ghostealy
@ghostealy
The ghost is a torn sheet,
the skeleton’s suit came from a rack in a store
the witch is flameproof, but who knows
what dark streets they have taken here?
Brother Death, here is a candy bar.
For the lady wearing the hat from Salem: gum.
And a penny for each eye, Lost Soul.
They fade away with their heavy sacks.
Thanks! I yell just in time.
1 day ago
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    Nikita Gill, from Your Heart is the Sea: Poems; "The Anguish," originally published in 2018

  • 15,501 notes
    1 day ago
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    oh the joy of getting a letter from a new penpal 😌 reblog is ok, don’t repost

  • 289 notes
    6 days ago
  • A painted line drawing of a black cat lying on its side while it toys with a long ribbon that surrounds its body. The cat is attended to by tiny spirits in large robes. The background is a series of stylized paintings of flowers and a large dragon that encircles the frame of the piece.ALT
    A digital watercolor ink drawing of a gray cat lying in repose or sleep while surrounded by tiny attendants wielding tools similar to those used in a zen garden. The cat is framed on either side by weedy-looking white wildflowers. The drawing is done over in white ink showing misty clouds, cranes, butterflies, seeds, etc.ALT

    Bakunawa 🐈🧘

    insta | masto | portfolio | prints | kofi | patreon

  • 1,444 notes
    6 days ago
  • APRIL  Maybe the trees won’t impress someone looking for June or a new lover. There are people ahead carrying flowers, unaware of our many mistakes. Let me imagine you now in your house surrounded by worst-case scenarios and rehearsed practicality. What other animal plans their own funeral? What animal makes room for death like we do? My friend believes the Brontë sisters didn’t carry umbrellas since their characters walked the moors without them. I would like to agree. I would like to walk the moors without anyone. And open the window to ask for rain. And I love the rain.ALT

    april by alex dimitrov

  • 407 notes
    1 week ago
    832 notes
  • 1 week ago
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    Louise Glück, from Meadowlands; "Departure"

    [Text ID: "The night isn't dark; the world is dark. / Stay with me a little longer."]

  • 2,856 notes
    1 week ago
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    handkerchief with monogram letter 'a,' france c. 1875-89.

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    2 weeks ago
    7,312 notes
  • “Film historian-interviewer Gregory Mank got to the root of the mystery behind the actress’s curiously bird-like quality in her performance as the Bride: Lanchester’s conception of the part was based partially on observing the swans in Regents Park, particularly in the way they “hissed” when provoked. Staring wide-eyed, jerkily reacting to every movement around her, it’s a tightly coiled performance of sheer instinct and energy. The Bride’s “look” is a classic ’30s concept, more of a hairstyle than a makeup. Lanchester’s natural red hair was teased up in an unworldly, fright-wig style, a wavy white streak suggesting a baptism by lightning. It’s a cartoonish design, perhaps too over-the-top, but executed with Jack Pierce’s usual finesse and artistry.” –  Universal Horrors: The Studio’s Classic Films, 1931-1946, 2d ed., 2011, p.127

    Bride of Frankenstein (1935) dir. James Whale

  • 1 month ago
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    Gustave Dore's illustration to Dante's Inferno, 1900.

  • 2,951 notes
    1 month ago
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    instagram | photos are my own, reblogs fine, do not repost/reuse

  • 17 notes