Fantastic Planet

For the albums, see Fantastic Planet (Failure album) and Fantastic Planet (DIN album). For the safari park, see Planete Sauvage (safari park).

Fantastic Planet
French release poster
French	La Planète sauvage
Directed by	René Laloux
Written by	René Laloux Roland Topor
Based on	Oms en série by Stefan Wul
Produced by	Simon Damiani Anatole Dauman Andre Valio-Cavaglione Vaclav Strnad
Narrated by	Jean Valmont
Cinematography	Boris Baromykin Lubomir Rejthar
Edited by	Hélène Arnal Marta Látalová
Music by	Alain Goraguer
Production companies	Les Films Armorial Studio Jiri Trnka
Distributed by	Argos Films (France) Ceskoslovensky Film Export (Czechoslovakia)
Release dates	11 May 1973 (1973-05-11) (Cannes) 6 December 1973 (1973-12-06) (France) 21 December 1973 (1973-12-21) (Czechoslovakia)
Running time	71 minutes
Countries	France Czechoslovakia
Language	French

Fantastic Planet (French: La Planète sauvage; Czech: Divoká planeta, lit. 'The Wild Planet') is a 1973 French-language experimental independent adult animated science fiction art film, directed by René Laloux and written by Laloux and Roland Topor, the latter of whom also completed the film's production design. The film was animated at Jiří Trnka Studio in Prague. The film was an international co-production between companies from France and Czechoslovakia. The allegorical story, about humans living on a strange planet dominated by giant humanoid aliens who consider them animals, is based on the 1957 novel Oms en série by French writer Stefan Wul.

A working title while in development was Sur la planète Ygam (On the Planet Ygam), which is where most of the story takes place; the actual title (The Fantastic/Savage Planet) is the name of Ygam's moon. Production began in 1963. Fantastic Planet was awarded the Grand Prix special jury prize at the 1973 Cannes Film Festival, and in 2016, it was ranked the 36th greatest animated movie ever by Rolling Stone.

Plot

In the distant future, the gargantuan blue humanoid Draags have brought human beings (who are called Oms) from Earth to the planet Ygam, where the Draggs maintain a technologically and spiritually advanced society. The Draags consider Oms animals, and while they keep some as pets, others live in the wilderness and are periodically slaughtered by the Draggs to control their population. Draags have much longer lifespans than Oms, but reproduce much less.

When an Om mother is tortured to death by three Draag children, her orphaned infant is found by Master Sinh, a key Draag leader, and his daughter Tiwa, who keeps the boy as a pet and names him Terr. Tiwa loves Terr and is careful not to hurt him, but, in accordance with her parents' instructions, gives him a collar with which she can pull him in any direction. She brings Terr to sessions in which she receives her education using a headset that transmits knowledge into her mind; a defect in Terr's collar allows him to receive the knowledge too. Around the time that Tiwa grows into her teens and first performs Draag meditation, which allows the species to travel with their minds, she loses some interest in Terr, who has become a young man and acquired much Draag knowledge. He escapes into the wilderness, stealing Tiwa's headset.

There he runs into a wild female Om, who cuts off his collar and introduces him to her tribe, which lives in an abandoned Draag park full of strange creatures and landscapes. Terr shows them how to use the headset to acquire Draag knowledge and literacy, winning the right to do so in a duel. The literacy they gain allows them to read a Dragg announcement that the park will be purged of Oms, and, when the purge comes, some are slaughtered by Draag technology while others escape, joining forces with another tribe. They are attacked by two Dragg passers-by and manage to kill one of them before escaping to an abandoned Dragg rocket depot, much to the outrage of Dragg leaders.

They live there for years, joined by many other Oms. Due to the knowledge acquired from Terr's headset, they manage to replicate Dragg technology, including two rockets; they hope to leave Ygam for its moon, the Fantastic Planet, and live there safe from Draggs. When a large-scale Dragg purge hits the depot and many Oms are slaughtered, a group led by Terr uses the rockets to flee to the Fantastic Planet, where they discover large statues that Draggs travel to during meditation and use to meet beings from other galaxies in a strange mating ritual that maintains their species. The Oms destroy some of the statues, threatening the Draggs' existence; the genocide of Oms is halted on Ygam, and, facing a crisis, the Draggs negotiate for peace. The Oms agree to leave the Fantastic Planet to the Draggs for their meditations, and in return, an artificial satellite is put into orbit around Ygam and given to the Oms as a new home. This leads to an era of peaceful coexistence between the two species, who now benefit from each other's way of thinking.

Voice cast

Character	French	English
Tiwa	Jennifer Drake	Cynthia Adler
Young Terr	Eric Baugin	Mark Gruner
Master Sinh	Jean Topart	Hal Smith
Adult Terr (Narrator)	Jean Valmont	Barry Bostwick
Om	Yves Barsacq	Hal Smith (old and sorcerer)
Master Taj	Gérard Hernandez	Olan Soule
Dragg Child	Mark Lesser	Janet Waldo

Additional voices

• French: Sylvie Lenoir, Max Amyl, Denis Boileau (Dragg), Michèle Chahan, Hubert de Lapparent, Claude Joseph, Philippe Ogouz, Jacques Ruisseau, Madeleine Clervannes, William Coryn, Poupy de Monneron, Christian de Tillière, Christian Echelard, Jeanine Forney, Pascal Kominakis, Andre Lambert, Serge Netter, Yvette Robin, André Rouyer, Irina Tarason, Julien Thomas, Gilbert Vilhon, Paul Villé
• English: Nora Heflin, Marvin Miller (Great Tree Chief, Master Kon), Monika Ramirez, Janet Waldo (Hollow Log Chief)

Soundtrack

La Planète Sauvage
Film score by Alain Goraguer
Released	1973 (1973)
Genre	Psychedelic jazz funk
Length	38:53
Label	DC Recordings

The film's score was composed by Alain Goraguer. In a review for AllMusic, François Couture noted:

The main theme is very reminiscent of Pink Floyd's "Atom Heart Mother Suite" (same half-time tempo, mellotron, harpsichord, and wah-wah guitar), and the other two are a ballad and a circus-like waltz. The music is very '70s-clichéd and will appeal to fans of French and Italian '70s soundtrack stylings. Although repetitive, the album itself creates an interesting marijuana-induced sci-fi floating mood, blending psychedelia, jazz, and funk… [It] has been sampled by a few hip-hop artists.

The soundtrack was originally pressed on vinyl during the mid-70s in France. These original pressings command a high dollar on the secondary market given the soundtrack's limited release. In 2000, DC Recordings released the soundtrack on CD, and the soundtrack was later reissued on LP.

Track listing

No.	Title	Length
1.	"Déshominisation (II)"	0:57
2.	"Déshominisation (I)"	3:50
3.	"Générique"	0:44
4.	"Le Bracelet"	1:27
5.	"Terr et Tiwa"	1:46
6.	"Maquillage de Tiwa"	1:17
7.	"Course de Terr"	0:53
8.	"Terr et Médor"	1:47
9.	"Terr et Tiwa Dorment"	0:49
10.	"Terr Est Assomé"	0:46
11.	"Abite"	0:53
12.	"Conseil des Draags"	0:56
13.	"Les Hommes – La Grande Co-Existence"	1:15
14.	"La Femme"	2:12
15.	"Mira et Terr"	0:44
16.	"Mort de Draag"	0:51
17.	"L’Oiseau"	2:28
18.	"La Cité des Hommes Libres"	0:49
19.	"Attaque des Robots"	2:05
20.	"La Longue Marche – Valse des Statues"	2:15
21.	"Les Fusées"	2:20
22.	"Générique"	2:06
23.	"Strip Tease"	2:24
24.	"Méditation des Enfants"	1:33
25.	"La Vieille Meurt"	0:49
Total length:		38:53

Interpretations

The film's narrative has been considered to be an allegory about and human rights, as well as racism. Sean Axmaker of Turner Classic Movies referred to the film as "nothing if not allegorical", writing that "it's not a stretch to see the fight against oppression reflected in the civil rights struggle in the United States, the French in Algeria, apartheid in South Africa, and (when injustice takes a turn to wholesale annihilation of the 'inferior' race) the Holocaust itself".

Liz Ohanesian of LA Weekly speculated on the film being a commentary on animal rights, using the Dragg's treatment of the Oms as evidence and writing that the film places "humans in roles of pets and pests". Mike D'Angelo of The A.V. Club wrote that "The Dragg-Om dynamic is broad enough to be multipurpose, reflecting both racism via 'How would you like it?' role reversal".

Reception and legacy

Box office

The film was reported to have a total of 809,945 admissions in France.

Critical response

Fantastic Planet has received generally positive reviews. On the review aggregation website Rotten Tomatoes, the film has an approval rating of 91% based on 35 reviews with an average rating of 7.4/10. The site's critical consensus reads "Fantastic Planet is an animated epic that is by turns surreal and lovely, fantastic and graceful".

Howard Thompson of The New York Times wrote that the film offers "original, thoughtful, often strong (but tasteful) animation". Kevin Thomas of the Los Angeles Times called it "disquieting, eerie and vastly imaginative." Gene Siskel of the Chicago Tribune, on the other hand, gave the film one-and-a-half stars out of four and called it "an animated piece of science-fiction pretending to be a Meaningful Statement … According to publicists for the film, the visuals and story begin to make sense if your mind is chemically altered. I doubt it."

Among retrospective reviews, Carson Lund of Slant Magazine gave the film a score of three-and-a-half out of five possible stars, writing that "by the film’s conclusion, it’s hard to feel comfortable with similar episodes on our own imperfect planet". Mike D'Angelo of The A.V. Club gave the film a rating of "B+", writing that "Fantastic Planet [should] seem extremely dated, yet it’s ultimately too singular to feel beholden to a particular era. It truly earns the adjective in its title". Alan Morrison of Empire gave the film four out of five stars and called it "Surreal and wonderful in a way not often seen from Europe".

Maitland McDonagh of TV Guide gave the film three out of four stars, calling it an "Eerie, surreal and a welcome respite from Disney-style animation". Scott Thill of Wired called the film "a sterling example of the trippy animation ambition of the late '60s and early '70s". Gary Dauphin of The Village Voice wrote that "Although the visuals are worth the ticket alone, Fantastic Planet also crackles with emotional and political resonance". Paul Trandahl of Common Sense Media gave the film a rating of four out of five stars, calling the film "A jarring examination of racism and intolerance".

The film was used as inspiration in designing the world of Pikmin.

In 2016, Fantastic Planet was ranked the 36th greatest animated movie ever by Rolling Stone.

Accolades

The film won the Special Prize at the 1973 Cannes Film Festival.

Home media

Following various bootleg VHS releases of the film, it was released by Anchor Bay Entertainment on VHS and DVD on 16 February 1999. In 2006, Eureka Entertainment released the film on DVD in the United States as #34 in their Masters of Cinema line. It was released on Blu-ray in 2012.

On 23 October 2007, Facets Video and Accent Cinema released a newly restored version on DVD, including many bonus features never available before. In June 2016, the Criterion Collection released the film on Blu-ray and DVD.

External links

• Fantastic Planet at IMDb
• Fantastic Planet at AllMovie
• Fantastic Planet at Rotten Tomatoes
• Links to further resources
• Link to Masters Of Cinema
• Fantastic Planet: Gambous Amalga an essay by Michael Brooke at the Criterion Collection