Lotte Schädle (born 23 October 1926)[1] is a German soprano in opera, operetta, lied and concert. She was a member of the Bavarian State Opera and the Staatstheater Nürnberg, and has performed at international opera houses and festivals, in roles such as Blonde in Mozart's Die Entführung aus dem Serail.
Lotte Schädle | |
|---|---|
| Born | 23 October 1926 Füssen, Bavaria, Germany |
| Education | Musikhochschule München |
| Occupation |
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| Organizations | |
| Awards | Kammersängerin |
Career
editBorn in Füssen, Bavaria,[1] Schädle grew up in Unterammergau.[2] Encouraged by her mother, she took private singing lessons from 1948 to 1951, and was successful at several singing competitions.[2] She then studied voice at the Musikhochschule München with Mara Pringsheim.[2] In 1955, she made her debut at the Bavarian State Opera as Blonde in Mozart's Die Entführung aus dem Serail.[2]
In 1957, Schädle was engaged by the Staatstheater Nürnberg as lyrical and coloratura soprano. Here she took part in the premiere of Mark Lothar's opera Der Glücksfischer in 1962.[3] That year, she became a member of the Munich Opera, where she performed major roles such as Gilda in Verdi's Rigoletto, Marie in Lortzing's Der Waffenschmied, and Isotta in Die schweigsame Frau by Richard Strauss. She appeared at the Bayreuth Festival as one of the Flower Girls in Parsifal.[3] In 1965, she appeared as Blonde at the Edinburgh Festival.[3]
Schädle was one of the favourites of the audience in Munich, alongside Erika Köth, Sári Barabás, Hertha Töpper and Rosl Schwaiger. In 1980, she retired from the opera stage at the State Opera in Handel's Judas Maccabaeus.
The soprano, who also enjoyed singing operetta roles such as Saffi in The Gypsy Baron by Johann Strauss, made guest appearances at major stages such as Vienna, Salzburg, Berlin and Zurich. In concert, she was highly esteemed for singing Bach's works. Concert tours took her to Austria, Italy, Switzerland and major German cities.[3] She was honoured by the title Kammersängerin.[1]
Recordings
editRecordings with Schädle are held by the German National Library, including:[4]
- Die Entführung aus dem Serail (Deutsche Grammophon 1965)
- Der Freischütz (Ariola-Eurodisc 1967)
- Der Wildschütz (EMI 1963)
- Der Waffenschmied (EMI 1964)
- Schwarzwaldmädel (Ariola-Eurodisc 1964)
- Der Zigeunerbaron (Ariola-Eurodisc 1964)
- Die Abreise (recorded in Munich in 1964, CD Calig 1997)
Awards
editReferences
edit- ^ a b c "Lotte Schädle". Bayerisches Musiker-Lexikon Online (in German). University of Munich. Retrieved 4 June 2019.
- ^ a b c d "Lotte Schädle". Munzinger-Archiv (in German). Retrieved 4 June 2019.
- ^ a b c d "Lotte Schädle" (in German). Bayreuth Festival. Retrieved 11 March 2019.
- ^ "Recordings with Lotte Schädle" (in German). German National Library. Retrieved 4 June 2019.
Further reading
edit- Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon. First volume: A-L. Stuttgart 1987, p. 2605 f.
External links
edit- "Lotte Schaedle erinnert sich an Karl Richter"
- "Lotte Schädle (Soprano)", Bach Cantatas website
- Lotte Schädle at IMDb
- Lotte Schädle discography at Discogs
- Lotte Schadle at AllMusic
