Wikipedia

Tierkreis (Stockhausen)

Tierkreis (1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists of twelve melodies, each representing one sign of the zodiac.

Tierkreis
Character pieces by Karlheinz Stockhausen
Bell tower of the Cologne City Hall where, since 6 July 2009, one of the Tierkreis melodies is played on the carillon daily at noon
Composed1974 (1974)–75
Movements12
Scoringvarious versions

History

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Once described as "melodic naïveté" in the form of "cheerful, empty-headed little tune[s]",[1] who nevertheless soon changed his mind,[2] Tierkreis has proved to be Stockhausen's most popular composition.[3][4][5] Tierkreis was originally written for music boxes as a component part of a theater piece for percussion sextet titled Musik im Bauch (Music in the Belly), which has been interpreted variously as "a fairy tale for children"[6] or else as "a ritual played out in Mexican Indian scenery".[7] These twelve melodies (with or without their accompaniments) form an autonomous work which can be played by any suitable instrument, and exist also in versions to be sung. The striking simplicity of the melodies has led some writers to see them (together with other of Stockhausen's works from after 1966) as precursors of the German New Simplicity movement that began in the late 1970s.[8][9]

On the initiative of the Committee for Art and Culture of the City Council of Cologne, from 6 July 2009 the melody from Tierkreis corresponding to the current Zodiac sign is played daily at noon on the newly restored 48-bell carillon in the tower of the Cologne City Hall as a tribute to the composer. Bert Augustus, a campanologist from the Dutch company Royal Eijsbouts programmed the melodies on a computer, with the collaboration of Suzanne Stephens and Kathinka Pasveer of the Stockhausen Foundation for Music.[10][11]

Form

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Fourteen-tone row of "Libra"[12]

The twelve melodies of Tierkreis are character pieces, representing the twelve signs of the Zodiac. They are serial in conception and all are based on tone rows, though some have more than twelve notes—Libra, for example, has fourteen, with F♯ and D♯ recurring in different octaves. Because music boxes preclude any significant variation in dynamics or timbre, the structure of the Tierkreis melodies emphasize pitch and rhythm.[13] Each melody is centered on a different chromatic pitch, with "Leo" (Stockhausen's own sign) = A, Virgo = A♯, Libra = B, Scorpio = C, etc., and each has its own distinctive tempo, chosen from the "chromatic" tempo scale first described in the composer's famous article, "... How Time Passes ...".[14]

Like the pitches, the rhythms are also organized serially and strive for contrast amongst the melodies rather than relatedness (Kohl 1983, 150). Various scales of durations are employed: Fibonacci numbers (1, 2, 3, 5, 8, 13, ... ), arithmetic series (1, 2, 3, 4, 5, ... ), and "second order" arithmetic series, in which the difference between consecutive members increases arithmetically (2, 3, 5, 8, 12, 17, ... ). One melody, "Aries", mixes all three of these scale types, at different levels of the durational organization.[15]

A complete performance begins with the melody corresponding to the zodiac sign within which the day of the performance falls, and proceeds through the twelve melodies of the cycle, ending with a return to the starting melody. Each melody is to be played at least three times through, with variations or improvisations, [16] which in some performances have been very extensive.[17] Though performances documented in recordings last between 12 and 63 minutes, a complete performing version by the violin-piano duo of Andrew and Gail Jennings is claimed to last 96 minutes, but they have declined to play their version complete in public.[18] The melodies can also be played individually, or in smaller numbers.

In addition to Musik im Bauch, Stockhausen employed the Tierkreis melodies in the central "wheel" section of Sirius (1975–77), an hour-and-a-half-long chamber opera for soprano and bass voices, trumpet, bass clarinet, and eight-channel electronic music.[19] Fragments of several of the melodies are also quoted in act 3, scene 1 of Donnerstag aus Licht, in part three ("Starry Sky") of the third Light Composition, where the signs of the zodiac are shown, one after the other, in the night sky.[20]

Stockhausen also prepared a number of versions for various specific forces: vocal versions for five different voice ranges (high soprano or high tenor, Nr. 412⁄3; soprano or tenor, Nr. 413⁄4; mezzosoprano, alto, or low tenor, Nr 414⁄5; baritone, Nr. 415⁄6; bass, Nr. 416/7 all 1975), version for chamber orchestra, Nr. 41 7/8 (1977), version for clarinet and piano, Nr. 418/9 (1981), a "trio version" for clarinet, flute/piccolo, and trumpet/piano, Nr. 419/10 (1983), a "version 2003" for soprano or tenor with chording instrument, Nr. 41 10/11 (2003), and, finally, two orchestral versions of five melodies each, titled Fünf Sternzeichen, Nr. 4111/12, and Fünf weitere Sternzeichen, N. 4112/13. The latter was his last completed composition, finished on 4 December 2007, the night before he died.[21] Stockhausen was planning further work in January 2008, which was probably the orchestration of the remaining two pieces, "Cancer" and "Leo".[22]

Discography

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  • Allar Kaasik, tšello: A. Pärt, A. Ellerhein-Metsala, K. Stockhausen.Version for cello and organ. Allar Kaasik, cello; Ines Maidre, organ. LP, Melodiya C10 28381 000.
  • Assolo. Version for clarinet (and bass clarinet) solo. Massimo Munari, clarinet and bass clarinet. CD Lanner Edizioni.
  • Blaise Calame: Bartók, Stockhausen, Berio. Version for violin solo. Blaise Calame, violin. LP, Pavane Records ADW 7142.
  • Bühler Flötenkreis: Miniaturen aus vier Jahrhunderten. Version for recorder ensemble. LP, Gema A-4979.
  • The Contemporary Lute. Version for two lutes. Peter Söderberg and Sven Åberg, lutes. Alice Musik Production CD ALCD 004
  • The Contemporary Solo Double Bass, version for solo double bass. Bjørn Ianke (double bass) CD Simax PSC 1039.
  • Duo version of melodies 3, 4, 6, 7, and 11, for guitar and electric guitar. Gilles Ballet, guitar; Patrick Brun, electric guitar. CD Cybelia CY 1127.
  • Gidon Kremer: LP, Ariola-Eurodisc 201 234–405. Version of six of the melodies ("Aquarius", "Pisces", "Aries", "Cancer", "Leo", "Sagittarius", and "Aquarius" (reprise)) for solo violin. Gidon Kremer, violin. Also released on DENON 28CO-1862.
  • Giuliano Rizzotto: Bone Zone. Version for trombone solo. Giuliano Rizzotto, trombone. CD L'Eubage 5.
  • Historical Russian Archives: Gidon Kremer Edition. Version of six of the melodies ("Aquarius", "Gemini", "Pisces", "Libra", "Sagittarius", "Leo", and "Aquarius" (reprise)) for violin solo and two violins. Gidon Kremer and Tatiana Grindenko, violins. 10-CD set. Brilliant Classics 8712. Also released on Russian Legends: Legendary Russian Soloists of the 20th Century. 100-CD set, Brilliant Classics 8173. Reissued on The Russian Archives: Gidon Kremer Plays 20th-Century Composers. 3-CD set. Brilliant Classics 9242. N.p.: Brilliant Classics, 2011.
  • Incontri/Encounters. Version for guitar of "Aquarius", "Leo", and "Libra". Piero Bonaguri, guitar. CD Phoenix Classics PH 00617.
  • J. S. Bach: Partitas; K. Stockhausen: "Zodiac". Version for violin solo of six of the melodies. Rony Rogoff, violin. 2 LPs, CBS/Sony 50AC 1188-9.
  • Jean-Guy Boisvert: Zodiac. Version for clarinet and piano. Jean-Guy Boisvert, clarinet; Louise-Andree Baril, piano. CD SNE 586.
  • Kamikaze Ground Crew: Covers. Two melodies, "Capricorn" and "Leo". Doug Wieselman, clarinets,saxophones, guitar, balalaika,organ; Gina Leishman, saxophones,bass clarinet, accordion, vocals; Steven Bernstein, trumpet, slide trumpet; Peter Apfelbaum, tenor and soprano saxophones; Art Baron, trombone; Marcus Rojas, tuba; Kenny Wollesen, drums. CD, Koch Records, Koch Jazz 7882.
  • Karlheinz Stockhausen Piano Music. Version for piano solo. Elisabeth Klein, piano. CD TIM Scandinavian Classics 220555. Also released on Classico CLASSCD 269.
  • Karlheinz Stockhausen: Tierkreis. Bruno Heinen Sextet (Bruno Heinen, piano; Filvio Sigurta, trumpet; Janes Allsopp, bass clarinet; Tom Challenger, saxophone; Andrea Di Biase, bass; Jon Scott, drums). CD Babel Label BDV13119. London: Babel Label Records, 2013.
  • Karlheinz Stockhausen: Tierkreis—Melodies des douze signes celestes (improvisations autour du zodiaque). Pascal Lefeuvre, vielle a roue electro-acoustique, Erik Baron, basse fretless & bow basse. CD Alba Musica Musidisc MU 245 202
  • Karlheinz Stockhausen: Tierkreis; Oberlippentanz. Markus Stockhausen, trumpet and piano; Kathinka Pasveer, flute; Suzanne Stephens, clarinet (recorded 1985). CD Acanta 43201; LP Acanta 23531.
  • Karlheinz Stockhausen: Tierkreis/Zodiac. Dominik Susteck, organ (recorded 30 September 2008, Kunst-Station Sankt Peter, Cologne) Cologne. CD Wergo WER 67362. Mainz: Wergo, 2011.
  • Katerina Zlatinikova Zymbal-Musik vol.2. Version for flute(s) and cimbalom. Katerina Zlatnikova, cimbalom; Willy Freivogel, Stephan Zilka, Elisabeth Deinhard, flutes; Gerhard Braun, recorder. CD Podium POD WOW-008-2.
  • Knut Sönstevold plays Stockhausen. Version for bassoon and piano. Knut Sönstevold, bassoon; Kina Sönstevold, piano. CD Nosag 42.
  • Live in Berlin: Accroche Note. Ensemble Accroche-Note (Armand Angster, contrabass clarinet, bass clarinet, clarinet; Françoise Kubler, voice, melodica, percussion; Emmanuel Séjourné, vibraphone, marimba, percussion; Benoît Dunoyer de Segonzac: double bass; Abdellatif Chaarani, darbuka, bendir, tar, chimes). CD, Free Music Production FMPCD 083.
  • Music For Two: Neue Musik für Blockflöte und Gitarre. Version for recorder and guitar of four pieces ("Aquarius", "Gemini", "Virgo", and "Capricorn"). Hans-Martin Linde, recorder; Konrad Ragossnig, guitar. CD, Wergo 60142-50.
  • Musik mit Schlaginstrumenten 3. Six melodies ("Capricorn", "Aquarius", "Pisces", "Taurus", "Libra", "Leo"), arr. Gabriel Bouchet for percussion ensemble. Ecole des Percussions de Strasbourg; Christian Hamouy, cond. LP, Sound-Star-Ton SST 0184.
  • Oberlippentanz; Ave; Tierkreis, Trio-Version. Markus Stockhausen, trumpet and piano; Kathinka Pasveer, flute; Suzanne Stephens, clarinet (recorded 1991). CD, Stockhausen Complete Edition 35.
  • Piccolo XX. Version for unaccompanied piccolo. Roberto Fabbriciani, piccolo. CD Arts 47557.
  • Stockhausen Tierkreis: Zodiac. Two different versions for bass clarinet, trombone, accordion, drums, cello and double bass. Michael Riessler, bass clarinet; Mike Svoboda, trombone; Stefan Hussong accordion; Michael Kiedaisch, drums; Scott Roller, cello; Wolfgang Fernow, double bass. CD Wergo 66592
  • Stockhausen: Bass Clarinet and Piano. Version for bass clarinet and piano. MDG 613-1451Volker Hemken, bass clarinet; Steffen Schleiermacher, piano (with toy piano and music box).
  • Stockhausen: In Freundschaft for oboe; Linker Augentanz; Taurus; Taurus-Quintett; Kamel-Tanz; Rotary-Bläserquintett. Edurne Santos, bassoon (in Taurus, recorded 10 December 2011 at Sound Studio N, Cologne); Ensemble Musikfabrik: Melvyn Poore, tuba; Marco Blaauw, trumpet; Heidi Mockert, bassoon; Christine Chapman, horn; Bruce Collings, trombone (in Taurus-Quintett, recorded 22 May 2015 at Sound Studio N, Cologne). CD recording, 1 disc: digital, 12 cm, stereo. Stockhausen Complete Edition CD 105. Kürten: Stockhausen-Verlag, 2015.
  • Stockhausen: Jubiläum für Orchester; Tierkreis: Zehn Sternzeichen für Orchester; Tierkreis für das historische Glockenspiel des Kölner Rathauses. BBC Symphony Orchestra, cond. Oliver Knussen (Jubiläum). Orchestra Mozart (Bologna), cond. Oliver Knussen (Tierkreis for orchestra); Cologne Town Hall Carillon, programmed by Bert Augustus (adaptation of a version of Tierkreis by Kathinka Pasveer and Suzanne Stephens). Stockhausen Complete Edition CD 100. Kürten: Stockhausen-Verlag, 2010.
  • Stockhausen: Musik für Klarinette, Baßklarinette, Bassetthorn: Suzee Stephens spielt 15 Kompositionen. Includes version of Tierkreis for clarinet and piano. Suzanne Stephens, clarinet; Majella Stockhausen, piano. 3-CD set, Stockhausen Complete Edition 32 A-B-C.
  • Stockhausen: Musik im Bauch. Les Percussions de Strasbourg. Includes complete Tierkreis on music boxes. LP, DG 2530 913. Also released on CD, Stockhausen Complete Edition 24.
  • Stockhausen: Tierkreis. Version for clarinet and piano. Jean-Phillipe Vivier, clarinet; Tamayo Ikeda, piano. CD Solstice SOCD 197.
  • Tétraclavier. Version for piano and celesta of two pieces ("Scorpio" and "Pisces"). Jean-Jacques Dünki, piano; Pierre Sublet, celesta. CD Jecklin szene sCHweiz JS 289-2.
  • Tierkreis. Version for violin with various instrumental accompaniments. Ivan Zenaty, violin; Jiri Mazanek, sitar; Daniel Mikolásek,vibraphone, crotales, marimba & bells; Josef Hála. piano, celesta & harpsichord; Pavel Dreser, accordion; Rudolf Dašek, guitar; Ales Bárta, organ; Jana Boušková, harp. ARTA Records, Prague F1 0030-2.
  • Tierkreis: Schlagwerk Nordwest Percussion Ensemble spielt Karlheinz Stockhausen, Axel Fries. CD recording. Antes Edition BM-CM 31.9210. Bühl: Bella Musica Edition, 2007.
  • Tierkreis; Vision; Die 7 Lieder Der Tage. Version for tenor and synthesizer. Hubert Mayer, tenor; Antonio Pérez-Abellán, synthesizer; Karlheinz Stockhausen, sound projection. CD, Stockhausen Complete Edition 77.
  • 12 × 12 – A Musical Zodiac: Karlheinz Stockhausen: Tierkreis; Ars Nova & Ars Subtilior. Capilla Flamenca and Het Collectief. Recorded at Campus of the Arts "deSingel", Antwerp, October 2010. CD recording. Etcetera/Klara KTC 4042. [The Netherlands]: Coda BVBA, 2012.
  • Version for marimba/vibraphone and piano. Johan Eriksson, marimba and vibraphone; Johan Fröst, piano. CD Tingshuset Musik CMCD 003.
  • Zeit(t)räume: Karlheinz Stockhausen, Luciano Berio. Includes Tierkreis for soprano and piano. Claudia Böttcher, soprano; Jovita Zähl, piano. Recorded February 2012 at Loft, Cologne. CD recording. Wergo WER 6749 2. Mainz: Wergo, 2013.

References

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  1. ^ Kenyon 1980a, p. 78.
  2. ^ Kenyon 1980b, p. 186.
  3. ^ Anon. 2007.
  4. ^ Deruchie 2007.
  5. ^ Nordin 2004.
  6. ^ Maconie 1976, p. 322.
  7. ^ Kurtz 1992, p. 205.
  8. ^ Andraschke 1981.
  9. ^ Gruhn 1981.
  10. ^ Nonnenmann 2009.
  11. ^ Pesch 2009.
  12. ^ Kohl 1983, p. 151.
  13. ^ Kohl 1983, pp. 148–151.
  14. ^ Stockhausen 1957.
  15. ^ Kohl 1983, pp. 159–162.
  16. ^ C. Stockhausen 1978.
  17. ^ Svoboda 2002.
  18. ^ Leonard 2003.
  19. ^ Kohl 1983, p. 166.
  20. ^ Ulrich 2017, p. 105.
  21. ^ Bäumer 2007.
  22. ^ Kohl 2012, pp. 520–521.

Cited sources

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  • Andraschke, Peter. 1981. "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965". In Zur Neuen Einfachheit in der Musik. Studien zur Wertungsforschung 14. Edited by Otto Kolleritsch, 126–143. Vienna and Graz: Universal Edition (for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz). ISBN 3-7024-0153-9.
  • Anon. 2007. "Avant-garde Composer Karlheinz Stockhausen Dies at 79". CBCnews.ca (7 December) (accessed 7 April 2008).
  • Bäumer, Ingrid. 2007. "'Eine ganz neue Zeit fängt an': Karlheinz Stockhausen arbeitete bis zum letzten Atemzug". Kölner Stadt-Anzeiger (9 December).
  • Deruchie, Andrew. 2007. "Karlheinz Stockhausen: Tierkreis (Zodiac) (1974–75), (Karlheinz Stockhausen, arrangement)". Programme-booklet note for the North American première of Fünf Sternzeichen, 5 March 2007. Montréal: Société de musique contemporaine du Québec.
  • Gruhn, Wilfried. 1981. "'Neue Einfachheit'? Zu Karlheinz Stockhausens Melodien des Tierkreis". Reflexionen uber Musik heute: Texte und Analysen, edited by Wilfried Gruhn, 185–202. Mainz, London, New York, and Tokyo: B. Schott's Söhne. ISBN 3-7957-2648-4.
  • Kenyon, Nicholas. 1980a. "Musical Events: Seven Days' Wonder". The New Yorker (25 August): 78–81.
  • Kenyon, Nicholas. 1980b. "Further Events: Sensations". The New Yorker (3 November): 184–187.
  • Kohl, Jerome. 1983. "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music". Perspectives of New Music 22 (1983–84): 147–185.
  • Kohl, Jerome. 2012. "Harmonies and the Path from Beauty to Awakening: Hours 5 to 12 of Stockhausen's Klang". Perspectives of New Music 50, nos. 1 & 2 (Winter–Summer): 476–523.
  • Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. ISBN 0-571-14323-7 (cloth) ISBN 0-571-17146-X (pbk).
  • Leonard, James. 2003. "Andrew & Gail Jennings play Stockhausen." Ann Arbor Observer (February): 63.
  • Maconie, Robin. 1976. The Works of Karlheinz Stockhausen. London, New York, Toronto: Oxford University Press. ISBN 0-19-315429-3.
  • Nonnenmann, Rainer. 2009. "Karlheinz vom Dach: Stockhausens «Tierkreis»-Melodien tönen vom Kölner Rathausturm". Neue Zeitschrift für Musik no. 5 (September–October): 16.
  • Nordin, Ingvar Loco. 2004. "George Crumb, Makrokosmos Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano) – Alex Nowitz (whistling). Mode 142". (Accessed 7 April 2008) Also found at Mode Records website
  • Pesch, Matthias. 2009. "Stockhausen vom Rathausturm". Kölner Stadt-Anzeiger (7 July).
  • Stockhausen, Christel. 1978. "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung." Melos 45/Neue Zeitschrift für Musik 139 (July–August): 283–287. Reprinted together with an English trans. as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice," in a booklet now included with the score of Tierkreis.
  • Stockhausen, Karlheinz. 1957. "... wie die Zeit vergeht ...". Die Reihe 3:13–42. Trans. by Cornelius Cardew as "... How Time Passes ...", English ed. of Die Reihe 3 (1959): 10–40.
  • Svoboda, Mike. 2002. "Interpretation als Verdeutlichung eine Komposition: Karlheinz Stockhausen—TIERKREIS: 12 Melodien der Sternzeichen (1975)". Neue Zeitschrift für Musik 163, no. 6 (November–December): 24–27.
  • Ulrich, Thomas. 2017. Stockhausens Zyklus LICHT: Ein Opernführer. Cologne, Weimar, and Vienna: Böhlau Verlag. ISBN 978-3-412-50577-6.

Further reading

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  • Angiolini, Giuliano d'. 1989. "Tierkreis, oeuvre pour instrument mélodique et/ou harmonique: un tournant dans le parcours musical de Stockhausen", Analyse Musicale (1er trimestre): 68–73.
  • Birckenstaedt, Gela. 2006. "Neue Spielräume für alte Instrumente: Karlheinz Stockhausens Tierkreis in der Einrichtung für Sopran und Barokorchester". Tibia: Magazin für Holzbläser 31, no. 2 (April): 101–104.
  • Conen, Hermann. 1991. Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre. Kölner Schriften zur Neuen Musik 1, ed. Johannes Fritsch and Dietrich Kämper. Mainz: Schott's Söhne. ISBN 3-7957-1890-2.
  • Fritsch, Johannes G. 1981. "Stockhausens Weltmusik". In Weltmusik (Feedback Papers, special issue), edited by Johannes G. Fritsch and Peter Ausländer. Cologne: Feedback Studio.
  • Hewett, Ivan. 4 April 2013. "Bruno Heinen Sextet, Vortex Jazz Club, Review". The Telegraph.
  • Maconie, Robin. 2016. Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007, updated edition. Lanham, Maryland, and London: Rowman & Littlefield. ISBN 978-1-4422-7267-5.
  • Oberholzer, Gallus. 1988. "Karlheinz Stockhausen komponierte 12 Melodien speziell für Spieldosen". Das mechanische Musikinstrument: Journal der Gesellschaft für selbstspielende Musikinstrumente 12, no. 46 (December): 49.
  • Stockhausen, Karlheinz. 2014a. "Tierkreis für Glockenspiel". In his Texte zur Musik 15, edited by Imke Misch, 389–391. Kürten: Stockhausen-Verlag. ISBN 978-3-9815317-5-6.
  • Stockhausen, Karlheinz. 2014b. "'Ungewöhnlich': Zur Uraufführung von Fünf Sternzeichen". In his Texte zur Musik 15, edited by Imke Misch, 395–396. Kürten: Stockhausen-Verlag. ISBN 978-3-9815317-5-6.
  • Susteck, Dominik. 2009. "Gefrorene Musik: Karlheinz Stockhausens Tierkreis auf der Orgel". Neue Zeitschrift für Musik 170, no. 1 (January–February): 36–37.
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