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Euripides medea

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Historical works of art are extremely important when trying to understand the current depiction of society during a specific time period. This particular painting is not as old as the original story of Medea yet it reflects the current attitudes and acceptance of the folklore in this future setting.-Angelica Ancient Greek Theatre, Greek Theatre, Marguerite Duras, Francisco Goya, History Nerd, Howl At The Moon, Ancient Mythology, Greek Mythology Art, Greco Roman
Ancient Greek Theatre
Greek Theatre
Marguerite Duras
Francisco Goya
History Nerd
Howl At The Moon
Ancient Mythology
Greek Mythology Art
Greco Roman

Medea Killing Her Children (x1987-75)

Historical works of art are extremely important when trying to understand the current depiction of society during a specific time period. This particular painting is not as old as the original story of Medea yet it reflects the current attitudes and acceptance of the folklore in this future setting.-Angelica

613
Medea, Frederick Sandys, 1866-8. In Greek mythology, Medea was a sorceress and spurned lover of Jason who went to desperate measures to get revenge. In this painting, Sandys has included the familiar iconograpy of Medea and Jason's story, such as the Golden Fleece and (one presumes) the Argo in the background, but the main focus of the painting is of Medea casting the spell which will begin her revenge. Salma's face. Frederick Sandys, Bad Painting, Pre Raphaelite Art, Istoria Artei, John Everett Millais, Galleria D'arte, John William Waterhouse, 3 Children, Paul Cezanne
Frederick Sandys
Bad Painting
Pre Raphaelite Art
Istoria Artei
John Everett Millais
Galleria D'arte
John William Waterhouse
3 Children
Paul Cezanne

Medea by Frederick Sandys, c.1866-8

Medea, Frederick Sandys, 1866-8. In Greek mythology, Medea was a sorceress and spurned lover of Jason who went to desperate measures to get revenge. In this painting, Sandys has included the familiar iconograpy of Medea and Jason's story, such as the Golden Fleece and (one presumes) the Argo in the background, but the main focus of the painting is of Medea casting the spell which will begin her revenge. Salma's face.

374

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