The Washington Post wrote that Lattisaw's "voice has shed its teen nasality and coyness for a gorgeous, full-throated adult woman's range, but the singer still needs to find her own distinctive style, as she tries on the successful formulas originated by Janet Jackson and Whitney Houston."[1] The Los Angeles Times determined that "tracks like 'Love Town', 'Let Me Take You Down' and 'Every Drop of Your Love' are coming-of-age statements from a pop/soul performer who always had potential, but never pushed it quite this far."[2]
Track listing with credits
edit
Side A
- "Personal Attention" (Brownmark)
- Recording and mixing engineer – John Black
- Sound engineer – Richard Markowitz
- Produced and arranged by – Brownmark
- Love Town (Vincent Brantley)
- Backing vocals – Karyn White, Vincent Brantley
- Production coordinator – Dina Andrews
- Mixing engineer – Taavi Mote, Vincent Brantley
- Recording Engineer – Joel Soifer, Vincent Brantley
- Producer, arranged by, instruments – Vincent Brantley
- "Let Me Take You Down" (Lou Pace and The Blitz)
- Strings arranged and conducted – Juanito Márquez
- Bass – Reginald White
- Drums – Harry King
- Assistant engineer – Frank Cesarano, Mike Strick, Paul Van Puffelen
- Keyboards – David Rosenthal, Emridge Jones
- Producer – Lou Pace
- Programmed by – David Rosenthal
- Recorded and mixed by – Jerrold Soloman
- Saxophone – Ed Calle
- "Ain't No Mountain High Enough" (Duet with Howard Hewett) (Nickolas Ashford, Valerie Simpson)
- Rhythm and vocals arranged by – Jerry Knight
- Backing vocals – Howard Hewett, Stacy Lattisaw
- Mixing engineer – Darren Klein
- Recording engineer – Csaba Petocz
- Producer, instruments, programmed by – Aaron Zigman, Jerry Knight
- "He's Got a Hold On Me" (Brownmark, Michael Ligon, Stacy Lattisaw, William Beall)
- Backing vocals – Brownmark, Cynthia Johnson, Mersadies
- Recording and mixing engineer – John Black
- Sound engineer – Richard Markowitz
- Producer, arranged by – Brownmark
- Saxophone – Kenneth Holmen
- Side B
- "Find Another Lover" (Brownmark)
- Recording and mixing engineer – John Black
- Sound engineer – Richard Markowitz
- Produced and arranged by – Brownmark
- Changes (Bennie Melton, Jr., Brownmark, Joseph Lattisaw, Jr., Stacy Lattisaw)
- Backing vocals – Brownmark, Johnny Gill
- Recording and mixing engineer – John Black
- Sound engineer – Richard Markowitz
- Producer, arranged by – Brownmark
- Saxophone – Robert Martin
- "Every Drop of Your Love" (Alex Brown, Ron Kersey)
- Arranged by [Background] – Alex Brown
- Backing vocals – Alex Brown, Lynn Davis, Phillip Ingram, Sandy Simmons
- Engineer [mixing] [second] – Jim Champagne
- Engineer [recording] [second] – Glen Kurtz
- Engineer [remix] [second] – Jim Dineen
- Guitar – Paul Jackson Jr.
- Producer, arranged by, Kkeyboards – Ron Kersey
- Programmed by – Aaron Smith
- Recorded by, mixed by – Hill Swimmer
- "Call Me" (Lou Pace, The Blitz)
- Backing vocals – Emeridge Jones, Gary King, Stacy Lattisaw
- Bass – Gary King
- Drum programming – Jimmy Bralower
- Assistant engineer – Frank Cesarano, Mike Strick, Paul Van Puffelen
- Keyboards – David Rosenthal, Emeridge Jones
- Percussion – Harry King
- Producer – Lou Pace
- Rap – Reginald White
- Recorded by, mixed by – Jerrold Solomon
- "Electronic Eyes" (Alex Brown, Ron Kersey)
- Arranged by [background] – Alex Brown
- Backing vocals – Alex Brown, Carl Carwell, David Lasley, Lynn Davis
- Bass – Melvin Davis
- Engineer [mixing] [second] – Jim Champagne
- Engineer [recording] [second] – Glen Kurtz
- Guitar – Paul Jackson Jr.
- Producer, Arranged by, Keyboards – Ron Kersey
- Programmed by – Aaron Smith
- Recorded by, mixed by – Hill Swimmer