The Last Edition

The Last Edition
The Last Edition
	Last Edition Lobby Card ; ;
Directed by	Emory Johnson
Written by	Emilie Johnson (story and screenplay)
Produced by	Emory Johnson Productions
Starring	Ralph Lewis
Cinematography	Gilbert Warrenton
Distributed by	Film Booking Offices of America
Release date	November 8, 1925;
Running time	7 reels
Country	United States
Languages	Silent; English intertitles

The Last Edition is a 1925 American silent melodrama directed by Emory Johnson. FBO released the film in November 1925. The film's "All-Star" cast included Ralph Lewis as a press man at the San Francisco Chronicle newspaper. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. The Last Edition was the seventh film in Johnson's eight-picture contract with FBO.^[1]^[2]

Plot

The Last Edition (1925)

The story starts by introducing us to Tom McDonald, a pressman and the assistant foreman in the San Francisco Chronicle pressroom. Tom finds out he was passed over for the job of press foreman. The job was given to a younger man. Though disappointed, he takes solace in knowing his son Ray McDonald has a good job in the district attorney's office. Tom also has a daughter – Polly.

Clarence Walker a reporter for The Chronicle works in the same building as Tom. Clarence secretly admires Polly McDonald. Currently, Clarence is also working on a hot story about a gang of bootleggers. The bootleggers feel Clarence is getting too close to their operations. They devise a plan to throw Clarence off their track. They create a news diversion by setting up another hot story for Clarence to follow. They frame prominent attorney Ray McDonald on a bribery charge.

Clarence jumps on the new lead, investigates the accusations, and quickly files his bribery story at the front desk of The Chronicle. Clarence's account is deemed a headliner for the newspaper. When the editor checks, they find out there is just enough time for Clarence's bribery story to make the newspaper's last edition. Just as the story is about to hit the presses, Tom McDonald finds out the evening's headline is about his son Ray. After reading the article, Tom knows in his heart that Ray could not be guilty of any bribery charge. Tom becomes enraged and attempts to destroy the press.

Tom's attempted destruction fails. During this time, the entire Chronicle plant burns to the ground. Tom is blamed for the fire. He is immediately thrown in jail, coincidentally in the same cell as his son.

Clarence believes Tom when he says his son is innocent. Clarence teams up with Polly to investigate the circumstances surrounding the bribery charge. After working together, they uncover evidence exonerating both father and son. A new plant is constructed; Tom is promoted to foreperson; Clarence marries Polly.

Cast

Actor	Role
Ralph Lewis	Tom McDonald
Lila Leslie	Mary McDonald
Ray Hallor	Ray McDonald
Frances Teague	Polly McDonald
Rex Lease	Clarence Walker
Lou Payne	George Hamilton
David Kirby	Red Moran
Wade Boteler	Mike Fitzgerald
Cuyler Supplee	Gerald Fuller
Lee Willard	Aaron Hoffman
Will Frank	Sam Blotz
Ada Mae Vaughn	Stenographer
Billy Bakewell	"Ink" Donovan
John Bailey	Jim Lannigan
Joseph Campbell	William Wilson
Daniel J. O'Brien	Chief of Police
Tom O'Brien	"Bull" Collins
C. Hollister Walker	Harry Owens

Production

The motion picture was filmed in and around the "Old Chronicle Building" located at 690 Market Street in downtown San Francisco. However, in 1924, The Chronicle commissioned a new headquarters at 901 Mission Street on the corner of 5th Street.^{[citation needed]} The Chronicle completed the move in 1925, shortly after the film crews were finished shooting. It was also filmed around Cosmo Street close to Hollywood Boulevard.^[1]

Restoration

At one time, it was believed no copies of this film had survived. In 2011, Rob Byrne, a Bay Area film preservationist, discovered a surviving copy of the film in the archives of the EYE Film Institute in the Netherlands.

The nitrate film was restored in 2013 by the EYE Film Institute and the San Francisco Silent Film Festival to create two new 35mm exhibition prints.^[1] One copy was made available to the EYE Film Institute and the other to the U.S. Library of Congress. The intertitles for the discovered copy were in Dutch and were translated back to the original English.^[3]^[4]