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    Sinantropía, 2023
    photographs by Txema Salvans
    from the collection of Fundación Foto Colectania, Barcelona

    Synanthropy is the concept that defines the ability of some species of flora and fauna to adapt to environmental conditions created or modified as a result of human activity. As an example of this concept, we can mention storks, which we have subjected, degrading their habitats to the point of scarcity. We have forced them to colonize structures completely alien to their natural environment, displacing them near landfills and making them coexist with plastics and other waste. - Txema Salvans (abridged)

    image credits: Txema Salvans / Fundación Foto Colectania

    part 1 of 2

  • i love you pre transition transfems. i love you trans women who dont have access to HRT or dont want to physically transition. i love you transfems with small or nonexistent tits. i love you women who like their penis and plan to keep it. i love you trans women with "masculine" pecs. i love you women with five o clock shadow or coarse facial hair you cant afford to get lasered. i love you trans women who didnt get the fat redistribution you hoped for. i love you trans girlies who are struggling to put on weight. i love u all. you are so beautiful even when you dont feel like it. especially when you dont feel like it

  • kahuna-burger

    I'm surprised at the low number of "don't know"s, and wonder if the poll is inspiring folks to ask.

    Also, at this point, I'm the only vote for "the same but gender shifted." A little surprised by that.

  • One of my childhood friends who like me, was raised as a Zionist just rejected Israel Outdoor's birthright trip offer. We had stopped talking these last few months and she called to apologize and tell me she's not going in May because she's been wrestling with how to reconcile her faith with what Israel is doing. We stopped talking because she couldn't understand why I would do that and now she has come to this conclusion on her own.

    This is such a big deal and such a big win for me and I wanted to share this because everyone should know that views can shift. It's definitely not easy and definitely not because of just me but it's possible.

    Don't stop talking about Palestine. Don't stop spreading facts about Israel's violent occupation of Palestine.

    Btw Israel Outdoors is absolutely disgusting. If you don't know, they recruit college kids on campus to go do birthright trips. They're huge Zionists who openly support the occupation and genocide.

  • stoptheantisemitism

    She said one of the major turning points for her was watching Marione Ingram, a Holocaust survivor, get verbally assaulted by Zionists for saying that the people of Gaza are being genocided. And she was also shocked at the ADL defending Elon Musk doing a Nazi salute.

    Zionism is antisemitism. Zionists will literally attack holocaust survivors (who have first hand experienced what the Palestinians are going through right now btw) just to defend their ethnostate

  • If you genuinely believe that the fall of the American empire is impossible, then remember that a hundred years ago the British empire ruled over a quarter of the world's population and now controls less than one percent. Even if the "United States of America" as a nation doesn't go away, the collapse of an empire is entirely possible.

  • capnsoapy

    it could happen again 👇

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  • “The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

    “maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay

    You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?


    Examples

    Image ID: Dionysus from the game Hades. He is a muscular man with purple wavy hair and brown skin, wearing a purple chiton and reclining in space with his legs crossed, smiling to the left of the camera. End IDALT
    Image ID: Theseus from the game Hades. Theseus is a man with short blonde hair and brown skin, wearing a blue chiton, a white skirt, and a designed belt, as well as blue and pink gloves that he holds in fists confidently at his sides. End ID.ALT
    Image ID: Patroclus from the game Hades. He is a man with darker brown skin, dark brown hair and facial hair, facing to the right of the screen. He wears a green cloak and warrior clothes (?) underneath, holding a spear in his right hand. End ID.ALT

    Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.

    Image ID: Hibana from Fire Force; a light brown woman with shoulder length lavender hair and purple eyes that look down demurely as she folds her hands. She wears a black dress and a white hoodie with fur. End ID.ALT
    Image ID: Noe from Case Study of Vanitas. He is a light brown man with short lavender hair and purple eyes that glare defiantly towards the viewer. He wears a purple and black suit. End ID.ALT

    Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!

    My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.

    Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.

    *as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!

    Here’s the thing: the possibility is not the issue here!

    The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.

    The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.

    And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!


    Eurocentric Beauty Standards

    Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.

    It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.

    Examples

    -Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.

    -Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.

    -“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:

    Image ID: a white woman with dyed blonde hair to her white neckline and blue eyes smiles at the camera. End ID.ALT

    (It’s not even her natural hair color!)

    -Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.

    They came up with a figure similar to Kendall Jenner as the female option.

    (Guys, we’re never getting out of here at this rate.)

    -We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.

    Appropriation:

    Image ID: model Aamito Lagum, a dark-skinned Ugandan Black model with a short afro, looks into the camera. She wears bright red powdered lipstick, and eyeshadow and blush that resemble the lipstick. End ID.ALT
    Image ID: a close-up of model Aamito Lagum's lips, from the left side profile, wearing black lipstick. End ID.ALT
    Image ID: Kylie Jenner, a tan white woman with black hair, wearing peach lipstick, stares into the camera. End ID.ALT

    I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.


    I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?

    First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.

    Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.


    Acknowledge when you’re holding a bias:

    For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.

    Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.

    Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.

    White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.


    Creating with Intent (and the lack thereof!)

    (This is so important I made the header larger)

    You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.

    For example:

    Image ID: a white man with greyish-brown skin, blue eyes, short thin hair and a goatee and mustache stares into the camera. He wears a black tanktop. End ID.ALT
    Image ID: a white man with greyish-brown skin, blue eyes, and shoulder-length thin hair stares into the camera. He wears a black tanktop. End ID.ALT

    credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!

    I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?


    Why This Matters

    So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?

    It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?

    Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”

    But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.

    I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!

    I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:

    “Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”


    Conclusion

    So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?

    We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.

    When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!

  • Milk Cattle at the OK Corral remains one of the singular Korean punk albums ever made

  • rui-cifer

    Crying Nut's 2000s music speaks to a specific moment in South Korean social life where the cost of being the USA's best lapdog that isn't Australia or Japan was paid for in a way that isn't actually any worse than before but in a visceral way on national media. The repeated media coverage of brutalizing, often sexual in nature, of women and children by the US military near the bases, the death of multiple South Koreans in a hostage situation in the Middle East that the South Korean government couldn't/wouldn't do anything about due to the USA's directives, the indignity of the Apollo Ohno incident at the Winter Olympics, and the real possibility that the Sunshine Policy was working and a peace was briefly seen as not only possible but desirable between the two Koreas has created an environment where open contempt for the US military was not only allowed, but culturally desirable. This all crescendoed to the Tainted Beef protests of 2008, only to go away with the USA's supposedly progressive liberal president Obama's pivot to aggression towards China that necessitated the continuation of the bases in South Korea and the far-right then-president now-convicted felon for corruption Lee Myung Bak's hostile policies towards the DPRK and the re-engagement with the USA. For a brief moment, though, a better world was possible and Crying Nut's early 2000s discography super duper shows this.

  • i am so fucking sick of the chokehold this video has had on my brain for the last two days

  • marklikely

    i could set this to post every five minutes for the rest of the week if i wanted to give you an idea of how ive been living