This article discusses a rare watercolor portrait of the Qajar prince Ḥasan-÷Ali Mirza, which is ... more This article discusses a rare watercolor portrait of the Qajar prince Ḥasan-÷Ali Mirza, which is being preserved in the Oriental Collection of the Georgian National Museum.
Iranian Studies Publication details, including instructions for authors and subscription informat... more Iranian Studies Publication details, including instructions for authors and subscription information:
This article discusses a rare watercolor portrait of the Qajar prince Ḥasan-÷Ali Mirza, which is ... more This article discusses a rare watercolor portrait of the Qajar prince Ḥasan-÷Ali Mirza, which is being preserved in the Oriental Collection of the Georgian National Museum.
Iranian Studies Publication details, including instructions for authors and subscription informat... more Iranian Studies Publication details, including instructions for authors and subscription information:
gdqg6gb,) ltof, o6o g gqpott fu 8gX Oob groo6tr gdotr 1 00 6cgnlron3lr Dedicated to the 100th Ann... more gdqg6gb,) ltof, o6o g gqpott fu 8gX Oob groo6tr gdotr 1 00 6cgnlron3lr Dedicated to the 100th Anniver3ary of the Museum of Georgia 4000060 COA,).1G)80 06,)60 0 DIMITRI ERMAKOV IN IRAN mbnqflb0 2019 TBtLtSl
Root problem is principal question in historically attested Semitic languages. Fundamental struct... more Root problem is principal question in historically attested Semitic languages. Fundamental structures are: reduplicated consonants, identical consonantic structures and tririteral root morphemes broadening by different consonants. Sometimes it is noticed the tendency of making fourconsonantal verbal structures from nominal root morphemes.
Programm and Abstracts of the Seventh Biennial Convention of the Association for the Study of Per... more Programm and Abstracts of the Seventh Biennial Convention of the Association for the Study of Persianate Societies held in 2015 in Istanbul
The overwhelming majority of inscriptions in question can be characterized as a simple poetical (... more The overwhelming majority of inscriptions in question can be characterized as a simple poetical (or quasi-poetical) rhymed lines composed specifically for a seal of a concrete ruler. Only a few cases are known when some very short excerpts (one or two bayts, or even one mesrā') from the popular verses of classical Iranian poets (such as Sana'i, Sa'di, Hafez, etc.) are inscribed on royal seals. The correct identification and attribution of such poetical quotations is worth attention of researchers interested not only in the classical Persian poetry, but also in Persianate epigraphy and sigillography of the early modern and modern times.
1841-1904), one of the most outstanding Western traveller-explorers of the 19th century, visited ... more 1841-1904), one of the most outstanding Western traveller-explorers of the 19th century, visited Iran in May-July 1870, during his first major expedition from Europe to Central Africa (via Transcaucasia and Iran). After a brief stay in Tehran, Stanley the traveller (than a special correspondent of the New York Herald newspaper) visited Isfahan, Shiraz, Bushire, and some other places, including the ancient Persepolis where he left a short commemorative inscription. This inscription -as it appears from its photograph taken recently (in May 2005) -is still well preserved. It represents Stanley's autograph (in three lines, with the date '1870'), inscribed by him on the
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