Wikipedia

The Broadsword and the Beast

The Broadsword and the Beast is the 14th studio album by rock band Jethro Tull, released in April 1982 by Chrysalis Records. The album's musical style features a cross between the dominant synthesizer sound of the 1980s and the folk-influenced style that Jethro Tull used in the previous decade. As such, the band's characteristic acoustic instrumentation is augmented by electronic soundscapes. The electronic aspects of this album would be explored further by the band on their next album, Under Wraps (1984), as well as on Ian Anderson's solo album Walk into Light (1983).

The Broadsword and the Beast
Studio album by
Jethro Tull
Released9 April 1982
Recorded24 March 1981 – 5 February 1982
StudioMaison Rouge Studios, Fulham, London
Genre
Length38:49
LabelChrysalis
ProducerPaul Samwell-Smith
Jethro Tull chronology
A
(1980) 		The Broadsword and the Beast
(1982) 		Under Wraps
(1984)
Singles from
The Broadsword and the Beast
  1. "Broadsword"
    Released: May 1982 (UK)[1]
  2. "Fallen on Hard Times"
    Released: May 1982 (US)

Paul Samwell-Smith produced the album, making The Broadsword and the Beast the first and only Jethro Tull album produced by an external producer outside of the band and their management. Early sessions for the album were produced by Keith Olsen, however Olsen was dismissed amid creative differences in December 1981 and did not receive a credit on the album.[2] The album was the first Jethro Tull album to feature Peter-John Vettese on keyboards and Gerry Conway on drums.

Background and recording

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After the conclusion of the A tour in late February 1981, Jethro Tull was in need of a new keyboardist and drummer, as keyboardist Eddie Jobson, who billed himself as a "special guest" when performing with Tull, and drummer Mark Craney had departed with the conclusion of the tour. Cat Stevens drummer Gerry Conway was recruited due to being a longtime acquaintance of the band as well as his connections to Fairport Convention, Tull bassist Dave Pegg's band. Anderson, Barre, Pegg and Conway began recording sessions in March 1981 at Maison Rouge Studios with Anderson playing keyboards, recording until July when the band took a four-month break. While the sessions had produced 15 tracks, only two ("Beastie" and "Watching Me, Watching You") would make it to the final album, with the rest cut as Anderson felt that "overall they didn't have a theme or a concept about them that was driving them towards a certain conclusion."[3] In late summer, Peter-John Vettese was hired as the band's new keyboardist after answering an ad for the position placed in Melody Maker.

Chrysalis Records had suggested that the band pursue working with an outside producer on their next album. Canadian producer Bob Ezrin, known for his work with Pink Floyd, Kiss and Alice Cooper, was initially selected, however after Ezrin had to pull out at the last minute, American producer Keith Olsen was selected. Recording resumed at Maison Rouge in November 1981 with the newly completed band and Olsen producing. The band quickly found Olsen's working style clashing with theirs; while Anderson described Olsen as "a nice enough chap" he described his method of recording with no equalization or effects as "a way of working that was completely alien to me". Other members of the band also found themselves in disagreement with Olsen, including Pegg who described Olsen's selection as "record company shite". The band were also disturbed that Olsen's "personal lifestyle choices were not those of the rest of us."[4]

Former Yardbird Paul Samwell-Smith was ultimately brought in as a new producer for the album after a recommendation from Conway, who had previously worked with him in Cat Stevens' band. Samwell-Smith arrived in mid-December and the band recorded with him until the album was mastered in February 1982. Samwell-Smith, who described his role on the album as "very much a case of looking to Ian to see what he wanted and then to help him do it", was praised by the band who found him easy to work with. The album was the last recorded by Tull at Maison Rouge, as Anderson sold it in 1983.[5]

The album was originally intended to be called Beastie, corresponding to the first track on side one. But during production, the band deliberated over the preference between Beastie and Broadsword, the first track on side two. In the end, they decided (as on Aqualung) to give each side its own title and thus its own identity, and this time to combine both in the album title.

Artwork and packaging

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The cover art was illustrated by American artist Iain McCaig, a longtime fan of the band who later went on to work as a concept artist for successful film series including Star Wars, Harry Potter and the Marvel Cinematic Universe. McCaig was such a fan of the band that he cancelled a surprise trip to Paris where he planned to propose to his girlfriend so that he could get the job to design the cover. The art was made after McCaig visited Maison Rouge to meet the band and discuss the cover with Anderson, who gave McCaig a cassette of demos to listen to. McCaig has stated that he intentionally drew hidden "easter eggs" in the album art, including runes on the back cover which spell out the initials of McCaig's brother.[6][7]

The edges of the front cover feature writing in Anglo-Saxon runes, which translate to the opening verse of the song "Broadsword":

"I see a dark sail on the horizon, set under a black cloud that hides the sun. Bring me my broadsword and clear understanding. Bring me my cross of gold as a talisman."

Release

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In 1984, Mobile Fidelity Sound Lab issued a half-speed mastered edition of the album (MFSL 1-092) which was a minor seller at the time.

The 2005 CD reissue of the album was heavily expanded to include eight bonus tracks recorded during the Broadsword sessions, but not included in the original 1982 album.

A greatly expanded, eight-disc (five CDs and three DVDs) re-release of the album titled The 40th Anniversary Monster Edition was released on September 1, 2023, featuring new stereo and surround remixes by Steven Wilson, additional demos and session recordings, plus a 1982 live concert. The re-release has been stated to be the last of the Steven Wilson anniversary box set series the band has released since 2011.

Live performance

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Ian Anderson Broadsword and the Beast concert, Dallas, Texas, 1982.

The tour for Broadsword was the last of the band's to be exceedingly theatrical. It included the entire stage being decorated to look like a pirate ship, which Ian Anderson, as he said in the liner notes for the remastered CD, thought was "very silly". Extensive notes on the production of the album and subsequent tour can be found at the official Jethro Tull website.[8]

In a 1982 concert review, Chris Welch reported: "Squire Anderson waved a huge broadsword dangerously near Martin's nether extremities during songs from their latest album (The Broadsword And The Beast), and punted huge exploding balloons out into the audience. But it was the roar of the band as they got into their heaviest moments that ultimately captivated an audience who seemed evenly mixed between 14-year-old novice Tull freaks and silver-haired rock business veterans. [...] Tull have a vast library of music to perform. They could have played on for another two hours and the audience would have been with them, cheering all the way."[9]

"Cheerio", the final track of the original release, was for some years played as the final encore at Jethro Tull concerts.[10]

Critical reception

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Professional ratings
Review scores
SourceRating
AllMusic     [11]
The Encyclopedia of Popular Music     [12]
The Great Rock Discography4/10[13]
MusicHoundwoof![14]
Prog     [15]
Record Mirror     [16]
Rolling Stone     [17]
The Rolling Stone Album Guide     [18]
Under the Radar7/10[19]

The review by Kerrang! was ambiguous, calling the album tracks "emotional pieces of composition depending on how much attention you are prepared to give" but overall stated that "If you're a fan, buy it, it may have some pleasant surprises. If, like me, you're not, borrow it from someone who is. You might be surprised too".[20] Rolling Stone magazine, in their two stars review stated: "There's nothing wrong with living in the past, perhaps. Indeed, Ian Anderson can make the wisdom of the ages seem preferable to the rootless philandering of the present day. But on The Broadsword and the Beast, the real beast may be Anderson's penchant for ponderous sermonizing."[21] Bruce Eder of AllMusic was not too impressed with the album. Recalling the production and the music overall, he stated that "this time in the hands of ex-Yardbird Paul Samwell-Smith, is smoother, less heavy, and more thinly textured than their past work, and there are times – most especially on "Flying Colours" – where they could almost pass for the latter-day Moody Blues, something the band never would have permitted in earlier days".[22]

Former Genesis guitarist Steve Hackett has stated that The Broadsword and the Beast is one of his favourite albums.[23]

Overall sales for The Broadsword and the Beast were better than Stormwatch and A. The album charted at No. 14 in Germany and Norway, No. 19 in the United States and No. 27 in the UK,[24] while the single "Fallen On Hard Times" was a modest hit, reaching No. 20 on the US Billboard Mainstream Rock Tracks Chart.[25]

Track listing

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All tracks are written by Ian Anderson with additional material by Peter-John Vettese

Side one – Beastie
No.TitleLength
1."Beastie"3:58
2."Clasp"4:18
3."Fallen On Hard Times"3:13
4."Flying Colours"4:39
5."Slow Marching Band"3:40
Side two - Broadsword
No.TitleLength
1."Broadsword"5:03
2."Pussy Willow"3:55
3."Watching Me, Watching You"3:41
4."Seal Driver"5:10
5."Cheerio"1:09
Bonus tracks
No.TitleLength
11."Jack Frost and the Hooded Crow"3:22
12."Jack-A-Lynn"4:40
13."Mayhem Maybe" (with vocals recorded circa 1988)3:06
14."Too Many Too"3:28
15."Overhang"4:29
16."Rhythm in Gold"3:08
17."I Am Your Gun"3:19
18."Down at the End of Your Road"3:31
  • The remastered CD added bonus tracks (which had been on the 20 Years of Jethro Tull box-set) and extensive liner notes. Further tracks from the same sessions (and not included on the remastered CD) are "Motoreyes" (from the 20 Years box) and "Crew Nights", "The Curse", "Commons Brawl", "No Step", "Drive On The Young Side of Life", and "Lights Out" from the outtakes album Nightcap.

Personnel

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Jethro Tull

Additional personnel

  • Robin Black – sound engineering
  • Jim Gibson – artwork
  • Leigh Mantle – assistant engineer
  • Iain McCaig – artwork, illustrations
  • Paul Samwell-Smith – producer

Charts

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Certifications

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Certifications for The Broadsword and the Beast
Region Certification Certified units/sales
United Kingdom (BPI)[45] Silver 60,000^

^ Shipments figures based on certification alone.

References

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  1. ^ Strong, Martin Charles (1995). The Great Rock Discography. p. 434. ISBN 9780862415419.
  2. ^ Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)". The Broadsword and the Beast: The 40th Anniversary Monster Edition. Chrysalis Records.
  3. ^ Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)". The Broadsword and the Beast: The 40th Anniversary Monster Edition. Chrysalis Records.
  4. ^ Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)". The Broadsword and the Beast: The 40th Anniversary Monster Edition. Chrysalis Records.
  5. ^ Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)". The Broadsword and the Beast: The 40th Anniversary Monster Edition. Chrysalis Records.
  6. ^ "Cover Story: Jethro Tull - Broadsword And The Beast - Prog". Prog.teamrock.com. Retrieved 1 May 2015.
  7. ^ Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)". The Broadsword and the Beast: The 40th Anniversary Monster Edition. Chrysalis Records.
  8. ^ [1] Archived 21 April 2007 at the Wayback Machine
  9. ^ "Jethro Tull Press: Kerrang, 20 May 1982". Tullpress.com. Retrieved 1 May 2015.
  10. ^ "Jethro Tull live concert set lists and tour schedules at the Ministry Of Information". Ministry-of-information.co.uk. 2 June 2001. Retrieved 1 May 2015.
  11. ^ Eder, Bruce. The Broadsword and the Beast (1982 release) at AllMusic
  12. ^ Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
  13. ^ Strong, Martin C. (2004). "Jethro Tull". The Great Rock Discography (7th ed.). Canongate Books. p. 298-299. ISBN 1-84195-615-5.
  14. ^ Graff, Gary; Durchholz, Daniel, eds. (1999). "Jethro Tull/Ian Anderson". MusicHound Rock: The Essential Album Guide. Visible Ink Press. p. 786. ISBN 1-57859-061-2.
  15. ^ Ewing, Jerry (20 September 2023). "Jethro Tull's The Broadsword And The Beast 40th Anniversary Monster Edition". Prog. Retrieved 21 July 2024.
  16. ^ Gardner, Mike (24 April 1982). "Jethro Tull: The Broadsword and the Beast". Record Mirror. Vol. 29. Retrieved 21 July 2024.
  17. ^ Puterbaugh, Parke (10 June 1982). The Broadsword and the Beast, Rolling Stone
  18. ^ Coleman, Mark; Lechner, Ernesto (2004). "Jethro Tull". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 430-431. ISBN 0-7432-0169-8.
  19. ^ Davis, Hays (13 November 2013). "Jethro Tull: The Broadsword and the Beast (The 40th Anniversary Monster Edition)". Under the Radar. Retrieved 21 July 2024.
  20. ^ "Jethro Tull Press: Kerrang, 6 May 1982". Tullpress.com. Retrieved 1 May 2015.
  21. ^ "Jethro Tull: Broadsword & The Beast : Music Reviews : Rolling Stone". Rolling Stone. 10 June 1982. Archived from the original on 23 April 2009. Retrieved 1 May 2015.
  22. ^ Bruce Eder. "The Broadsword and the Beast - Jethro Tull | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 1 May 2015.
  23. ^ Armstrong, Sam. "Steve Hackett's Top 11 Prog". Udiscovermusic.com. Retrieved 14 October 2018.
  24. ^ "Album artist 51 - Jethro Tull". Tsort.info. Retrieved 1 May 2015.
  25. ^ "Jethro Tull". Billboard.com. Retrieved 19 May 2021.
  26. ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 155. ISBN 0-646-11917-6.
  27. ^ "Austriancharts.at – Jethro Tull – The Broadsword and the Beast" (in German). Hung Medien. Retrieved June 20, 2024.
  28. ^ "Top RPM Albums: Issue 6552". RPM. Library and Archives Canada. Retrieved June 20, 2024.
  29. ^ "Offiziellecharts.de – Jethro Tull – The Broadsword and the Beast" (in German). GfK Entertainment Charts. Retrieved June 20, 2024.
  30. ^ "Charts.nz – Jethro Tull – The Broadsword and the Beast". Hung Medien. Retrieved June 20, 2024.
  31. ^ "Norwegiancharts.com – Jethro Tull – The Broadsword and the Beast". Hung Medien. Retrieved June 20, 2024.
  32. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved June 20, 2024.
  33. ^ "Jethro Tull Chart History (Billboard 200)". Billboard. Retrieved June 20, 2024.
  34. ^ "Ultratop.be – Jethro Tull – The Broadsword and the Beast" (in Dutch). Hung Medien. Retrieved June 20, 2024.
  35. ^ "Ultratop.be – Jethro Tull – The Broadsword and the Beast" (in French). Hung Medien. Retrieved June 20, 2024.
  36. ^ "Lista prodaje 37. tjedan 2023" (in Croatian). HDU. 15 September 2023. Retrieved 24 September 2024.
  37. ^ "Dutchcharts.nl – Jethro Tull – The Broadsword and the Beast" (in Dutch). Hung Medien. Retrieved June 20, 2024.
  38. ^ "Offiziellecharts.de – Jethro Tull – The Broadsword and the Beast" (in German). GfK Entertainment Charts. Retrieved June 20, 2024.
  39. ^ "Album Top 40 slágerlista (fizikai hanghordozók) – 2023. 36. hét". MAHASZ. Retrieved 14 September 2023.
  40. ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved June 20, 2024.
  41. ^ "Spanishcharts.com – Jethro Tull – The Broadsword and the Beast". Hung Medien. Retrieved 10 September 2023.
  42. ^ "Swisscharts.com – Jethro Tull – The Broadsword and the Beast". Hung Medien. Retrieved 10 September 2023.
  43. ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved June 20, 2024.
  44. ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1982. Archived from the original on 19 October 2021. Retrieved 4 April 2022.
  45. ^ "British album certifications – Jethro Tull – The Broadsword and the Beast". British Phonographic Industry. Retrieved 4 April 2022.
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