Budapest hotel

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Tony Revolori and Saiorse Ronan in The Grand Budapest Hotel Wes Anderson Color Palette, Tony Revolori, Wes Anderson Aesthetic, Color In Film, Wes Anderson Style, The Grand Budapest Hotel, Wes Anderson Movies, Wes Anderson Films, Adrien Brody

Cinematographer Robert Yeoman has one of the most interesting CVs in Hollywood, starting out in an array of Eighties classics such as William Friedkin’s To Live and Die in LA and Gus Van Sant’s Drugstore Cowboy, and collaborations with directors as diverse as Wes Craven (on Red Eye), Drew Barrymore (on Whip It) and Paul Feig (on Bridesmaids, Spy and Ghostbusters) in the past decade.

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