It’s annoying that for all this book’s many flaws, and there are so many, including the irritatingly cookie-cutter romance subplots, there are actually things it does really well.
Rist’s storyline – despite it being the source of the worst ‘real world philosophers with their names barely changed’ moment so far – is superb, and actually has been consistently over all four books so far. Having him work for the evil empire and sort of knowing they’re pretty bad, but staying because of both genuine bonds he’s built with good people there and a constant stream of manipulation tactics is actually pretty neat. Usually when you’ve got someone working for an evil empire in a book, they have no idea it’s evil and then they immediately defect when they find out – here, he’s uncomfortable with all the blood magic, notices the obvious censorship in all the books, realises that his mentor has done terrible things in the past and challenges him on it, but it still makes total sense that he’s staying. By the time he has the opportunity to leave, he’s built up relationships with his fellow mages, and his various mentors (who are bad people, but not two-dimensional evil archetypes), and any cracks are filled in by manipulation.
It’s also got the strongest character writing of any storyline. Garramon, his mentor, is absolutely a villain, but he clearly has genuine affection for and loyalty to the mages under his care. A lot of the other imperial higher-ups are exhausted immortals who hate what they’re doing but have sunk-cost-fallacied themselves into never stopping. Neela is the only love interest in this book who actually feels like she has character flaws, and her own life with her own goals, and a dynamic with Rist beyond sassiness and pep talking. Rist himself is a really solid portrayal of an autistic character, not least because him being autistic isn’t the sum total of his personality and isn’t written in a condescending or infantilising way.
It’s good stuff, and tbh should’ve been the main storyline.
And there’s other plot threads that are good too: Dann is actually fairly engaging to read and has a character arc. He is – extremely Mat-from-Wheel-of-Time, both in his personality and arc, but there’s nothing wrong with writing a character that takes cues from a character in another thing. The humour in his storyline doesn’t always land, but it lands sometimes and frankly that’s more than can be said for a lot of books.
Dann’s storyline has fairly … mixed … character writing, there are some characters who are really well written (Vaeril, Tessara) and some who just aren’t (Erik).
Ella’s storyline is pretty decent too, with Ella being a pretty well-written character even if she is just covering all the basic story beats of 'person discovers they have a mysterious and dangerous magic’ storyline, in order, exactly how you’d expect.
And for a book with a lot of different storylines (nine, at last count, which is too many – look, everyone wants to be GRRM with eight or nine ongoing storylines, but most people can’t be GRRM. I can’t be GRRM. If the massive delays with The Winds of Winter have shown us anything, it’s that GRRM can’t necessarily be GRRM), it does a decent job at linking together the different storylines and having them intersect and weave in and out of each other. That’s definitely not nothing, it’s something a lot of authors struggle to do even with far fewer storylines.
There is good stuff here, but it’s drowned in just an absolute sea of guff. Trim the storyline down to Rist in the empire, Dann and Calen in the rebellion, and Ella doing her own thing, and you’d have a really strong set of books.