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Ann Richards (actress)

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For other people named Ann Richards, see Ann Richards (disambiguation).

Ann Richards
Richards in Lost Honeymoon (1947)
Born
Shirley Ann Richards

(1917-12-13)13 December 1917
Sydney, Australia
Died25 August 2006(2006-08-25) (aged 88)
Torrance, California, U.S.
OccupationActress
Years active1937–1960
Spouse
​
​
(m. 1949; died 1983)​
ChildrenJuliet, Christopher, Mark

Shirley Ann Richards (13 December 1917 – 25 August 2006) was an Australian actress and author who achieved notability in a series of 1930s Australian films for Ken G. Hall before moving to the United States, where she continued her career as a film actress, mainly as a Metro-Goldwyn-Mayer starlet. Her best known performances were in It Isn't Done (1937), Dad and Dave Come to Town (1938), An American Romance (1944), and Sorry, Wrong Number (1948). In the 1930s, she was the only Australian actor under a long-term contract to a film studio, Cinesound Productions. She subsequently became a lecturer and poet.[1]

Life and career

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Early life

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She was born Shirley Ann Richards in Sydney, Australia, to an American father (d. 10 August 1928) and New Zealand mother, and was raised in the suburb of Mosman and educated at Ascham School, Edgecliff.[2]

Richards began acting on stage in amateur productions for the Sydney Players Club and worked as a receptionist at the photographic studio of Russell Roberts.

Cinesound

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Richards was spotted in an amateur theatre production when selected for Cinesound Productions' Talent School, where she worked for six months.[3] This led to her casting as Cecil Kellaway's daughter in It Isn't Done (1937) for director Ken G. Hall at Cinesound Productions.[4]

Richards was a success with the public and critics, and Stuart F. Doyle, head of Cinesound, ordered Hall to put her under long-term contract so she would not be poached by a rival filmmaker such as F. W. Thring or Charles Chauvel. Hall later said, "I think that Shirley Ann would be the only artist before or since to be placed under term contract by an Australian film company."[5] The contract was for 12 months with options.[6]

"In Shirley Ann Richards I believe we have the ideal ingenue", said Hall at the time. "She is young, intelligent, photographs splendidly, and above all, responds quickly to direction. Her work in this film with a cast of famous professional players, headed by Cecil Kellaway, has astonished us all. She has great self possession, and yet her strongest appeal is her youthful freshness and feminine charm."[7]

Hall used Richards in his next film, the logging adventure Tall Timbers (1937) where she romanced Frank Leighton.[8] She was the female lead in another adventure saga for Hall, Lovers and Luggers (1937), playing opposite American import Lloyd Hughes.[9]

Richards' third film for Hall was playing the daughter of Bert Bailey in Dad and Dave Come to Town (1938).[10] Her final Australian feature was Come Up Smiling (1939), supporting Will Mahoney and directed by William Freshman, though produced by Hall.

In 1939 she starred in a radio serial All That Glitters. In 1940, she appeared on stage in a production of Charley's Aunt at the Minerva Theatre.[11] She also appeared in stage productions of The Ghost Train and Are You a Mason.[12]

The following year, she appeared in her final Australian film, the war-time featurette 100,000 Cobbers (1942), directed by Hall.[13][14]

American film career

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Richards left Australia for Hollywood on 11 December, only a few days after the attack on Pearl Harbor in December 1941.[15] She arrived with only $75, all that the government would allow her to take out of the country.[12]

"I was prepared to do lectures or radio work if necessary", she later said.[2]

Ken G. Hall had sent on some film featuring her to Carl Dudley, an American-based writer who had worked on the script for It Isn't Done and with whom Richards was to stay when he arrived, but he gave it to an aspiring producer who lost it. Nonetheless, Dudley invited introduced her to Roy Meyers of the Leland Hayward Agency.[16]

MGM

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Within her first week in Hollywood, Richards was cast in a short, The Woman in the House (1942), which led to a contract with Metro-Goldwyn-Mayer.[17] The studio saw her as a "young Greer Garson".[18][19]

"I had an angel on my shoulder", she said later. "The studio respected my Australian credits and treated me like a star, but they cast me as 'Ann Richards', saying 'Shirley Ann, sounded too much like a Southern belle'".[20] (Another reason was to avoid confusion with the actress Anne Shirley.)

In June 1942 she was given a small role in Random Harvest (1942) with Ronald Colman and Greer Garson.[21] According to Richards, producer Sidney Franklin told her if she had "come to the lot earlier" she would have gotten the role of Colman's fiance, played by Susan PEters, as that part "is supposed to remind him of his first love, Greer Garson, whom you resemble much more than Susan does.” (In Australia, Richards had gone to school with the daughters of Colman's brother Eric.)[22]

This was followed by a part in Three Hearts for Julia ("I had very little to do but it was interesting"[23]), and then a supporting role as an Australian nurse in Dr. Gillespie's New Assistant (1942).[2]

In April 1943 she was given the most prestigious role of her career: the female lead in An American Romance (1944), a big-budget production from director King Vidor starring Brian Donlevy.[24] Vidor had hoped to cast Ingrid Bergman who was unavailable. "They had this girl named Ann Richards who they were hoping would take the place of Greer Garson," he said. "They asked me to make tests of her and she made excellent tests. I considered it quite a compromise."[25]

News of Richards' casting reached her parents in Australia half an hour before she received a telegraph from the army that their son Roderick, Richards' brother, was a POW in Borneo.[26] However, the film ended up spending a lot of time in post-production and received mixed reviews when released. MGM recorded a loss on the film and Vidor refused to work for MGM again.

Richards tested for None But the Lonely Heart at RKO but lost it to June Duprez.[27] She said she was promised parts in Gaslight and The Picture of Dorian Gray but did not get them.[28]

MGM was unsure what to do with Richards. "I loved MGM – except for the waiting – there were long periods when I wasn't being used", she commented later.[22] Richards said the breaking point came when MGM refused to loan her out for the part played by Laraine Day in Cecil B. de Mille's film The Story of Dr Wassell. "I felt that if I could get away from MGM I could do more things," she said.[28][20] She asked to be released from her contract.[29]

Hal Wallis and RKO

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In April 1944 Richards signed with RKO, who had been impressed by her None But the Lonely Heart test, to make two films a year.[30][31]

She received offers to sign with David O. Selznick and Hal B. Wallis, and decided to go with Wallis believing he would be more likely to use her than Selznick. In July 1944 Wallis announced he would put her in Love Letters and The Searching Wind.[32] She said, "I always wanted to be a free lance and now it looks like I'm a free lance and a contract player... isn't it wonderful?"[12]

Wallis scheduled her to star opposite Barry Sullivan in Love Letters (1945). However, he then changed his mind and chose to use Jennifer Jones and Joseph Cotten in the lead roles; Richards was given a supporting part.[33] "It was a very good part," she said.[34]

Ken Hall wanted her for Smithy back in Australia but she was unable to accept.[35]

Wallis announced he would star Richards in an adaptation of the novel The Crying Sisters written by Ayn Rand and directed by Byron Haskin.[36] However the film was not made.

RKO renewed their option on her in April 1945.[37] They announced they would put her in None So Blind with Charles Bickford and Joan Bennett.[38] It was eventually made without her as The Woman on the Beach.

Instead she supported Randolph Scott in Badman's Territory (1946). That year in an interview she said she thought her Australian accent might have held her back in Hollywood.[39] Wallis gave her the lead role in The Searching Wind (1946) with Robert Young, but the film was not successful.[40] In October 1946 Wallis announced Richards would make Paid in Full from a script by Robert Blees[41] but the film was never made. In November 1946 Hedda Hopper announced Cinesound wanted her to star in Botany Bay in Australia.[42] In 1947 she appeared in The Astonished Heart at La Jolla Playhouse alongside Dorothy McGuire.[43]

Eagle Lion

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Richards then appeared in two movies for Eagle Lion, Lost Honeymoon and Love from a Stranger. She then had the third lead in a popular film for Wallis Sorry, Wrong Number (1948).[15][44] "I enjoyed working for Hal Wallis very much," she said leter. "He was a marvelous producer. He was very interested. Some people complained that he came down to the set too often, irritating the directors, but I thought he was correct: he wasn’t there to criticize but because of his interest."[45]

In 1948 she was announced for a play Recessional by William Hurbert.[46] Edmund Angelo bought the rights.[47]

In April 1948 she told the Los Angeles Times she was determined to play younger parts as opposed to the more mature ones she had been doing.[48]

In February 1949 it was reported that Byron Haskin was trying to get her to star in The Scarlet Empress to be shot in Mexico.[49]

In 1949, it was reported she was trying to get up a film called Michelle as an independent producer.[50]

Edmond Angelo

[edit]

Richards retired in 1949 following her marriage to electronics engineer Edmond Angelo.[51][52]

Angelo ran a successful consulting company and Richards and he raised three children together, Christopher, Mark, and Juliet.[53]

In October 1951 it was announced she would make a film with Angelo, The Slasher, then do a play directed by him, Personal Triumph by Arthur Alsburg.[54] There was also going to be a second film, You're So Dangerous, where Richards would play a social worker mistaken for a gangster's moll.[55]

Eventually Richards appeared in The Slasher, produced and directed by her husband, which was retitled Breakdown (1952). The film was not a success and Richards appeared in no further dramatic films.[56][57] Angelo decided to make no further films.[58]

Later years

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After her retirement, Richards ventured into painting and poetry, publishing several well-received volumes, including The Grieving Senses (1971) and Odyssey for Edmond (1991). She also wrote the verse play Helen of Troy in the 1970s, which Angelo and she presented on college campuses.[59] They remained married until Angelo's death in 1983. Richards died in Torrance, California, on 24 August 2006.[60]

Richards had a brother who was killed in a Japanese prisoner of war camp during World War II.[61][62]

Richards and Australia

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While in Hollywood, Richards often appeared at functions promoting Australian interests.[63][64] [65]

Richards attended the conference establishing the United Nations in San Francisco in 1945.

She returned to Australia in 1946 for a well-publicised holiday.[66] She took back a pair of wicketkeeping gloves belonging to Bert Oldfield to C. Aubrey Smith in Hollywood.[67]

Appraisal

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Writer Tom Vallance said of Richards, "soft-spoken and sincere, she was at her best when conveying depths of wisdom, with a suggestion of passion stoically controlled."[15] Author Stephen Vagg argued she "had an appeal similar to that of the young Olivia de Havilland – she looked like a good girl, but there was always a twinkle in the eye; virginal but with the promise of a lively honeymoon."[68]

Filmography

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Australian films

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US films

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Documentaries

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Unmade film

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Theatre

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  • The Last of Mrs Cheyney (1936) – amateur production in Sydney[71]
  • Haunted Houses (1936) – Sydney Players Club, St James Hall, Sydney[72]
  • Charley's Aunt (1940) – Minerva Theatre, Sydney[73]
  • Tonight at 8.30 by Noël Coward (1947) – Actors' Company, La Jolla

Radio

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  • All that Glitters (1939)
  • Rookery Nook (1941)[74]

References

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  1. ^ Chai, P. (September 2006). "Obituaries: SHIRLEY ANN RICHARDS". Variety. No. 404. p. 67. ProQuest 236253334.
  2. ^ a b c Scheuer, P. K. (17 June 1945). "Actress of 'down under' studio makes good here". Los Angeles Times. ProQuest 165628126.
  3. ^ "NEW RECRUIT FOR SCREEN". The Courier-Mail. Brisbane. 21 October 1936. p. 21. Retrieved 1 April 2012 – via National Library of Australia.
  4. ^ "Sydney Girl Enters Filmland". The Courier-Mail. Brisbane. 29 October 1936. p. 22. Retrieved 1 April 2012 – via National Library of Australia.
  5. ^ Ken G. Hall, Directed by Ken G. Hall, Lansdowne Press 1977 p 120
  6. ^ Pike, Andrew Franklin. "The History of an Australian Film Production Company: Cinesound, 1932–70" (PDF). Australian National University. p. 48.
  7. ^ "CINESOUND STAR". The Argus. Melbourne. 28 November 1936. p. 42 Supplement: Week–End Magazine. Retrieved 1 April 2012 – via National Library of Australia.
  8. ^ "STUDIO AND SCREEN". The Manchester Guardian. 23 December 1937. ProQuest 484327087.
  9. ^ "Lovers and luggers". Monthly Film Bulletin. Vol. 5. 1938. p. 69. ProQuest 1305796729.
  10. ^ "Golden age's film star dies". Sydney Morning Herald. 27 August 2006.
  11. ^ Charley's Aunt 1940 production at AusStage
  12. ^ a b c P. P. (24 September 1944). "ON THE WAY UP FROM DOWN UNDER". New York Times. ProQuest 106942109.
  13. ^ "Ann Richards". IMDb. Retrieved 3 May 2019.
  14. ^ Vagg, Stephen (18 August 2019). "Australian Movie Stars". Filmink.
  15. ^ a b c Tom Vallance, 'Ann Richards: actress vivid in 'best friend' roles', The Independent, 4 Sept 2006
  16. ^ McClelland p 151
  17. ^ 'Sydney Girl Signs a Contract in America', Sunday Times (Perth), Sunday 5 April 1942 Supplement p 8
  18. ^ "Here's hot news from all studios!". The Australian Women's Weekly. 28 February 1942. p. 12 Section: The Movie World. Retrieved 1 April 2012 – via National Library of Australia.
  19. ^ "Sydney Girl Signs a Contract in America". The Sunday Times. Perth. 5 April 1942. p. 8: Supplement to "The Sunday Times" Magazine. Retrieved 1 April 2012 – via National Library of Australia.
  20. ^ a b "An Australian star remembers". The Canberra Times. 1 July 1977. p. 23. Retrieved 14 March 2015 – via National Library of Australia.
  21. ^ "SCREEN NEWS HERE AND IN HOLLYWOOD". New York Times. 4 June 1942. ProQuest 106422136.
  22. ^ a b McClelland p 152
  23. ^ McClelland p 153
  24. ^ "SCREEN NEWS HERE AND IN HOLLYWOOD". New York Times. 3 April 1943. ProQuest 106632819.
  25. ^ Vidor, King (1988). King Vidor. Scarecrow Press. p. 200.
  26. ^ "PLANNING ALLIED BLOWS IN PACIFIC". The Argus. Melbourne. 5 April 1943. p. 12. Retrieved 1 April 2012 – via National Library of Australia.
  27. ^ Schallert, E. (18 March 1944). "Joan caulfield starts paramount duty 1 June". Los Angeles Times. ProQuest 165486001.
  28. ^ a b McClelland p 155
  29. ^ "ANN RICHARDS LEAVES M.G.M." The Sydney Morning Herald. 15 July 1944. p. 7. Retrieved 1 April 2012 – via National Library of Australia.
  30. ^ "SCREEN NEWS HERE AND IN HOLLYWOOD". New York Times. 27 April 1944. ProQuest 106782141.
  31. ^ Schallert, E. (27 April 1944). "Welles will produce comedy-mystery film". Los Angeles Times. ProQuest 165499897.
  32. ^ "Article 10 -- no title". New York Times. 8 July 1944. ProQuest 106783526.
  33. ^ "SCREEN NEWS". New York Times. 18 September 1944. ProQuest 106898740.
  34. ^ McClelland p 156
  35. ^ Schallert, E. (7 January 1946). "Lupino stardom sure now till forty-nine". Los Angeles Times. ProQuest 165677014.
  36. ^ Schallert, E. (29 January 1945). "'Crying sisters' set; andrews, tierney cast". Los Angeles Times. ProQuest 165570549.
  37. ^ "NEWS OF THE SCREEN". New York Times. 9 April 1945. ProQuest 107252464.
  38. ^ "SCREEN NEWS". New York Times. 3 July 1945. ProQuest 107307606.
  39. ^ "Australia star beats accent but not idioms". The Washington Post. 7 April 1946. ProQuest 151813913.
  40. ^ "SCREEN NEWS". New York Times. 23 October 1945. ProQuest 107363561.
  41. ^ "EAGLE-LION TO FILM NOVEL BY CASPARY". New York Times. 26 October 1946. ProQuest 107738798.
  42. ^ Hedda hopper (22 November 1946). "LOOKING AT HOLLYWOOD". Los Angeles Times. ProQuest 165721660.
  43. ^ "Star scores in playlets". Los Angeles Times. 14 August 1947. ProQuest 165788652.
  44. ^ Schallert, E. (11 February 1947). "DRAMA AND FILM". Los Angeles Times. ProQuest 165737892.
  45. ^ McClelland p 157
  46. ^ "STUDIO BRIEFS". Los Angeles Times. 25 March 1948. ProQuest 165806381.
  47. ^ "STUDIO BRIEFS". Los Angeles Times. 20 April 1948. ProQuest 165823640.
  48. ^ Schallert, E. (4 April 1948). "Ann richards would put ideals of youth on screen". Los Angeles Times. ProQuest 165860989.
  49. ^ Schallert, E. (1 February 1949). "LeRoy to test french tutor for 'paris' role; gail page in 'lucasta'". Los Angeles Times. ProQuest 165904608.
  50. ^ Schallert, Edwin (5 May 1949). "'Man Without Friends' May Shape as Mason Film; Jane Cowl Deal on Fire". Los Angeles Times. p. B11.
  51. ^ "Hollywood Has Claimed These Australians". The Sunday Herald. Sydney. 31 December 1950. p. 5 Supplement: Sunday Herald Features. Retrieved 3 March 2012 – via National Library of Australia.
  52. ^ "Ann Richards Marries in Los Angeles". The Sunday Herald. Sydney. 6 February 1949. p. 3. Retrieved 1 April 2012 – via National Library of Australia.
  53. ^ "Golden age's film star dies". The Sydney Morning Herald. 27 August 2006. Retrieved 31 March 2017.
  54. ^ Schallert, E. (3 October 1951). "Drama". Los Angeles Times. ProQuest 166273186.
  55. ^ Schallert, E. (9 October 1951). "Drama". Los Angeles Times. ProQuest 166245045.
  56. ^ "GOLDEN AGE'S FILM STAR DIES". The Sydney Morning Herald. 27 August 2006. Retrieved 20 May 2012.
  57. ^ "A B.C. MAN'S LIFELONG MISSION TO PRESERVE RIVERS: Mark Angelo was the inspiration behind the annual Rivers Day" (PDF). The Vancouver Sun. 22 September 2006. Retrieved 20 May 2012.[permanent dead link]
  58. ^ "Film star happy in housewife role". The Australian Women's Weekly. 11 July 1956. p. 23. Retrieved 1 April 2012 – via National Library of Australia.
  59. ^ "SHIRLEY ANN STARS AS POET". The Australian Women's Weekly. 8 September 1971. p. 112 Supplement: Fashions in the Shops. Retrieved 1 April 2012 – via National Library of Australia.
  60. ^ Lentz, Harris (2007). Obituaries in the Performing Arts, 2006: Film, Television, Radio, Theatre. Jefferson, North Carolina: McFarland & Company. pp. 311. ISBN 978-0-7864-2933-2.
  61. ^ "Roderick Richards War Service Record". Archived from the original on 8 March 2018. Retrieved 8 November 2015.
  62. ^ "Intimate Jottings". The Australian Women's Weekly. 29 June 1946. p. 21. Retrieved 1 April 2012 – via National Library of Australia.
  63. ^ "The girl from down under". The Australian Women's Weekly. 13 February 1943. p. 11. Retrieved 1 April 2012 – via National Library of Australia.
  64. ^ "Cable news from studios!". The Australian Women's Weekly. 6 June 1942. p. 20. Retrieved 1 April 2012 – via National Library of Australia.
  65. ^ "FILM STARS TO HELP AUSTRALIA'S LOAN". The Sunday Times. Perth. 31 March 1946. p. 16: Sport Section. Retrieved 1 April 2012 – via National Library of Australia.
  66. ^ "For Star's Mother". The Sunday Times. Perth. 16 June 1946. p. 9 Section: The Sunday Times Sport Section. Retrieved 1 April 2012 – via National Library of Australia.
  67. ^ "Talking of SPORT". The Sydney Morning Herald. 2 July 1946. p. 7. Retrieved 1 April 2012 – via National Library of Australia.
  68. ^ Stephen Vagg, "Why I Adore Dad and Dave Come to Ton" AFI Blog, 11 October 2012 Archived 24 October 2012 at the Wayback Machine accessed 15 October 2012
  69. ^ "GOLDWYN ACQUIRES A MUSICAL SATIRE: Producer Buys Film Rights to 'Billion Dollar Baby'--Vera Allen Named for Role Role to Australian Actress". The New York Times. 12 August 1946. p. 17.
  70. ^ "EAGLE LION SIGNS TONE FOR COMEDY: Actor to Have Lead in 'There Goes Groom,' Which Replaces Studio's 'His Bridal Night'". The New York Times. 14 October 1946. p. 38.
  71. ^ "AMATEURS ONCE". The Courier-Mail. Brisbane. 8 February 1940. p. 8. Retrieved 1 April 2012 – via National Library of Australia.
  72. ^ ""HAUNTED HOUSES."". The Sydney Morning Herald. 16 March 1936. p. 5. Retrieved 1 April 2012 – via National Library of Australia.
  73. ^ "Heard Here and There". The Sydney Morning Herald. 18 July 1940. p. 16. Retrieved 1 April 2012 – via National Library of Australia.
  74. ^ "JONATHAN LISTENS TO PLAYS Woman In Pyjamas Scares Hubby", The Wireless Weekly: The Hundred per Cent Australian Radio Journal, 36 (47 (November 22, 1941)), Sydney: Wireless Press, nla.obj-722456469, retrieved 16 March 2024 – via Trove

Notes

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