Portfolio 2017

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As above...

Como es arriba...

...So...es
below.
abajo.

Kybalion

PORTFOLIO.
PORTAFOLIO.
Arch.Gloriana Rada
Arq.Gloriana Rada
2017
Thanks
Agradecimientos

Antonio Perez Castillo


Anita de Perez Castillo
Jairo Mestre Maria Esperanza Perozo Marjorie Rada Alessandro Famiglieti Alberto Campo Baeza Francisco Mustieles

Angel Betancourt
Rosita Betancourt Zully Montero Susana Gomez Tulio Enrrique Parra Oswaldo Rada Alejandro Haiek Andres Jaque Sergio Gonzalez

Gloria Romero Gonzalez

America Nio y flia Jesus Angarita Eucario Gonzalez Maria Alejandra Rada Ale Rom Rik Rom Farid Chacon
Evandro Parra Maria Veronica Machado

Julio Angulo y flia Marianela MasyRubi Leonardo Montiel Willander Fernandez Clifford Rada Franco Micucci Juana Colina Astrid Petzold

Hugo Figueroa
Mercedes Lopez Aleyda Gonzalez Marbeth Soto Isabel Soto Eduardo Nones Lourdes Pearanda
Aquiles Asprino

Gregorio Boscan Sergio Garrido Maria Elena Chelsy Baker Ernesto Nones Alberto Romero Laura Rodriguez

Eduardo Valbuena Guil Lugo Maria Donna Baker Ario Casarin Claudio Rossi

Hans Ratmiroff
Virginia Rincon Javier Rivera Maite Urdaneta Antonio Baglieri Dario Fernandez Ramon Reyes

Rubencho Sofia Torres


Ayerim Montilla
Mireya Montilla Juan Pablo Botaro Eduardo Pineda Paz Luis Gonzalez Marjorie Paez

Lilibeth Rodriguez Reinaldo Ferraro


Jose Rodriguez Vanessa Perez Consuelo Bustos Franco Ragolia
Anabeli Vera
Adriana Vera

Ana Olteanu
Maria Antonieta Jaramillo Rossana Acosta Daniel Isaac Guerrero Fortuna Dueck Vctor Gonzlez

Andrea Aldana Carla Mendire Eliza Cunsolo Gabriela Acosta


Dario Quintero Karina Muszcatblat Francisco Civitillo
Gustavo Arrieta Carlos Tello

Jorge Cerezo
AstroJose Tico Perozo Alecia Cunsolo Enmanuel Gancedo Cristina Ramirez Yury Faneite

Paola Hurtado
Huber Martinez Diego Rivero Julio Romero Juan Portillo Katyuska Rivas Jose Fernandez Ignacio Sanchez

Sonia Sthormes Fabian Salazar Ana Portillo Luis Torres Catherine Villegas Daniela Arellano FAD Crew Roberto Haris
Adrian Bocconello

Victoria Amanda
Garcia Sofia Gonzalez Elektor Ana Isea Las Magis Paola Varela Javier Lblich Mary Vargas
Luis Chumaceiro Humberto Arteaga

Roberto Corner
Luis 3D Victoria Simancas Tomas Quintero Morochos Cantor Efri Jhoel Garcia Alan Ostos Francisco Fernandez Kharla Rincon

And to all the persons who inspire me... Thanks.


Y a todas las personas que me inspiran... Gracias.
Index
indice

About me / Sobre mi 01

Path of Holiness Church / Iglesia Camino de Santidad 03

Scioteric Model / Modelado Sciotereo 27

Caribbean Fold / Pliegue del Caribe 49

Kiri Complex / Complejo Kiri 59

Cromatiko Store and Studio / Tienda y Estudio Cromatiko 65

Tower to the River Appartment / Apartamento Torre al Rio 71

Urban Filters / Filtros Urbanos 79

My Quotes / Mis Frases 95


About me... / Sobre mi...

Gloriana Rada, Architect born in Venezuela on 1988. Cognitive agent, shows her skills in the field of design, from its philosophical
conception to its technical realization. She is co-founder and director of projects in Pertopa. Worked previously in planning and con-
struction projects in Corpozulia, development of interior design at Design Group L.A and collaboration in architectural projects in
Arquitecnica. Also joined to the construction team at Ragolia Marbles, in Argentina. Graduated as an Architect at the University of
Zulia. She interprets hers nature and of everything that exists, and defines common notions that apply to the various fields of life,
from politics, economics and science to religion, morality and philosophy.

Gloriana Rada, Arquitecta nacida en Venezuela en 1988. Agente cognitiva, manifiesta sus habilidades en el campo del diseo, desde su
concepcin filosfica, hasta su materializacin tcnica. Es co-fundadora y directora de proyectos en Pertopa. Trabaj anteriormente
en proyectos de urbanismo y construccin en Corpozulia, elaboracin de diseos interiores en Design Group L.A y colaboracin en proyec-
tos arquitectnicos en Arquitecnica. Tambin form parte del equipo constructor de Marmoles Ragolia, en Buenos Aires, Argentina. Egre-
sada como Arquitecto de la Universidad del Zulia. Interpreta su propia naturaleza y la de todo lo existente, y define las nociones
comunes que aplican a los diversos campos de la vida, desde la poltica, la economa o la ciencia hasta la religin, la moral y la filo-
sofa.

2012 2013 2014

Architecture Degree Corpozulia Design Group LA


Degree Completed/Estudio Universitario Interior Design Office/Oficina de
de Arquitectura Completado. Goberment Company/Compaia del Gobierno Diseo Interior.

Architect Degree obtained in Profesional service lended in Professional service lended


the University of Zulia. With Grand Home Mision, building since August 12 of 2013 until
17/20. social interest houses since April 1st of 2014.
Ttulo de arquitecto obtenido june 22 of 2012 until June 22
of 2013. Servicio profesional prestado
en la Universidad del Zulia.
en la oficina de diseo interi-
Con promedio de 17pts.
or, desde el 12 de agosto de
Servicio profesional prestado
2013 hasta el 1 de abril de
en Corpozulia, en la Gran
Maracaibo/Zulia State/Venezuela. 2014.
Misin Vivienda, desde el 22 de Maracaibo/Zulia State/Venezuela.
junio de 2012 hasta 22 de junio
de 2013.
My Little House Arquitecnica C.A
Maracaibo/Zulia State/Venezuela. Architecture Office/Oficina de Arqui-
Kinder Garden/Preescolar
tectura.

Elaboration of facades and Colaboration as drawing archi-


some interior spaces of the tect in building designs on
kinder garden. september of 2014.

Elaboracin de fachada y espacios Colaboracin como arquitecto


interiores proyectista en diseos arqui-
tectnicos, en septiembre de
Maracaibo/Zulia State/Venezuela. 2014.

Maracaibo/Zulia State/Venezuela.

01
Skills / Habilidades 1 5 10 GLORIANA RADA
October 2nd 1988
Autocad 2017 02 de Octubre de 1988

3D STUDIO 3DSMAX 2016

Adobe Illustrator LEVEL

Adobe Photoshop

Microsoft Word

Microsoft Excel

2015 2016

Zientte Path of Holiness Church Ragolia srl


Furniture Shop/Tienda de muebles. Interest Social Church/Iglesia de interes social Marbles shop and factory/Tienda y fabrica de
Marmoles

Interiorism project for Zientte Urban Design, architect and interior Profecional work done in Ragola
furniture store. design of a church as a space of recre- Marbles, where I made technical
ation and meditation for the comunity drawings, rendering images and
Proyecto de interiorismo para empre-
with low resourses. building inspection in the contruc-
sa de mobiliarios Zientte.
tion of the projects since may of
Diseo urbano, arquitectnico e interior-
Maracaibo/Zulia State/Venezuela. 2016 until October of the same year.
ista de iglesia como recinto de inters
social para comunidades precarias. Servicio profesional ejercido en
Maracaibo/Zulia State/Venezuela. Mrmoles Ragola, en donde se desem-
pearon labores de replanteo,
dibujo, renderizado, e inspeccin en
sitio de obras arquitectnicas,
Cromatiko Studio Pertopia desde mayo de 2016 hasta Octubre del
Graphic Design Shop/Tienda de articulos de Personal Bussiness/Empresa Personal.
diseo. mismo ao.
Buenos Aires, Argentina.
Fundation of Pertopia, personal business
Conceptualization, design and con- on April of 2015.
struction of the Shop. Fundacin de Pertopia, empresa personal, FD STUDIO
abril 2015. Architecture office/Oficina de Arquitectura
Conceptualizacin, diseo y con- Maracaibo/Zulia State/Venezuela.
struccin de la tienda. Profesional service lended in FD
studio, with the Arch. Fortuna Dueck
Bogota/Colombia. and Arch. Karina Muszkatblat, for
Kiri designs and renders for the studios
Egs Industry/Fabrica de Huevos.
projects.
Participation in the urban, architectonic Servicio profesional prestado
and interiorist design of the Kiri en el estudio FD, junto con la
factory.
Participacin en el proyecto urbano arq.Fortuna Dueck y Arq.Karina
arquitectnico e interiorista de la Fab- Muszkatblat, para el diseo y
rica Kiri. renderizado de proyectos del
respectivo estudio.
Maracaibo/Zulia State/Venezuela.
Buenos Aires, Argentina.

02
Path of Holiness Church / Iglesia Camino de Santidad
Maracaibo/Zulia/Venezuela.
2015.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

The project is located in the terrain of the The left half of the plot will be a simple Because this comunity as many others
sector 1 block 10 plot 4 of April 4th alley in shape according to the plot geometry and from this city have problems of
the jurisdiction of Idelfonzo Vasquez Parish.
the right side will be the parking place. crime, poverty, low education and
The land consists of two plots, plot 1 The surface has accesible elevations to prostutution. This project offers
consisting of an area of 363.06 m2 and plot 2 reach the first level and a main hallway the direct solution of these social
consisting of an area of 359.84 m2. in double height for the church spiritual problems for the evolution of the
The total area of the plot to be developed is meetings, and all the spaces made for the comunity as citizens and as human
722.90 M2. recreation, education and entertainment beings.
of the comunity.
The zoning ordinance of the Maracaibo Munici-
pality assigns it the zoning of PR-SI (Region-
al Industrial Service Polygon). La mitad izquierda de la parcela ser una Porque esta comunidad como muchos
forma simple acorde a la geometra de la otras de esta ciudad tienen prob-
parcela y el lado derecho ser el lugar de lemas de crimen, pobreza, bajo nivel
El proyecto se desarrolla en la parcela
ubicada en el sector 1 manzana 10 parcela 4 estacionamiento. La superficie tiene de educacin y prostutucion. Este
del Barrio 4 de Abril en jurisdiccin de la elevaciones accesibles para alcanzar el proyecto ofrece a esta comunidad la
Parroquia Idelfonzo Vasquez. primer nivel y una nave principal en doble solucin directa de estos problemas
altura para las reuniones espirituales de sociales para la evolucin de la
El terreno est conformado por dos parcelas,
la parcela 1 que consta de un rea de 363.06 la iglesia, y todos los espacios destina- comunidad como ciudadanos y como
m2 y la parcela 2 que consta de un rea de dos para la recreacin, la educacin, y el seres humanos.
359.84m2. entretenimiento de la comunidad.
El rea resultante total de parcela a desarr-
ollar es de 722.90 M2.

La ordenanza de zonificacin del Municipio Joining


Maracaibo le asigna la zonificacin de PR- SI family and
(Polgono Regional Servicio Industrial) the n neighbors
se tio
Cea titu
s he d Poor native
pro in t rhoo comunities in
h b o
e i g Idelfonzo Vasquez
n
Education
for my
grandaughers POPULATION
NEEDS

A place
to think

Old disable people

Young people with


creativity More Baptism
Safety I want a park
A place to partici-
play pation

People from other parish

te
ea er
Kids that need education cr eth
g
to

03
TERRAIN QUALITIES / CARACTERISTICAS DE PARCELA FUNDAMENTAL VARIABLES/ VARIABLES FUNDAMENTALES
ACCORDING TO PROJECT/ SEGUN PROPUESTA
A r e a 722.90 M2. m2 Population Density/Den-
sidad de poblacion Assumed x
Plot 1/Parcela 1 363.06 m2 Hab/Has
Plot 2/Parcela 2 359.84 m2
Population/Poblacion Assumed 300
S.I
Regional Poligon of industrial service/Polgono
Families
Zone/Zonificacin Regional Servicio Industrial

Church-Comunal House /Iglesia-Casa


Main Use/Uso principal comunal mts.
Front 3
FUNDAMENTAL VARIABLES/ VARIABLES FUNDAMENTALES Perimetral
retreats/retiros
mts.
ACCORDING TO ORDINANCE/SEGUN ORDENANZA perimetrales Side 3
Population Density/Densidad de
poblacion Maximun x Hab/Has
Families mts.
Population/Poblacion Maximun x 4 people per 3
Side 3
Meters(Till 14
Front 6 levels)
Meters(More mts.
Side 5 than 14 levels) Botom 3
Perimetral retreats/retiros Minumun
perimetrales Side 5 Meters
Botom 4 Meters Green Area/ Assumed 20% 122,68 m2
Area Verde
Green Area/ Area Verde Minumun 10% 100 m2
Parking Spaces/Espacios de estacio-
namiento Minumun 1 Per each 10m2

Maximun 14 Levels Parking Spaces/Espacios


Building Height/Altura de edificios de estacionamiento 5 5 parkings

Building Height/Altura
de edificacion Assumed 2 Levels 8,55mts

Population Calculation Clculo de Poblacin


Vehicular Affecta-
Number of Rooms = 2 Cantidad de Habitaciones = 2
tion/ Afectacion vial
x NO
Population per Apartment = 100 inhabitants Poblacin por Apartamento = 100 habitantes
Total Population = 102 inhabitants Total Poblacin = 102 habitantes

NORT

72
2.
9m
2

Sid CARAMES FURNITURE


ewa FACTORY
lk
15B
bet
wee
n s
tre
ets
#15 SAMBIL MALL
P-4
7 /
Vere
da 1
5B e
ntr e ca
lles
#15P
-47

04
CONCEPT
CONCEPTO

PLOT 1
PLOT 1
building

PLOT 2
parking

Total area 722.90m2 Plot 1 for the programs Duplicate for a second level

Open visuals facing the east Light lines from the roof

More height to the second level

PLOT 1
building

PLOT 2
parking

Green perimeters areas Perimeters wall for security

05
Streching the front parts to create shadows Streching the side parts to create shadows

Light lines from the sides to create green walls Light lines for the back facade to create a domestic facade

A new place for the comunity to meet safety


Recreational safe areas
06
WALKWAYS/ RETIROS TOTAL FIRST FLOOR/TOTAL PLANTA BAJA

3
722.90m
3 219.m2

NORT
+0.68

0
10

+30
-15 +15

9
FIRST FLOOR

1.Parking place/ Estacionamiento (5 puestos dobles)


8 7
2.Entrance square/ Plaza de entrada

6 3.Church/ Iglesia
0
5 4
11 4.Pastoral office/ Oficina Pastoral

5.Instruments room/ Cuarto de instrumentos


1,2

+51

6. Bathrooms/ Baos
3

7. Primary children's room/ Saln de nios primarios

3
1 8.Kitchen-Dinning/ Cocina-Comedor

9.Cradle room / Sala cuna


-15
0

10.Baptistery/ Baptisterio

11. Green Areas- Studio squares/ reas verdes-Plazas de estudio


+15

+30

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 07
TOTAL SECOND FLOOR/TOTAL

321.92m2

NORT
4,5 5,65 6,34 3,36

SECOND FLOOR
5

4 1. Spacious double height main hall/ Vacio iglesia a doble altura

2. Green wall/ Invernadero


3
3. Intermedium children's room/ Saln de nios intermedios

4. Multipurpose room: Library, prayer room, meeting room, ladies


+3
JARDINERAS

meeting room / Sala de usos mltiples: Biblioteca, saln de


oracin, sala de reuniones, reuniones de damas.

2
5. Pastoral dormitory plus bathroom/ Dormitorio Pastoral + Bao

6.Terrace/ Terraza
1

08
INCLINATION 1%

ASPHALT MANTLE

2 3,18 4,93 1,2

4,05
+3

6,15 2

2,5 2,65 3,87


3

3
2,5
+0.68
+30
+10
0

5,52 3,95

A B

NOTE: All measures are in meters. NOTA: Todas las medidas estan en metros. 09
GREEN AREA CALCULATION /
CALCULO DE AREAS VERDES
O
Total area of the plot: 722.90 m2
G1 Green Area (G.A) m2 %

NORT
102.47m2

G2 G3 G4
S GA1 102,47 5%

3
1.14m2 0.86m2 1.69m2
GA2 1,14 0.35%

G5
1.39m2 E GA3 0,86 0.35%

G6 GA4 1,69 0.35%


0.55m2

GA5 1,39 0.35%

G7G8 GA6 0,55 0.35%


G1
2.20m2 0.66m2

GA7 2,20 0.35%


G9 0,67m2

4.02m2
G15
3 G10 GA8 0,66 0.35%
0.97m2

G110,60m2 GA9 0,67 0.35%

G13
G12 1.88m2 GA10 0,97 0.35%
1.80m2

GA11 0,60 0.35%

GA12 1,80 0.35%


GREEN WALLS G14
1.78m2
GA13 1,88 0.35%

3
GA14 1,78 0.35%

GA15 4,02 0.35%

Total of green area 122,68 10%

2
7,2
0,17

1,13 10,95
3

+30

6,27 6,27

C D E

10
Parking place /Estacionamiento
Entrance square/ Plaza de entrada
62.65 m2

9.10m2 Baptistery/Baptisterio
23.37m2
Church/Iglesia
7.52m2
Instruments room/Cuarto de instrumentos
2.89m2 2.89m2
10.82m2 Bathrooms/Baos(x2)
7.15m2
Kitchen-Dinning/Cocina-Comedor

Pastoral office/Oficina Pastoral


180.79m2
123.82m2 Primary children's

Cradle room /Sala cuna

36.2m2
EXTERIORS LEVEL 1

DRAINAGE SYSTEM
3,85

1,2

7,2
3
3,45

10

+30

+15

10,15

NOTE: All measures are in meters. NOTA: Todas las medidas estan en metros. 11
EQUIPMENT/ EQUIPAMIENTO
CONSTRUCTION METERS/
PROGRAMS/ PROGRAMAS
25.40m2 METROS DE CONSTRUC-
3.46m2 3.46m2
Parking place/Estaciona-
13.54m2 13.54m2 Spacious double height main hall/ Vacio iglesia a miento
doble altura 180,79 m2
26.99m2 26.99m2 Green wall/ Invernadero
Green areas/reas verdes
Multipurpose room/ Sala de usos mltiples 122,68 m2
Intermedium children's room/ Saln de nios intermedios Baptistery/Baptisterio
8.58m2

Pastoral dormitory/ Dormitorio Pastoral


62,65 m2

183.66m2 Bathroom/ Baos


Terrace/ Terraza
Church/Iglesia
307,48 m2
Pastoral office/
Oficina Pastoral
10,82 m2
Instruments room/Cuarto
de instrumentos
LEVEL 2 7,15 m2
Bathroom/Bao (x2)
5,78 m2
Kitchen-Dinning/Coci-
na-Comedor
23,37 m2
Primary children's room
/Saln de nios primari-
os 7,52 m2
Cradle room /Sala cuna
9,10 m2
Greenwall/Invernadero
8,58 m2
Multipurpose room/Sala de
usos mltiples
26,99 m2
Intermedium children's
room/Saln de nios
intermedios 26,99 m2
Pastoral dormitory/Dormi-
WOOD BLINDS BAPTISTERY torio pastoral (x2)
27,08 m2
Pastoral dormitory
bathroom/Bao dormitorio
Pastoral (x2) 6,92m2
Terrace/Terraza
+3 25,40 m2
Total construction
meters/Total de metros de
construccin 859,3m2
ANGLE 90 ANGLE 45
3

+0.68

0
+15

6,34 3,36

12
13
FRONT FACADE
fachada frontal

FIRST FLOOR STRUCTURE STRUCTURE PLANS

1 2 3 4 5

10,15 FOUNDATION DETAIL F-1


4,5 1,35 2,94 1,35 1:125
A

0,6
1,2 COLUMNA PC
15X30

COLUMNA PC 100X100
0.15
MALLA ELECTROSOLDADA

5,52
PLACA BASE 100x100x4mm
LMINA LOSA DE PISO
0.20x0.20mts e=1/2"

0.05
0.10 0.25

BARRAS DE ANCLAJE
2#4x.85 0.20 0.20 0.20 0.20

0.30

0,6 0,6 0.075 0.15 0.15 0.075


V.R

1,2
0.05 0.45

BARRAS DE ANCLAJE
0.60

1,2
4#3x1.20 A/S

3,95
C

22,3
STIRRUPS REBAR SECTION
22

1:125
6,27

0,6
D
MALLA ELECTROSOLDADA
100x100x4MM LOSA DE PISO

0.05
0.10

WELDED MESH 0.05

100X100 rafter
0.30

0.20

0.05
0.0605 0.0605 4#4
6,27

0.30

PIPES PVC DE 15X30CM


E
10,3
FOUNDATION DETAIL F-2
1:125

COLUMNA PC
15X30

0.15

0.25 0.25 0.05

0.20 0.20 0.20 0.20


0.30 0.30
V.R
V.R
0.15 0.15

0.05 0.65 0.05

5# 3x1.55 A/S
1.20

14
15
STRUCTURE PLANS
FRONT FACADE
fachada frontal
DETAIL OF THE JOINT OF THE COLUMN TO THE BEAM

e=6mm
PC 100x100 E- 7018

viga amarre
PC
150X150

SECOND FLOOR STRUCTURE 16;70

e= 7mm
E-7018
COLUMNA
PC
150X150

1 2 3 4
5,45 1,5 5,45

VIGAS 15X15

A ELEVATION

3,33
e= 5mm
E- 7018
COLUMNA PC 150X150
VIGAS 15X15
B

VIGAS TUBULARES 15X30


VIGA PC 150X150

e= 7mm VIGA AMARRE

5,06
E- 7018
PC 150X150

1,2
17
16
15
14
TOP
13
12 COLUMNA PC 150X150
11
23,35

10
9
7,48

VIGA PC 150X150

1,58
8
7
6 E- 7018
e= 7mm VIGA AMARRE
5 PC 150X150
4
3
2
D 1 1,2

1,2

DOBLE HEIGHT
7,48

COLUMNA PC 150X150
e= 5mm
E- 7018
e= 7mm
E- 7018

VIGAS 15X15
E VIGA AMARRE VIGA PC 150X150
PC 150X150

0.38 0.38

0.15

E- 7018 CARTELA
e= 6mm
Elaborada con pc 150x150

ELEVATION

e= 5mm
E- 7018 VIGA AMARRE
PC 150X150

VIGA PC 150X150
2

e= 7mm COLUMNA PC 150X150


E- 7018

TOP

DETAIL OF THE JOINT OF THE COLUMN TO THE BEAM

16
17
BACK FACADE
fachada frontal

HUNTER DOUGLAS DETAIL


TOP VIEW

MURO PERFIL PASADOR MURO


CORTASOL ELASTICO 3 x 20
ALUMINIO VENTANA WOODBRISE TAPA
30x60x1.5 SIN OREJA

MINIMO 45
20

BUJE
PLASTICO

SEPARADOR TORNILLO 2.5


PARTIDO 13mm 15.5 AVELLANADO 6x3/4"
5.5
18.5 LM ( VER CUADRO )
AI
MAXIMO 1000
VANO ( V )

LARGO MADERA
LM : AI - 24

DISTANCIAMIENTOS
A LOS BORDES
PARA UN VANO

PERSPECTIVE VIEW
PERFORACION PERFIL
PERFIL 11.9mm ALUMINIO
30x60x1.5
SEPARADOR
PARTIDO 13mm

EJE
LARGO CORTASOL
PERFORACION PERFIL WOODBRISE
PASADOR ELASTICO (CEDRO O MAIO)
3x20
EJE
CORTO

PASADOR
TAPA ELASTICO 3 x 20
SIN OREJA
15
CORTASOL
PERFORACION WOODBRISE
PERFIL 11.9mm

TAPA
SIN OREJA
paso 62

PERNO MAQUINA CAB. PLANA


1/8" x 3/4"
(COMERCIAL) PERFIL
ALUMINIO
UBICACION (VARIABLE SEGUN ANGULO) 30x60x1.5
PARA PASADOR ELASTICO, PERFORACION 3mm

MATRIZADO

ISOMETRICA

CONJUNTO GENERAL

18
19
BACK FACADE
fachada Posterior

CELLING STRUCTURE

ROOF SLAB DETAIL CONECTOR DETAIL


1:5 1:5
BARRA #3

MALLA ELECTROSOLDADA

150x4x150MM
0.07
0.025
0.042

0.12

0.78
CABALLETE 0.05
7MM @.20
0.11 0.04 0.11 0.04 0.11 CONCRETO DE CORTE BARRA N#4
N 4
0.30
N 3
CARACTERISTICAS DE LOS MATERIALES
CONCRETO: FC=210KG/CM3 A LOS 28 DAS
LMINA CALIBRE 24
ACERO DE REFUERZO: FY=4200KG/CM3; ASTM A-42(GRADO 60)
TIPO CONDUVEN: FY=3515KG/CM3; ASTM A-500
TIPO SIDOR: FY=2500KG/CM3; ASTM A-36
ELECTRODOS: E-7018
PC: PERFIL CONDUVEN

3 DETAIL OF CONECTORS LOCATION 4


1:25

2.94
BARRA #3 ANCLADA A COLUMNA
CONECTORES DE CORTE BARRA #4

VIGA P.C

0.60 0.60
COLUMNA PC

20
21
GREEN AREAS
areas verdes

HUNTER DOUGLAS DETAIL


PERSPECTIVE VIEW

DESCRIPCION DEL PRODUCTO


MATERIAL MAIO
: PARA USO INTERIOR
CEDRO PARA USO EXTERIOR
TEXTURA LISA :
TAPA ALUMINIO ANODIZADO
:
COLORES NATURAL
: O TEIDO
USOS CORTASOL (:INTERIOR O EXTERIOR )
TERMINACION : EXTERIOR : IMPREGNANTE
INTERIOR : SELLANTE Y BARNIZ

DIS
TAN
CIA
MAX
IMA
100
A 0 (
A E
JE
)

PERFORACION
PARA PASADOR

13
66

CORTE A - A

PASADOR
ELASTICO 3 x 20

TAPA TORNILLO
SIN OREJA AVELLANADO 6x3/4"

14
20

CORTASOL
WOODBRISE

12
15

68
TAPA SIN OREJA
PERFORACION 3mm
PARA PASADOR ELASTICO

DETALLE CONJUNTO
FIJACION TAPA
WOODBRISE

22
23
INTERIOR SPACE
espacio interior

STAIR STRUCTURE

FRONT STAIR DETAIL


1:25
1.20

MALLA ELECTROSOLDADA
100x4x100mm

0.25 0.15
0.10
0.175 0.185 0.185
0.30

0.075 0.075 1.57

1.67
N#3x2.15 @.20

STAIR BASEMENT DETAIL


1:25

60
0x
14
C
P.

0.10 0.25 0.25 0.25

0.175 0.185
0.075
0.10 0.10 0.30

0.75
2# 4x0.82
0.80
#3x1.50 @.20

24
25
INTERIOR SPACE
espacio interior

CELLING STRUCTURE

WELDED MESH 150X150X4MM

0.05 0.05 IRON BAR 1/2"

0.10 0.09

0.05

0.15 STEEL BEAM PC 150X30

0.55

WELDED MESH 150X150X4MM


ALIVEN

0.05
0.15
0.10

0.15
STEEL BEAM PC 150X30
0.55

RIGIDIZER STANDAR TRUSSES C-10


0.05
0.10
0.09 0.05

0.10

26
Scioteric Model / Modelado Sciotereo
Caracas/Capital/Venezuela.
2006.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

Scioteric Model is a design than comes from an Creating a public space where the lights Because much of the time, the Sabana
investigation project created by a faculty and shadows become in the center of aten- Grande Boulevard is a no space
unit of profesors named MGL+PR based in the
creation of a public dispositive in Sabana tion, making the users feel the tempera- place, this means that most of the
Grande, a linear public space located in Cara- ture of the space with the light and people stay in this place for a very
cas Venezuela. making them confortable with shadows that short time, is temporal, like a
will define their circulation during the space of only transition, because
To create this small public space, each
student had to pick one architect as guide, day. Scioteric means I observe the they come here for work during the
to design using his or her ways to design but shadow. week and a little time on weekends.
adapting them to the enviroment, location, This project propose make a place of
and the user needs, making a mix between the peace in the middle of the chaos.
student and the master.
Creando un espacio pblico donde las luces
My master guide was Alberto Campo Baeza, I y las sombras se convierten en el centro
took his way to design with the light, closing de atencin, haciendo que los usuarios Porque la mayor parte del tiempo, el
and open spaces with pure forms and white
sientan la temperatura del espacio con la Bulevar Sabana Grande es un NO
color as the way to make more evident the
natural lighting effects. The time as the luz y cubriendolos con sombras que LUGAR, esto significa que la mayora
builder of the space. definirn su circulacin durante el da. de las personas permanecen en este
Sciotereo significa observo la espacio por un tiempo muy corto, es
sombra. temporal, como un espacio de tran-
Modelado Sciotereo es un producto generado a
sicin, porque vienen aqu para tra-
raiz de un proyecto de investigacin creado
por una unidad docente llamada MGL + PR, bajar durante la semana y un poco de
basado en la creacin de un dispositivo tiempo los fines de semana. Este
pblico en Sabana Grande, un espacio pblico proyecto propone hacer un lugar de
lineal ubicado en Caracas Venezuela.
paz en medio del caos.
Para crear este pequeo espacio pblico, cada
estudiante tuvo que escoger a un arquitecto to be a good
como gua, disear usando sus formas de
disear pero adaptndolas al entorno, architect
ubicacin y necesidades del usuario, haciendo you have to
una mezcla entre el estudiante y el maestro. People search for be a good
shadows in public
spaces person. POPULATION
Mi maestro gua fue Alberto Campo Baeza, tom
su manera de disear con la luz, la apertura NEEDS
y cierre de los espacios con formas puras y el
color blanco como la forma de hacer ms
evidente los efectos de iluminacin natural. Rest
El tiempo como constructor del espacio. A place to make them after a
feel able long
Trees to gain importance walk

urban
Convert a NO
sellers can
PLACE in a
sell more
PLACE
eet t Apreci-
Str s tha ate the
i s t sit
art ed a urban
ne talent

People needs a
space to relax

27
CARACAS CITY DATA / DATOS DE LA CIUDAD DE CARACAS
CARACAS
DATA QUANTITY
Capital City Area 777.1 km2 (300.0 sq mi)
Metro 4,715.1 km2 (1,820.5 sq mi)
Elevation 900 m (3,000 ft)
Coordinates: 1030N 6655W
Highest elevation 1,400 m (4,600 ft)
Latitude 10.500000
Longitude -66.916664 Lowest elevation 870 m (2,850 ft)
Capital City Population 1,943,901
Density 4,212.9/km2 (10,911/sq mi)
World Geodetic System (WGS): 10 30 0 N, 66 55 0 W Metro 2,923,959
10.5, -66.916667 Metro density 1,123.4/km2 (2,910/s333q mi)
Geo URI Uniform Resource Identifier (URI): geo:10.5,-66.916667
Universal Transverse Mercator (UTM): 19P 728014 1161451

chacaito mall
3 av. las delicias

NORT

abrahan
lincon a
venue
BRION PLAZA
chacaito street

mcdonalds sabana grande boulevar

cas
ano
va
str
eet

ue
union street tamanaco aven

28
CONCEPT
CONCEPTO
Alberto Campo Baeza works using stereotomic structures to play with tectonic effects like light and shadows

Tectonic = Light+Shadows
Stereotomic = Matter

People search for shadows in the public space Gnomon as the stereotomic shape of the solar clock Gnomon shapes as the shadows the people will seek

ST
EA ST
EA

ST
WE

People will stay at east knomon in the morning


People will stay at noon

29
Green areas perforating the surface as shadows spots Circulation around the gnomon shapes
Gnomon as generator of the shadows

ST
EA

ST
WE
ST
WE

gnomon in the middle day


People will stay at west knomon in the afternoon

30
B NORT
20,6

1 +0.60
-0.60
2,
25
-0.60

3 -0.60
-0.60

-0.60

6,39
A'

17,85
2
4,41

-0.15

-0.60

4
0,6

-0.60

-0.60

B'

SCIOTERIC MODEL AREAS


1. Entrace/Entrada
2. West Gnomon/Gnomon Oeste
3. Noon Gnomon/Gnomon medio dia.
4. East Gnomon/Gnomon Este

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 31
B
20,6

2,
+0.60 25
-0.60
-0.60

A
3
-0.60

-0.60

6,39
A'

17,85
2
4,41

-0.15

-0.60

4
0,6

-0.60

-0.60

B'

CELLING PLAN/PLANO DE TECHO

32
SECTION A-A
CORTE A-A

+0.60
0

-0.60

DRAINAGE SYSTEM

33
6
+0.60
0
-0.60 -0.60

-0.60

20,60

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 34
SECTION B-B
CORTE B-B

+0.60

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 35
7,22

+0.60

-0.60 -0.60 0

DRAINAGE SYSTEM
17,85

36
37
URBAN VIEW
panorama urbano

FACADES PLANS/PLANOS DE FACHADA

6
6
20,6

6,48
6

20,6

38
39
MAIN ACCESS
acceso principal

FACADES PLANS/PLANOS DE FACHADA

6
17,85

7,05

6
4,85

17,85

40
URBAN FACADE
fachada urbana

BASEMENT DETAIL

Elevation View Cercha


1"
4 Pernos Embebidos f 2
Soladura (En todo el borde de contacto)
Plancha 25 x 20 cm e= 81"

Top View

4 Pernos Embebidos f 1 "


2
0,50

Plancha de 25x 20 cm, e = 81"

Soladura (En todo el borde de contacto)

41
42
43
INTERIOR SPACE
espacio interior

TRUSSES TYPE

DRAINAGE SYSTEM DETAIL/DETALLE DE SISTEMA DRENAJE DE AGUA

REJILLA DE ALUMINIO

CONCRETO

0.20

44
INTERIOR SPACE
espacio interior

TRUSSES TYPE Tubo 60x40x2


Correas Perfil C 80X50x15X3

Tubo 40x40x2
Tubo 60x40x2

45
46
47
INTERIOR SPACE
espacio interior

TRUSSES TYPE

FOUNDATION DETAIL/DETALLE DE ZAPATA

0.10 ESPESOR DEL MURO

FRISADO LISO

VIGAS DE ASERO TUBULARES 2"

REVESTIMIENTO DE PIEDRA

CONCRETO

48
Caribbean Fold / Pliegue del Caribe
Haiti/Port Prince/Caribbean Sea.
2007.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

Caribbean Fold is a design than Creating a basic and easy structure system Because all people deserve to have a
comes from an investigation project that they can fold, open and close, and place to live, in order to their
created by a faculty unit of profe- even carry to another place in order to needs. And no matter the cost,
sors named MGL+PR based in the cre- run and avoid from the bad weather and be people can have a house for a low
ation of a house that respond to safe. The structure can change it shape in price, and with sustainable systems
extreme climatological conditions of order to the topography where its con- that impact less the enviroment.
Haiti island wich have a bunch of structed, it addapt to any ground condi-
homeless people because of floods, tion and it is modulated to make joints to
earthquakes, hurricanes. carry any family numbers.

Pliegue del caribe es un diseo que Creando un sistema de estructura bsica y Porque todas las personas merecen
viene de un proyecto de investi- fcil de armar que se puede doblar, abrir tener un lugar para vivir, para sat-
gacin creado por una unidad de pro- y cerrar, e incluso llevar a otro lugar isfacer sus necesidades. Sin impor-
fesores llamada MGL + PR basada en con el fin de escapar de la catastrofe y tar el costo, la gente puede tener
la creacin de una casa que responde estar seguro. La estructura puede cambiar una casa a un bajo precio , y con
a las condiciones climatolgicas su forma acorde a la topografa donde se sistemas sostenibles que reduzcan el
extremas de la isla de Hait, la cual construye,se adapta a cualquier condicin impacto ambiental.
tiene un alto porcentaje de personas de suelo y se modula para hacer articula-
sin hogar debido a inundaciones, ciones para albergar cualquier cantidad
terremotos , Huracanes. de familias.
We suffered
hurricanes
We want to
produce our
own food
POPULATION
NEEDS We need
a home!
We need to
raise our
families

We are
nomads We
want
Safety

We suffered
floods

People want a safe


place to live

Natural disaster
destroy haitian houses

49
The project can be place in any caribbean island. We use as ipotetic context Haiti earthquake of 2010.
Buildings collapse in nations capital from magnitude 7 quake.

HAITI DATA / DATOS DE HAITI


DATA QUANTITY
M AS Area 27,750 km2 (10,710 sq mi) (140th)
TO
E Water 0.7%
CAN
R RI Population 2015 estimate 10,604,000 (85th)
HU
OF HAITI FOLD Density 382/km2 (989.4/sq mi) (32nd)
H
PAT
QUAKE INTENISTY
VIOLENT 2010 Nov 5 18:00

7
HAITI FOLD
6

5
LIGHT HAITI FOLD

2010 Nov 5 12:00

Leogane Port-au-Prince
Epicenter

Earthquake Date 12 January 2010 CARIBBEAN SEA


Origin time 16:53
Magnitude 7.0 Mw
Depth 13 km (8.1 mi)
Epicenter 182725N 723159W Coordinates: 182725N 723159W
Areas affected Haiti, Dominican Republic
Max. intensity MM X (Extreme)
Peak acceleration 0.5 g
Tsunami Yes (localized)
Casualties
100,000 to 316,000 deaths (the higher figure is from a government estimate widely charged with being deliberately inflated; a figure of about 160,000
is provided in a 2010 University of Michigan study; the 100,000 figure is suggested by the U.S. Geological Survey.)
50
CONCEPT
CONCEPTO

Articulated Articulated
Obtation of Modular estructure for system can be
a modular aluminium Modular spaces more family builted in any
house trusses members shape

51
Recycle wood as cover

Thick smart celings that contains


sustainable systems

Thick smart walls contains the pipe-


lines system

Infinite ways to join the modular structures


Thick smart floors that contain windows

Fisures on the cover for ventilation

52
TOP PLAN
plano de planta thick funtional wall/espesor de muro funcional water tank / tanque de agua

+1.80
+80

3
4
A A'
+3.60
+3.60 +3.60 +3.60

B'
1,35 0,6 3 4 0,6 5,1 0,6 3 0,6 3 0,6 1,35

thick wall for kitchen instalations/espesor de muro para instalaciones de cocina

thick wall for closet/espesor de muro para closet


thick wall for bathroom instalations/espesor de muro para instalaciones de bano

The modulated floors and cellings contain


railing systems to open and close the house
in order to control de ventilation, also,
the size of the floors are smaller than the
cover, to protect the interiors from the
solar impact.

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 53
SECTION A A
corte a a Sustainable systems/sistemas sostenibles

Rainwater collector Solar panels


Hydroponic garden
6,3
5 5,7
High sewage tank
Biodigester
2,5

2,5

2,5
+3.60 0.90 +3.60 +3.60
+3.60

6
WATER TANK
bateries
+1.80
pump

isolating material
+80

The foundations can be on the ground or on


the water and they will keep the house safe
from strong winds. People can control the
height of the house to protect it against
floods.

54
1.Hydroponic Garden
TOP VIEW
vista en planta Sustainable systems/sistemas sostenibles 2.Rainwater Collection
3.Water Tank
4.Solar Panel

1 3

+6
+6
+1.80

+3.60
+6

2 4

55
MATERIALS
Light and insulating recycled

SECTION B B
corte b b ALUMINUM TRUSS 0.10
3,5
MODULATED 2.50Mx2.50M
ELEVATION VIEW THERMAL INSULATION

0,60
stirrups rebar 6 c/24cm
RECYCLED WOOD

816

ALUMINUM TRUSS 0.10

2,5
Patilla 64mm

RAILING INSIDE THE FLOOR


concrete # 1016 c/18,36cm
3
AND CELLING FOR THE WINDOWS

TOP VIEW

816

FOUNDATIONS (2,00X2,00M)

Anchor detail
(2,00x2,00m)

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 56
L PROFILE
Articulation cylinder 0.30
E

STRUCTURE DETAILS
detalles estructurales

L
UNION OF TRUSSES 1:20
CUERDA SUPERIOR
CERCHA

E1
L
CERCHA
SOLERA SUPERIOR

RAIL DETAIL
ANGULO DE
CONEXION 0.10

ANGULO DE
CONEXION CUERDA INFERIOR
CUERDA SUPERIOR
CERCHA
CERCHA

0.10
ALINEAMIENTO DE PIE
DERECHOS Y APOYO
CERCHA

NOTE: All measures are in meters/ NOTA: Todas las medidas estan en metros. 57
CLOSED
INSOLATION/VENTILATION WINDOWS TO

insolacion y ventilacion
OPEN WINDOWS
STOP
STRONG WINDS
CREATE CRUZED
VENTILATION
3,5 3,5 3,5
0,60

0,60

0,60
SURFACE FLOOR WITH
A SMALLER WIDHT
CREATE CONFORTABLE
2,5

2,5

2,5
SHADOWS

3 3 3

58
Kiri Complex / Complejo Kiri
San Francisco/Maracaibo/Venezuela.
2015.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

Kiri complex is an egg factory, The geometry of the factory comes from a Because the owners and the employers
located in a huge land located in the detailed volumetric study made by the of Kiri, need a new place to work
outsides of Maracaibo city. The architect Hans Ratmiroff, who connected comfortably, surrounded by spaces
proyect was designed by a team con- the industrial shapes with smart circula- that goes according to the style and
formed by the architect Luis Gonza- tions that makes confortable areas to work concept of the kiri enterprise.
lez and Pertopia arquitecture in. Appearing spaces detailed by me, using
office. the less expression of the most noble
materials, and double heights with light
rays creating beautiful atmospheras.

Complejo de Kiri es una fbrica de La geometra de la fbrica viene de un Porque los propietarios y los
huevos, ubicada en un terreno situa- estudio volumtrico detallado por el empleados de Kiri, necesitan un
do en las afueras de la ciudad de arquitecto Hans Ratmiroff, que conect nuevo lugar para trabajar cmoda-
Maracaibo. El proyecto fue diseado las formas industriales con inteligentes mente, rodeados de espacios que van
por un equipo conformado por el circulaciones que hacen las reas con- de acuerdo con el estilo y el concep-
arquitecto Luis Gonzlez y la ofici- fortables para trabajar. Apareciendo los to de la empresa kiri.
na de arquitectura Pertopia. espacios detallados por m, usando la
minima expresion de los materiales ms
nobles, y dobles alturas con rayos de luz
para crear bellas atmosferas.

P E R T O P I A
Finding the order of the
chaos.

Hans Ratmiroff Ayerim Montilla Carla Mendire Gloriana Rada Maite Urdaneta
Finding new ways of
perceiving the space. 59
main access
acceso principal

60
lobby
recepcion

61
coffee area
cafeteria

62
BRISA TABLE+70S SANDO BARSTOOL CHAIR
LA ROUX CHAIR ZIENTTE TABLE ZIENTTE ZIENTTE

TOM DIXON LAMP

INDIE SOFA ZIENTTE LA ROUX TABLE ZIENTTE INDIE CHAIR ZIENTTE

63
coffee silo
silo de la cafeteria

64
Cromatiko Studio / Estudio Cromatiko
Bogota/Colombia.
2015.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

Cromatiko Studio is a graphic design Based in a confortable circulation Because Cromatiko team wanted a
studio/shop created by Giovanni San- scheme, shelves and displayers where space to make them show their color-
chez and Catherine Villegas. In organized in order to create diferent full handmade designs.
Bogota city, Colombia. They were shapes to place the products, designing
asking for a minimalistic design, to instead of a cromatic way in a monocromat-
make them show their colorfull prod- ic way, to make the products gain the main
ucts. attention throught their colors.

Cromatiko Studio es un estudio / Basados en un cmodo esquema de circu- Porque el equipo de Cromatiko quera
tienda de diseo grfico creado por lacin, estanteras y vitrinas se organi- un espacio para mostrar sus artesa-
Giovanni Sanchez y Catherine Ville- zan para crear diferentes formas de colo- nales y coloridos diseos.
gas. En la ciudad de Bogot, Colom- car los productos, disenando en vez de
bia. Ellos pedian un diseo mini- forma cromatizada, de manera monocromti-
malista, para hacer mostrar sus col- ca, para hacer que los productos mediante
oridos productos. sus colores, sean los protagonistas.

http://www.cromatikoestudio.com 65
TOP PLAN

FRONT VIEW

66
FURNITURE DETAILS
detalles de mobiliario 0,3
0,
46

TOP VIEW FRONT VIEW SIDE VIEW

45
0,
0,

63
43

0,
98
1,64

0,
0,
93

92
0,
0,3
0,4

0,66

0,2

2,29
0,86

0,64
0,15

http://www.cromatikoestudio.com 67
TOP VIEW
FURNITURE DETAILS
detalles de mobiliario

Main desk of the store, based in a simple


composition of two materials, and two
colors, with funtional shelves and funtio-
nal measures.

2,36
SIDE VIEW FRONT VIEW 0,76 1,6

0,1
0,1

0,32

0,75
0,75

0,65

0,65
1,5 0,76
0,6
0,1

68
CONSTRUCTION PROCESS
proceso de construccion

69
JOKER CATTELAN ITALIA SKY PLANTER EAMES CHAIR

http://www.cromatikoestudio.com 70
Tower to the River Appartment / Apartamento Torre al Rio
Vicente Lopez/Buenos Aires/Argentina.
2016.

WHAT? HOW? WHY?


QUE? COMO? POR QUE?

A particular domotic project made by Making a modern, minimal and inteligent Because all space can be builted in
a team of professionals, composed by appartment, designed with the newest order to respond to the human activ-
Ragolia Marbles team, with Fortuna domotic systems in the lighting, in the ity and needies, the space can be
Dueck and Karina Muszkatblat Arch kitchen artifacts, in the bathrooms and in part of the human who habbit it,
Studio, who i had the honor to worked all bedrooms, but make them invisible because the space bends itself with
with. designing it funtions at the same time of the presence of the matter,we are
the construction. Making the whole system not in the space, the space is in us.
part of the arquitecture itself.

Un proyecto particular de domtica Haciendo un apartamento moderno, mini- Debido a que todo el espacio puede
realizado por un grupo de profesio- malista e inteligente, diseado con los ser construido para responder a la
nales, compuesto por el equipo de ms nuevos sistemas domticos en ilumi- actividad humana y a sus necesi-
Marmoles Ragolia, con el estudio de nacin, en los artefactos de cocina, en dades, el espacio puede ser parte
arquitectura de Fortuna Dueck y los baos y en todos los dormitorios, del humano que lo habita, porque el
Karina Muszkatblat, con quienes tuve haciendolos invisibles al colocarlos al espacio se curva con la presencia de
el honor de trabajar. mismo tiempo de la construccin. Convir- la materia, no estamos en el espa-
tiendo todo el sistema en parte de la cio, el espacio Est en nosotros.
propia arquitectura.

9
5
2
6
4 7 8

CATTELAN
REFLEX FLOS MINIMAL ITALIA ALBERTA REFLEX
1.Swan chairs 4.Copycat Lamp 5.Bar Unit 6.Skorpio Table 8.Sofa Ronny 9.Segno Libreria
2.Sit Sgabello chairs 7.Musa Chairs
3.Comete Lamp

71
Main Bathroom
bano principal Main Bathroom construction detail/ Detalle constructivo de bano principal

FRONT SIDE
.30 .10
SUPERIOR GUIDE

1.00 1.00 MIRROR

MIRROR MIRROR

1.02
EXISTENT CARPENTRY
2.12 .85
1.95 .05 INFERIOR GUIDE
.06

.06
MARBLE
.05 .05 .03 .45 .03 METAL BRACKET
.30

.05
.86

.84

.84
.73

.73
.56 .62
1.70 1.70
.44

72
73
DINNING AREA
area de comedor

DETAIL PLANS/PLANOS DE DETALLES

TOP

POWER OUTLET (220 Volt)


FOR OVEN-WARMING
DRAWER-WINE COOLER
BLAST TEMPERATURE
COUNTERTOP +
WINE COOLER ABBATTITORE SINK & FAUCET
BY CUSTOMER

4723
WASHING
MACHINE BY
CUSTOMER

1222 570
55 645 645 110 1290 55 700 700
700 700 1400 700 700 PLUMBING AREA
4200
POWER OUTLET (220 Volt)
FOR WASHING MACHINE &
DRYING MACHINE

FRONT
Minimal.
Referral: ANA MORAN - FRANCO - MAIN KITCHEN
data: 22-02-2016

15
15
2185
2160
2180
10
700 700 1400 700 700
4200

74
BAR VIEW
vista de barra

DETAIL PLANS/PLANOS DE DETALLE

Minimal.
Referral: ANA MORAN - FRANCO - MAIN KITCHEN
data: 22-02-2016

130 1000 1018 1000 301


1 3078 1
3080
30 85
87
2
1017
840
934

DISHWASHER
FRIDGE (SX)
FREEZER (DX)
60

30 600 600 600 609 609 30


3078
3080

75
76
77
PANORAMIC VIEW
vista panoramica

DETAIL PLANS/PLANOS DE DETALLES

Minimal.
Referral: ANA MORAN - FRANCO - MAIN KITCHEN
data: 22-02-2016 SIDE

694
670 222

15
1815
1262
2185
2170

85
304
20

1021
770

840

936
934
100

60
1222 570 11 570 1272 599
1206 599
1805

78
MARACAIBO
Urban Filters / Filtros Urbanos CITY
Maracaibo/Zulia/Venezuela.
2012.

Population (2013)
WHAT? HOW? Rank 2nd
WHY?
QUE? COMO? POR QUE?
Urban 2,001,591
Metro 2,450,559
Urban Filters as City Structurers: It is a Recycling the infiltration phe- Because the city has 0.3 square met-
research study of the evolution of the Maraca- ters of green areas per habitants
ibos public spaces over time, which is mate- nomenum that structured the city in
when the minimum is 10m2 of green
rialized in a proposal of infiltrated plat- early times, with a reinterpreta- area per habitant. Also the people
forms, volunms with programs of recreational
content, that filters from Avenue Miracle tion of how would affect nowdays. who practice sports have to go out
until reaching the shores of Maracaibo Lake, Cosiderating aspects like the cur- from the city because there is no
transforming the coast edge of the second
stage of the shore. rent needs and problems of the sports building where this people
city. can train.
Filtros Urbanos como Estructuradores de
Ciudad: Es un estudio de investigacin
de la evolucin del espacio pblico Reciclando el fenmeno de infil- Porque la ciudad tiene 0.3 metros
Marabino a lo largo del tiempo, el cual cuadrados de reas verdes por habi-
se materializa en una propuesta de
tracin que estructur la ciudad en
los primeros tiempos, con una rein- tantes cuando el mnimo es 10m2 de
plataformas infiltradas, volmenes con
rea verde por habitante. Tambin
programas de contenido recreativo, que terpretacin de cmo afectara hoy las personas que practican deportes
se filtran desde la Avenida el Milagro
hasta alcanzar las orillas del lago de
en da. Cosiderando aspectos como tienen que salir de la ciudad porque
Maracaibo, transformando el borde coste- las necesidades y problemas ac- no hay edificio deportivo en la
ro de la segunda etapa de la Vereda. tuales de la ciudad. ciudad donde puedan entrenar.

N
History Research Actions
Infiltrarion Phenomenum Public space changes trought time Urban solutions
(how grew the city) Plaza
Lagomar

The other city beach

(Elisa Quijano) 1. Colonial Maracaibo: 1529-1873


a. Diffuse square a.Horizontal emphasis
b. Objetual square b.Regenerate
c.Reveal
Plaza 18 de Octubre
2. Illustrated Maracaibo:1871-1887 d.infiltrate

EL M
Plaza Astolfo Romero Plaza canta claro
Plaza Udn Perez
Plaza Jos Marti

Plaza 19 de Abril
Plaza del angel
Mirador del lago
c. Ecosystem square
Plaza Ziruma
Plaza pueblo nuevo

I
Mi a ro

5 VEREDA DEL

LAGRO
Plaza La estrella Plaza de los ingenieros

de
3. Petroleum Maracaibo:1920-1980
l g

LAGO PARK
Plaza olegario villalobos
J ul
nue

Plaza jovito villalba


Avenue

io Plaza Juana de vila Plaza braile

Plaza rotary
d. Black walk
Delici a s Ave

Complejo Polideportivo
Av

Parque del sol


en

e
Bella vista

Plaza Indio Mara


u

Plaza Rmulo Gallegos Plaza Bolivia


Plaza Repblica
Av

4. Current Maracaibo:19802011

AV
Plaza Rubn Daro Plaza Ral Cuenca
Vereda 2
enu

EN
Plaza
Vereda 1
e. Pseudo park
e

alonso de

f. Closed Circuit:Vereda1
ojeda

UE
plaza ana mara campos
g. Content Annex :Vereda2
Boulevar
Plaza Paez Santa

Histo
Luca

ric Plaza Santa Luca

Center plaza da de la raza parque rafael urdaneta



H AT IC

plaza miranta
chinita
Baralt plaza sucre
Bolivar 5. Future Maracaibo:20112029
a. Royal roads plaza coln
f. Urban Filters
O

b. Unin road
S

Maracaibo
c. 5 de Julio Avenue
Lake
Font: Architect Eduardo Pineda
d. La Virginia Avenue

we need we have to we
we need People want a place to
pools travel to professional want a
POPULATION practice sports
NEEDS train in a training clean
club lake

People need more


green areas

79
MOMENT PUBLIC SPACE YEAR
not crologic order
SIZE
HA / M2
SPACIAL DESCRIPTION
COLONIAL MARACAIBO
6.181 m2 A vacuum that contrasts with its context. Diffuse borders,
1529 - 1873 SAN SEBASTIAN SQUARE 1579 0.618 Has S MALL
invisible boundaries, limits are generated by people and their
itinerant furniture. Activity defines space.

1905 6.181 m2
BOLIVAR PLAZA BOLVAR SQUARE
First Bolivar statue in venezuela 1867 [NEW NAME] 0.618 Has S MALL
Emptiness
N
1883 5.248 m2
DEL CONVENTO SQUARE
0.524 Has S MALL
Green structures public space. The vegetation becomes the mold
ILLUSTRATED MARACAIBO of the square, and lights the instrument of urban furniture in
1871-1887
BARALT SQUARE 1623 the various squares of the city.
[FIRST PAISAJIST DESIGN] [THEY PUT TREES IN]
BA

5.248 m2
R AL

S
T

0.524 Has MALL


PL

AZA Nature

PETROLEUM MARACAIBO The street becomes the protagonist of public space, which
1920 -1980
increases speed and scale by taking the phenomenon of the
automobile as a determinant of design.

REPBLICA SQUARE 1945 9.336 m2


REPUBLICA PLAZA
0.933 Has M EDIUM

PETROLEUM MARACAIBO Movement


1980 2011

CIENCIAS WALK
1973 52.903 m2
PASEO CIENCIAS PASEO CIENCIAS 5.290 Has L ARGE

CURRENT MARACAIBO
BUEN MAESTRO SQUARE 1930 1.725 Has M EDIUM
Icon as a reference and element of greater generation in the
public space, is the one that structures the square, and is the
main image in the memory of the visitors.

LA MARINA PARK
LA MARINA PARK 1973 4.036 Has L ARGE

LA CHINITA WALK 2004 5.290 Has L ARGE


Objectual
VEREDA 1 1978 64 Has XL
FUTURE MARACAIBO A new way to live the public space, taking the examples from
2011 - 2029
N

the past and transforming them in infiltrated green surfaces


which become in platforms that have recreational uses to
satisfy all the people needs.

VEREDA 2 2029 25 Has XL


VEREDA 1 89Has VEREDA 2
Filters

CRONOLOGIC FONT: Rincn Pirela. Nerio.(1982):Plazas de Maracaibo Tomo 5. Maracaibo: Venezuela. 122 pp.
CRONOLOGIC FONT: CARMEN V. VELSQUEZ M. DE G. - VCTOR HUGO GONZLEZ L. LAS PLAZAS MARABINAS. ENTRE LA COLONIA Y LA CONTEMPORANEIDAD. UNA VISIN MORFOLGICA.
CRONOLOGIC FONT: Ferrer, Mercedes; Quintero, Carolina, Re-creando el espacio pblico urbano. Poltica para construir ciudad y ciudadana en Venezuela. Revista de Ciencias Sociales (Ve), Vol. XV, Nm. 1, enero-marzo, 2009, pp. 89-111, Universidad del Zulia, Venezuela.

90m2
we have
0.33m2 of
we need green areas
bike roads

Madrid
per habitant 80m2

Helsinky
we need Los
a gym
ngeles

50m2
Viena

Berln

Public space per habitant in other countries


80
WHAT? HOW?
QUE? COMO?

a.Horizontal emphasis a.Urban Filters


Access to the park

Arborized woodwalks from


Milagro Avenue till the lake

b.Regenerate b. Portwalk
Existent water flows

Woodwalk from Vereda 1 to


Vereda 2

Maracaibo Lake

c.Reveal c. Infiltrated pixels


Existent vegetation
From the existent vegetation
empthy spaces, linear concrete
surfaces from Milagro Avenue
till lake, for users orienta-
tion.

d.Infiltrate d. Parametric vortex


Parametric grid

From the vereda edges echoes


conecting eachother with
walkroads and bikeroads.

e. Infiltrated platforms

From the existent vegetation


empthy spaces, ludic volums
with recreational programs.
[like the folies from la
villete park].

URBAN CONCEPT
CONCEPTO URBANO

Vereda II park

81
ARCH CONCEPT
CONCEPTO ARQUITECTONICO Existent vegetation

c.Infiltrated pixels

SOU
TH a.Urban Filters
WES
T

ve
rt
ic
al
ci
rc
ul
at
io
n
nu
cl d.Parametric vortex
eo
um

3
b. Portwalk
EAS
T

e.Infiltrated platforms

3
NOR
T
Infiltrate visuals to the lake

Some of the infiltrated platforms may have courts. The courts


are oriented nort and south to protect soccers players from the
sunlight, bloking their visibility.

The foundation of the infiltrated platforms are underground


pilotis, because of the water level where the plot is.

82
NUE
AVE
LO
TIL
POR
TOR
DOC
EL
1 MIL
AGR
O A
VEN
UE

VEREDA 1
wood bridges connections
2

3
4

5 6
9 10 12

11
8

13
15
14

16

18
17

INFILTRATED
PLATFORMS
park programs

1.IMPARQUE park administration 7.LA GOAJIRA port 13.DIVERZONE


2.GUAICAIPURO museum 8.POLICE station vereda 2 14.KEPEIN lounge
3.SIMON DIAZ turistic center 9. LIA BERMUDEZ art gallery 15. MAXI DONAS
4.NEGRO PRIMERO library 10.ARTURO MICHELENA art gallery 16.JESUS SOTO gym
5.CINGARO open cinema 11.ARMANDO REVERON art gallery 17.VEREDA 2 sports centrer
6.MARIA LIONZA restaurant 12.ARTUROS CHICKEN 18.CRUZ DIEZ lightouse

83
NUE
AVE
IOUL
E J
5 D

URBAN FILTERS
park access

19

20

21

22

23

24

19.LA MEGA radio station


20.TRANVIA station
NORT
21. CATATUMBO club
22.EL PROPIO CARLOS restaurant
23.FRANCOS burger 25

24.parade tribunes
25.LUISA CACERES DE ARISMENDI OPEN TEATHER

84
MATERIALS
LEYEND
park surfaces

Wood: Urban Filters/Portwalk Sand: Shores Concrete: Parking p

Bucare Ceibo Tree Araguaney Tree Acacia Flamboyant

85
URBAN VIEW
panorama urbano

places/ bikeroads/ walkroad Infiltrated platforms Glass lighthouses

Tree Default site vegetation Palm tree for the portwalk

86
SIDE VIEW
vista lateral

3
3
3
3
3
3

3,27 4,21 20,23 5,05 4,63 7,09

Pilotis foundation undergorund

87
88
89
FRONT VIEW
vista frontal

Pilotis foundation undergorund

90
[Level 3,4] Traslucent smooth white concrete cover
COMPONENTS
componentes

Program: Vereda 2 sports center

Concept: Infiltrated platform

[Level 4] Pool platform

[Level 3] Gym platform

[Level 2] Board games platform

[Level 1] Administration platform

[Ground Level] Sport platform

Vertical Circulation Nucleum


Elevator/Stairs

Ventilation Duct/Supporting wall

[Ground level, 1st 2nd] Wood blinds

91
N SPORT PLATFORM
triple height(3m each floor)

92
N GYM PLATFORM
nivel gimnasio

93
N POOL PLATFORM
nivel piscina

6
5

5
4

4
3000X15000
3

3
2

2
1

94
My Quotes / Mis Frases

"To perceive is to create, to perceive is the source of all creation."


Percibir es crear, percibir es la fuente de toda creacin. G.R

"All humans are but subjective forms of divine thought."


Todos los humanos no somos ms que formas subjetivas del pensamiento divino. G.R

"The empty space is a membrane that is molded with the corporeal mass of the man.
El espacio vaco es una membrana que se moldea ante la presencia de la masa corprea del hombre. G.R

"A pseudo space, is the construction that is generated from the accumulation of memories."
Un pseudo espacio, es la construccin que se genera de la acumulacin de recuerdos. G.R

"Architecture is to design a space-time fabric in four dimensions, three spatial and one temporal."
Arquitectura es disear un tejido de espacio-tiempo en cuatro dimensiones, tres espaciales y una temporal. G.R

"An architect is a constant conscious observer of the quantum field."


Un arquitecto es un constante observador consciente del campo cuntico. G.R

"Architecture is to geometrize the emptiness by molding it with light."


Arquitectura es geometrizar el vaco moldendolo con la luz. G.R

"Art and Architecture, are the observable trace of the Worldview, reveal the changes of man and his environment over time." G.R
Arte y Arquitectura, son la huella observable de la Cosmovisin, revelan los cambios del hombre y su entorno a lo largo del tiempo.

"The city is the sensitive world of the intelligible world of its habitants."
La ciudad es el mundo sensible del mundo intelegible de sus habitantes. G.R

"Each urban element hides a story. The city offers us a reading of its habitants ".
Cada elemento urbano esconde una historia. La ciudad, nos ofrece una lectura de sus habitantes. G.R

"In every city there are two social polarities, the dreamers and the realists, and the first ones are those who build a city."
En toda ciudad hay dos polaridades sociales, los soadores y los realistas, y los primeros son los que construyen ciudad. G.R

"It is impossible to understand a spatial dimension habiting the same spatial dimension."
Es imposible entender una dimensin espacial habitando la misma dimensin espacial. G.R

95
"A dimension can only be analyzed from a higher dimension."
Una dimensin solo puede ser analizada desde una dimensin superior. G.R

"Architecture must always be more esoteric than material, otherwise it would be an engineering work."
La arquitectura siempre debe ser ms esotrica que material, de lo contrario sera una obra ingenieril. G.R

"An architect is contemporary when takes archetypal patterns of the past, reinterprets and adapts them to the current worldview."
Un arquitecto es contemporneo cuando toma en cuenta patrones arquetpicos del pasado, los reinterpreta y adapta a la cosmovisin
actual. G.R

"The designs of the future are in the hands of the process. The compaction of all the knowledge acquired over time. " G.R
Los diseos del futuro estn en manos del proceso. La compactacin de todo el conocimiento adquirido a lo largo de los tiempos.

"Man has succeeded in understanding and studying all the repetitive cycles of nature. But he still does not understand his own". G.R
El hombre ha logrado comprender y estudiar todos los ciclos repetitivos de la naturaleza. Pero sigue sin entender el suyo propio.

"Humility is the most characteristic quality of a wise person."


La humildad es la cualidad ms caracterstica de una persona sabia. G.R

96
Random doesnt exist, we call luck to the unreconized law.
No existe el azar, llamamos suerte a la ley no reconocida.

Kybalion
Thanks!
gracias!

Gloriana Rada

glori_ana

glori_ana

Arch.Gloriana Rada glorianarada@gmail.com


Arq.Gloriana Rada
2017 97

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