Author:Emil Petaja

Emil Petaja
(1915–2000)

Emil Petaja

Works

• "Arlton Eadie's Stories," letter to Weird Tales (September 1934, vol. 24, no. 3)
• "Lost Dream" in Weird Tales, 31 (1) (January 1938)
• "The Warrior" in Weird Tales, 33 (1) (January 1939)
• "Fear of Sleep," in Stirring Science Stories (March 1942)
• "Time Will Tell" in Amazing Stories, 16 (6) (June 1942)
• "Dinosaur Goes Hollywood" in Amazing Stories, 16 (11) (November 1942)
• "Me The People" in Amazing Stories, 17 (6) (June 1943)
• "Monsieur Bluebeard" in Weird Tales, 38 (1) (September 1944)
• "The Music-Box from Hell" in Weird Tales, 38 (5) (May 1945)
• "Votaress" in Weird Tales, 39 (1) (September 1945)
• "The Jonah" in Weird Tales, 39 (4) (March 1946)
• "Skydrift" in Weird Tales, 42 (1) (November 1949)
• "The Hungry Ghost" in Weird Tales, 42 (3) (March 1950)
• "The Insistent Ghost" in Weird Tales, 43 (6) (September 1951)
• "Live Evil" in Weird Tales, 44 (5) (July 1952)

Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

• For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
• For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
• For all records since 1978, search the U.S. Copyright Office records.

Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.

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This author died in 2000, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 23 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.