Wide angle cinematography

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the Cinematography of Emmanuel Lubezki  LIGHTING FACES  SHORT LIT  When the Shadow side of the face faces the camera      SIDE LIGHTING   Spilt down the middle    Extremely soft and diffused light   Muliple Layers of Difussion  LARGE SOURCE FOR FAST FALLOFF  Shadowless look   Backgrounds are often darker - faces are better lit  Sunset and Sunrises  Wide angle  Extreme white in the eyes - close up wide angle Wide Angle Cinematography, Side Lighting, Shadow Side, Cinematography Lighting, Dutch Angle, Eye Close Up, Side Lights, The Shadow, Diffused Light

the Cinematography of Emmanuel Lubezki LIGHTING FACES SHORT LIT When the Shadow side of the face faces the camera SIDE LIGHTING Spilt down the middle Extremely soft and diffused light Muliple Layers of Difussion LARGE SOURCE FOR FAST FALLOFF Shadowless look Backgrounds are often darker - faces are better lit Sunset and Sunrises Wide angle Extreme white in the eyes - close up wide angle

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Translatable Images: Fallen Angels Fallen Angels Stills, Fallen Angels 1995, Christopher Doyle, Fallen Angels, Screen Film, Movie Shots, Film Inspiration, Frou Frou, Neo Noir

Duo luo tian shi (Fallen Angels), 1995 Dir: Wong Kar-wai November 19, 2009 So, this is good. But I kept wanting something else most of the time, and as it is sort of a sequel to Chungking Express (1994), there were parts that I just didn't want. Of course, that's my opinion, and there are tons of other stuff that I really dug, especially Leon Lai, who plays a killer trying to reform his life while dealing with the barely-alive relationships that he has. The ending also had me thinking about…

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