Charles freger

In the foreword to photographer’s Charles Freger’s Wildermann: The image of the savage, Irish novelist Robert Mcliam Wilson wonders why “we gave up religion for this?” This being “the depthless grand guignole of mass media idiocracy.” “Plugged in,” Wilson writes, “neurotically wi-fied and G3d as we

France-based photographer Charles Fréger visited 19 countries and more than 50 villages to capture these strangely dressed animals.

A global platform for emerging talent, i-D celebrates fashion, culture, individuality and youth.

Cimarron is the third part of a photographic series begun in 2010 by Charles Fréger and dedicated to masquerades; after Wilder Mann (2010-), dedicated to the European continent, and Yokainoshima (2013-2015), located on the Japanese archipelago, Cimarron (2014-2018) is anchored in the territories of the Americas. In a geographical space stretching from the southern United

For two years, French photographer Charles Fréger has been travelling throughout 19 European countries and trying to capture the spirit of what he calls "tribal Europe" in his "Wilder Mann" series.

Max Campbell writes about the photographer Charles Fréger’s “YOKAINOSHIMA,” in which he catalogues the monsters, or Yokai, of Japanese folklore.

If you thought Santa’s naughty list was intimidating, chances are you never encountered a Krampus.