Destruction in Art Symposium
The Destruction in Art Symposium (a.k.a. DIAS) was a gathering of a diverse group of international artists, poets, and scientists to London from 9–12 September, 1966. Included in this number were representatives of Fluxus and other counter-cultural artistic undergrounds who were there to speak out on the theme of destruction in art.
The Honorary Committee, led by Gustav Metzger, attracted the attention of both the international media and international art community to the symposium.[1] The symposium was mainly held at the Africa Centre in Covent Garden, London.
Objective
[edit]A Destruction in Art Symposium press release claimed that the main objective of DIAS was to focus attention on the element of destruction in Happenings and other art forms and to relate it to the actual destruction taking place within society.
Happenings
[edit]Happenings took place in venues all over London, including Conway Hall.[2][1] At Africa Centre, co-owner of Indica Gallery, John Dunbar, saw Yoko Ono's performances of Cut Piece and invited her to make an exhibition for Indica.[3] John Latham constructed three large Skoob Towers out of books called The laws of England and set fire to them outside the British Museum. Raphael Montañez Ortiz destroyed a piano for his Duncan Terrace Piano Destruction Concert. Guy Pro-Diaz produced his work Painting with Explosion at the Freeschool Playground in London, on 12 September 1966.
Destruction in Art Symposium USA
[edit]
Inspired by London's Destruction in Art Symposium, artists Geoffrey Hendricks and Ralph Ortiz organized a free Destruction in Art Symposium USA event on March 22, 1968, at the Judson Church Gallery in New York City. Performing participants were Hermann Nitsch, Nam June Paik, Al Hansen, Bici Hendricks, Charlotte Moorman, Ralph Ortiz, and Lil Picard.
Honorary Committee
[edit]- Mario Amaya
- Roy Ascott
- Enrico Baj
- Bob Cobbing
- Ivor Davies
- Jim Haynes
- Sylvester Houédard
- Gustav Metzger (Honorary Secretary)
- Barry Miles
- Frank Popper
- John J. Sharkey
- Wolf Vostell
Participants
[edit]The following artists were involved in DIAS:
- Gustav Metzger
- Al Hansen
- Raphael Montañez Ortiz
- Wolf Vostell
- John Latham
- Robin Page
- Yoko Ono
- Günter Brus
- Otto Mühl
- Hermann Nitsch
- Guy Pro-Diaz
- Peter Weibel
- Juan Hidalgo
- Henri Chopin
- Kurt Kren
- John J. Sharkey
- Werner Schreib
- Ivor Davies
- Jean-Jacques Lebel
- Annae Lockwood (composer)
- Susan Cahn (singer and composer)
The following artists are said to have participated in DIAS in absentia:[4]
Photographers:
- Tom Picton
- John Prosser
- Hanns Sohm (collector)
See also
[edit]References
[edit]- ^ a b Destruction in Art Symposium, Art & The 60s: This was Tomorrow, Tate Britain, retrieved 2006-08-30.
- ^ Miki. "Yoko Ono at the Destruction In The Art Symposium (DIAS) from "DIAS - Photofeature" by John Prosser in "Art and Artists" October, 1966". Flickr. Flickr. Retrieved 11 November 2017.
- ^ Beram, Nell; Boriss-Krimsky, Carolyn (2012). Yoko Ono: Collector of Skies. Abrams. ISBN 978-1-61312-513-7.
- ^ Gustav Metzger DIAS, Media Art Net, retrieved 2006-08-30.
5. 2022: Kristine Stiles, “Destruction in Art Symposium (DIAS),” annotated bibliography.In Oxford Bibliographies in Art History. Ed. Thomas DaCosta Kaufmann. New York: Oxford University Press: https://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo- 9780199920105- 0139.xml?rskey=sVbztN&result=1&q=Kristine+Stiles#firstMatch
6. 2019: Kristine Stiles, “Destruction in Art,” in Oxford Bibliographies in Art History. Oxford: Oxford University Press. Monograph length annotated bibliography: https://www.oxfordbibliographies.com/display/document/obo-9780199920105/obo-9780199920105-0139.xml?rskey=nsWqW4&result=2&q=Destruction+in+Art#firstMatch
7. 1987: Kristine Stiles' unpublished doctoral dissertation, "The Destruction in Art Symposium (DIAS): The Radical Social Project of Event-Structured Art."