilliam Museum | |
Hampstead Heath | 1820 | Fitzwilliam Museum | |
At Hampstead, looking towards Harrow | Fitzwilliam Museum | ||
Sky study with a shaft of sunlight | 1822 | Fitzwilliam Museum | |
Shoreham Bay, near Brighton (1824) | 1824 | Fitzwilliam Museum | |
Embarkation of George IV from Whitehall: the Opening of Waterloo Bridge, 1817 | 1817 | National Trust | |
Academic Study of a Male Nude in the same Pose as a Figure in Michelangelo’s ‘Last Judgement’ in the Sistine Chapel, Rome | 1800s | National Trust | |
Lamarsh House, Lamarsh, Essex | 18th century | National Trust | |
Cumulus Clouds over a Landscape | 1822 | National Trust | |
Lady Louisa Tollemache, Countess of Dysart (1745-1840) (after John Hoppner) | 1800s | National Trust | |
Anna Maria Lewis, Countess of Dysart (1745-1804) as Miranda (after Reynolds) | 1823 | National Trust | |
Field Flowers and Berries in a Brown Pot | 1814 | National Trust | |
Harnham Ridge, near Salisbury | 18th Century | National Trust | |
Dedham Lock and Mill | 1820 | Currier Museum of Art | |
Trees on Hampstead Heath | 1821 | National Museum of Art, Architecture and Design | |
A View on the Banks of the River Stour | Museum of Fine Arts, Houston | ||
] | Branch Hill Pond, Hampstead Heath | 1824–1825 | Virginia Museum of Fine Arts |
Hampstead Heath | 18th century | National Gallery of Canada | |
Salisbury Cathedral from the Bishop's Grounds | 1820 | National Gallery of Canada | |
Branch Hill Pond, Hampstead | 1828 | Cleveland Museum of Art | |
Hampstead Heath, Looking Toward Harrow | 1821 | Cleveland Museum of Art | |
Dedham from Langham | 1820 | private collection | |
The River Stour, Suffolk | |||
View of Edinburgh, Scotland | |||
Beach near Cromer | |||
Portrait of Mrs. Edwards | 1818 | Rhode Island School of Design Museum | |
Coast Scene Near Brighton | 1824 | Detroit Institute of Arts | |
The Glebe Farm | 1827 | Detroit Institute of Arts | |
Weymouth Bay | 1824 | ||
Paysage, esquisse | 1818 | Collection of paintings of the Palais des Beaux-Arts de Lille | |
Harnham Ridge from Archdeacon Fisher's House, Salisbury | 1829 | National Gallery of Ireland | |
Portrait of a Child with a Dog | National Gallery of Ireland | ||
Arundel Mill and Castle | 1837 | Toledo Museum of Art | |
Study for “The Leaping Horse” (View on the...) | Saint Louis Art Museum | ||
Sophia Lloyd and Child | 18th Century | Worcester Art Museum | |
Portrait Of James Lloyd | 1806 | Birmingham Museums Trust | |
Harwich Lighthouse | 1800s | Birmingham Museums Trust | |
Study of Clouds - Evening, August 31st, 1822. | 1822 | Birmingham Museums Trust |
References
edit- ^ "John Constable (1776 - 1837) | National Gallery, London". www.nationalgallery.org.uk. Retrieved 18 January 2021.