The sixteenth-century Florentine philologist Vincenzo Borghini provides a model for our own exami... more The sixteenth-century Florentine philologist Vincenzo Borghini provides a model for our own examination of the influence of print as we consider the challenges, opportunities and responsibilities of producing digital editions and archives. Briefly examining several emended passages in the 1573 expurgated edition of Boccaccio's Decameron, the essay turns to Borghini's reliance in his 1574 Annotationi on his extensive studies of fourteenth-century Italian vernacular in manuscripts and their contrasts with the printed editions of his own day often edited-he fears-simply to sell books. Turning from Borghini's skepticism to his own editorial work for the 2003-2004 facsimile and commentary, the author reflects upon the failures of his own edition for the print medium and how they led to the founding and development of the Petrarchive's rich-text edition and commentary. Reflecting on two examples of the representation of the use of space in Petrarch's medieval holograph possible only in a born-digital edition, the essay concludes its brief demonstration of the deep structuring of print in philological thinking as we develop new strategies for digital philology.
Presentation materials are not available for this presentation.The PetrArchive is a new digital a... more Presentation materials are not available for this presentation.The PetrArchive is a new digital archive and “rich text” edition of Francesco Petrarca’s iconic fourteenth-century songbook Rerum vulgarium fragmenta (Rvf; Canzoniere). A primary goal of the PetrArchive is to document, investigate and illustrate the graphic codes and structures—especially the “visual poetics”—of the work. Our paper will discuss and demonstrate specifically the broad issue of indexicality in the context of the digital editing and encoding practices and strategies adopted and exploited in pursuit of this goal. The Rvf is both in its manuscript tradition and our new edition a highly indexed and indexable book. An index often contains a list of words, subjects, titles and addresses, as well as pointers and locations of references. These lists and addresses provide a representation, map, or model of a document. A comprehensive, hierarchical, multifaceted index to, for instance, a large edition of letters is of tremendous practical value as a guide through the collection. An index may also be a remarkable work in itself as a structured conceptual model of the contents of a collection. Often indexical structures are embedded in the document as we find in the Bible and other religious texts, with book titles, chapter and verse numbers, and cross-references embedded throughout the text. Petrarch’s adherence in his model holograph MS Vatican Latino 3195 to his 31-line graphic canvas and his designs of various combinations of verse forms to fill that canvas generate, among other things, a visual index to the document, with the textual and graphic shapes of the manuscript serving as a visual map of genre and generic juxtaposition. Our project will build a graphic representation, or visualization, of the manuscript that will allow readers to browse and scan—by shape and structure—the distribution, combination, and juxtaposition of genre and form throughout the manuscript. Another aspect of our visual and schematic indices to the edition will be the animation of Petrarch’s own poetics of erasure and transcription, through which he revises his texts but also deforms the patterns of his own indexical practices to highlight the importance of the work’s visual-poetic structuring. We will demonstrate an example of this deformation in our animation of the canzone Quel’ antiquo mio dolce empio signore (Rvf 360). In his own holograph MS, by then a service copy, Petrarch is forced to abandon his ideal layout for the prosodic form of the canzone. Only in subsequent MSS will the canzone revert to its ideal, authorial form not in the author’s hand. Our representation will allow readers to view the poem morphing from one layout to the other, requiring the encoding of both the actual and ideal layout in the document and the interpretation of those codes in the digital design and publishing layers of the edition. Beyond their instant utility in allowing users an overview of the design of individual MS pages and of the Rvf’s complex system of combining forms, these indices reconfigure the equally complex layers of indexical structures inherent in a scholarly edition
... Teodolinda Barolini is Lorenzo Da Ponte Professor of Italian at Columbia University. ... dal ... more ... Teodolinda Barolini is Lorenzo Da Ponte Professor of Italian at Columbia University. ... dal copista al tipografo, 1989), the latter essay substantially revised and expanded for the Commentary volume (with essays also by Gino Belloni, Wayne Storey, and Stefano Zamponi) of the ...
L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzion... more L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzione e diffusione del testo letterario, quanto la relativa prassi editoriale. Nonostante ciò, le questioni di fondo che pone la filologia conservano tutta la loro importanza: la volontà d'autore, la conservazione dei documenti, le modalità di pubblicazione sono sempre al centro di un dibattito particolarmente vivace Oltreoceano. Con una selezione degli autori più influenti, questo libro intende offrire un'introduzione alle principali questioni poste dalle varie forme della testualità digitale e dalla circolazione dei testi letterari nel mondo attuale. Aspetti quali la digitalizzazione di massa, le nuove dinamiche di lettura, l'obsolescenza dei supporti digitali e le nuove forme di didattica e ricerca collaborativa sono solo alcuni dei temi affrontati dai capitoli di questo libro, in gran parte pubblicati negli ultimi vent'anni. Michelangelo Zaccarello insegna Filologia italiana presso l'Università di Pisa, dopo vari anni di docenza tra Dublino, Oxford e Verona. È autore di saggi e volumi pubblicati in Italia e all'estero, di varie edizioni critiche e di un manuale di Filologia italiana (L'edizione critica del testo letterario, Mondadori 2017). Premessa. Introduzione. La svolta digitale nelle pratiche di lettura e studio della letteratura di M. Zaccarello 1. Il testo "sociale" fra volontà d'autore e pubblico di J. J. McGann 2. Le nuove dinamiche di edizione e lettura nell'era digitale di S. Hockey 3. L'edizione come "cantiere" testuale: conservazione, edizione, restauro di P. Eggert 4. La svolta digitale e lo studio della letteratura nel nuovo contesto di P. Shillingsburg 5. La letteratura born digital: gli scrittori e il Word Processor di M. Kirschenbaum 6. Dal cartaceo al "digitale di massa": biblioteche virtuali, diritto d'autore e il caso Google Books di M. Borghi, S. Karapapa 7. Il contesto "collaborativo" degli studi letterari e la dimensione "sociale" delle edizioni scientifiche di P. Robinson 8. Quantità e qualità dei testi online: il problema della digitalizzazione di massa di D. Kichuk 9. La conservazione nel contesto digitale: quale protocollo di qualità per le biblioteche virtuali? di P. Conway 10. Ritorno alla filologia: la memoria del testo letterario nel contesto digitale di J. J. McGann
Unlike many characters of the, Landolfo Rufolo is voiceless. This essay examines the transfer of ... more Unlike many characters of the, Landolfo Rufolo is voiceless. This essay examines the transfer of narrative and rhetorical authority to the narrator of the story, Lauretta, and her appropriation and correction of mercantile ethics summed up in Boccaccio’s own narrative selection betweenandin his late holograph MS Hamilton 90.
Il metodo di Wilkins Per chi si occupa di critica testuale, dunque, il volume di Wilkins &amp... more Il metodo di Wilkins Per chi si occupa di critica testuale, dunque, il volume di Wilkins & un invito a fare delle verifiche, che fornisce anche spunti e temi per rifles-sioni metodologiche. The Making of the Canzoniere and Other Petrarchan Studies e fondato su dati empirici, per lo pii ...
Decameron II 4: the Matrices of Voice alf apologizing for a story whose ending could not reach th... more Decameron II 4: the Matrices of Voice alf apologizing for a story whose ending could not reach the wondrous turn of events in Pampinea's preceding tale, Lauretta narrates the adventure story of Landolfo Rufolo. This short tale lends itself to schematic summary. Landolfo, a merchant from Ravello on the Amalfi coast, sinks his already considerable capital into a shipload of cargo which is oversupplied at market. Landolfo is financially ruined and turns to piracy to recuperate his losses and possibly regain his fortune. A year later, he has doubled his original wealth. Fortune has been even kinder to him as a pirate than as a merchant. His wealth and good name restored, Landolfo decides to get out of piracy while the "getting is good" and sets sail for Ravello with his gains. Taking refuge against a harsh sea, Landolfo's ship is blocked in a cove by two Genoese ships. Landolfo is taken prisoner and barely left with the clothes on his back. However, the Genoese ship on which he is held is wrecked in a storm. Landolfo survives in the open sea by clinging first to a plank and then to a chest. Finally washed ashore on the island of Corfù, Landolfo is rescued by a woman who nurses the ex-pirate back to health. Once he discovers a cache of precious jewels in the chest which saved his life at sea, Landolfo prudently disguises them and sets off for Italy, making his way first to Brindisi and then, hugging the coast, to Trani. In Trani, Landolfo tells his adventures-except the discovery of the chest's contents-to some cloth makers and is reclothed and sent on his way home on horseback. Returning safely to Ravello, Landolfo sells the gems, more than doubling his original wealth. He then repays the generosity of the woman in Corfù and the cloth makers in Trani and settles down to a life in Ravello without anymore seafaring and risky venture capitalism. The narrative lines and presentation of Landolfo's adventurous tale of reversals of fortune are simple. Planning to increase his wealth, the merchant is ruined by the wheel of Fortune's turns. Only when he has been reduced practically to an inhuman form, the "sponge of a creature" attached to a chest washing up on the shore, does Fortune smile on him. Yet unlike the restlessly adventuresome hero Ulysses, after his return to Ravello, this H
It is in these days of March 2006 that an extraordinary donation from Bruce Kovner, of Caxton Ass... more It is in these days of March 2006 that an extraordinary donation from Bruce Kovner, of Caxton Associates and the Chairman of the Board of The Juilliard School of Music, has been highlighted in any number of sources, from National Public Radio to internet blogs and the New York ...
The twenty-five original essays in this remarkable book constitute both a state of the art survey... more The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world's great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why-and how-do we read Dante in today's global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante's texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuli...
The sixteenth-century Florentine philologist Vincenzo Borghini provides a model for our own exami... more The sixteenth-century Florentine philologist Vincenzo Borghini provides a model for our own examination of the influence of print as we consider the challenges, opportunities and responsibilities of producing digital editions and archives. Briefly examining several emended passages in the 1573 expurgated edition of Boccaccio's Decameron, the essay turns to Borghini's reliance in his 1574 Annotationi on his extensive studies of fourteenth-century Italian vernacular in manuscripts and their contrasts with the printed editions of his own day often edited-he fears-simply to sell books. Turning from Borghini's skepticism to his own editorial work for the 2003-2004 facsimile and commentary, the author reflects upon the failures of his own edition for the print medium and how they led to the founding and development of the Petrarchive's rich-text edition and commentary. Reflecting on two examples of the representation of the use of space in Petrarch's medieval holograph possible only in a born-digital edition, the essay concludes its brief demonstration of the deep structuring of print in philological thinking as we develop new strategies for digital philology.
Presentation materials are not available for this presentation.The PetrArchive is a new digital a... more Presentation materials are not available for this presentation.The PetrArchive is a new digital archive and “rich text” edition of Francesco Petrarca’s iconic fourteenth-century songbook Rerum vulgarium fragmenta (Rvf; Canzoniere). A primary goal of the PetrArchive is to document, investigate and illustrate the graphic codes and structures—especially the “visual poetics”—of the work. Our paper will discuss and demonstrate specifically the broad issue of indexicality in the context of the digital editing and encoding practices and strategies adopted and exploited in pursuit of this goal. The Rvf is both in its manuscript tradition and our new edition a highly indexed and indexable book. An index often contains a list of words, subjects, titles and addresses, as well as pointers and locations of references. These lists and addresses provide a representation, map, or model of a document. A comprehensive, hierarchical, multifaceted index to, for instance, a large edition of letters is of tremendous practical value as a guide through the collection. An index may also be a remarkable work in itself as a structured conceptual model of the contents of a collection. Often indexical structures are embedded in the document as we find in the Bible and other religious texts, with book titles, chapter and verse numbers, and cross-references embedded throughout the text. Petrarch’s adherence in his model holograph MS Vatican Latino 3195 to his 31-line graphic canvas and his designs of various combinations of verse forms to fill that canvas generate, among other things, a visual index to the document, with the textual and graphic shapes of the manuscript serving as a visual map of genre and generic juxtaposition. Our project will build a graphic representation, or visualization, of the manuscript that will allow readers to browse and scan—by shape and structure—the distribution, combination, and juxtaposition of genre and form throughout the manuscript. Another aspect of our visual and schematic indices to the edition will be the animation of Petrarch’s own poetics of erasure and transcription, through which he revises his texts but also deforms the patterns of his own indexical practices to highlight the importance of the work’s visual-poetic structuring. We will demonstrate an example of this deformation in our animation of the canzone Quel’ antiquo mio dolce empio signore (Rvf 360). In his own holograph MS, by then a service copy, Petrarch is forced to abandon his ideal layout for the prosodic form of the canzone. Only in subsequent MSS will the canzone revert to its ideal, authorial form not in the author’s hand. Our representation will allow readers to view the poem morphing from one layout to the other, requiring the encoding of both the actual and ideal layout in the document and the interpretation of those codes in the digital design and publishing layers of the edition. Beyond their instant utility in allowing users an overview of the design of individual MS pages and of the Rvf’s complex system of combining forms, these indices reconfigure the equally complex layers of indexical structures inherent in a scholarly edition
... Teodolinda Barolini is Lorenzo Da Ponte Professor of Italian at Columbia University. ... dal ... more ... Teodolinda Barolini is Lorenzo Da Ponte Professor of Italian at Columbia University. ... dal copista al tipografo, 1989), the latter essay substantially revised and expanded for the Commentary volume (with essays also by Gino Belloni, Wayne Storey, and Stefano Zamponi) of the ...
L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzion... more L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzione e diffusione del testo letterario, quanto la relativa prassi editoriale. Nonostante ciò, le questioni di fondo che pone la filologia conservano tutta la loro importanza: la volontà d'autore, la conservazione dei documenti, le modalità di pubblicazione sono sempre al centro di un dibattito particolarmente vivace Oltreoceano. Con una selezione degli autori più influenti, questo libro intende offrire un'introduzione alle principali questioni poste dalle varie forme della testualità digitale e dalla circolazione dei testi letterari nel mondo attuale. Aspetti quali la digitalizzazione di massa, le nuove dinamiche di lettura, l'obsolescenza dei supporti digitali e le nuove forme di didattica e ricerca collaborativa sono solo alcuni dei temi affrontati dai capitoli di questo libro, in gran parte pubblicati negli ultimi vent'anni. Michelangelo Zaccarello insegna Filologia italiana presso l'Università di Pisa, dopo vari anni di docenza tra Dublino, Oxford e Verona. È autore di saggi e volumi pubblicati in Italia e all'estero, di varie edizioni critiche e di un manuale di Filologia italiana (L'edizione critica del testo letterario, Mondadori 2017). Premessa. Introduzione. La svolta digitale nelle pratiche di lettura e studio della letteratura di M. Zaccarello 1. Il testo "sociale" fra volontà d'autore e pubblico di J. J. McGann 2. Le nuove dinamiche di edizione e lettura nell'era digitale di S. Hockey 3. L'edizione come "cantiere" testuale: conservazione, edizione, restauro di P. Eggert 4. La svolta digitale e lo studio della letteratura nel nuovo contesto di P. Shillingsburg 5. La letteratura born digital: gli scrittori e il Word Processor di M. Kirschenbaum 6. Dal cartaceo al "digitale di massa": biblioteche virtuali, diritto d'autore e il caso Google Books di M. Borghi, S. Karapapa 7. Il contesto "collaborativo" degli studi letterari e la dimensione "sociale" delle edizioni scientifiche di P. Robinson 8. Quantità e qualità dei testi online: il problema della digitalizzazione di massa di D. Kichuk 9. La conservazione nel contesto digitale: quale protocollo di qualità per le biblioteche virtuali? di P. Conway 10. Ritorno alla filologia: la memoria del testo letterario nel contesto digitale di J. J. McGann
Unlike many characters of the, Landolfo Rufolo is voiceless. This essay examines the transfer of ... more Unlike many characters of the, Landolfo Rufolo is voiceless. This essay examines the transfer of narrative and rhetorical authority to the narrator of the story, Lauretta, and her appropriation and correction of mercantile ethics summed up in Boccaccio’s own narrative selection betweenandin his late holograph MS Hamilton 90.
Il metodo di Wilkins Per chi si occupa di critica testuale, dunque, il volume di Wilkins &amp... more Il metodo di Wilkins Per chi si occupa di critica testuale, dunque, il volume di Wilkins & un invito a fare delle verifiche, che fornisce anche spunti e temi per rifles-sioni metodologiche. The Making of the Canzoniere and Other Petrarchan Studies e fondato su dati empirici, per lo pii ...
Decameron II 4: the Matrices of Voice alf apologizing for a story whose ending could not reach th... more Decameron II 4: the Matrices of Voice alf apologizing for a story whose ending could not reach the wondrous turn of events in Pampinea's preceding tale, Lauretta narrates the adventure story of Landolfo Rufolo. This short tale lends itself to schematic summary. Landolfo, a merchant from Ravello on the Amalfi coast, sinks his already considerable capital into a shipload of cargo which is oversupplied at market. Landolfo is financially ruined and turns to piracy to recuperate his losses and possibly regain his fortune. A year later, he has doubled his original wealth. Fortune has been even kinder to him as a pirate than as a merchant. His wealth and good name restored, Landolfo decides to get out of piracy while the "getting is good" and sets sail for Ravello with his gains. Taking refuge against a harsh sea, Landolfo's ship is blocked in a cove by two Genoese ships. Landolfo is taken prisoner and barely left with the clothes on his back. However, the Genoese ship on which he is held is wrecked in a storm. Landolfo survives in the open sea by clinging first to a plank and then to a chest. Finally washed ashore on the island of Corfù, Landolfo is rescued by a woman who nurses the ex-pirate back to health. Once he discovers a cache of precious jewels in the chest which saved his life at sea, Landolfo prudently disguises them and sets off for Italy, making his way first to Brindisi and then, hugging the coast, to Trani. In Trani, Landolfo tells his adventures-except the discovery of the chest's contents-to some cloth makers and is reclothed and sent on his way home on horseback. Returning safely to Ravello, Landolfo sells the gems, more than doubling his original wealth. He then repays the generosity of the woman in Corfù and the cloth makers in Trani and settles down to a life in Ravello without anymore seafaring and risky venture capitalism. The narrative lines and presentation of Landolfo's adventurous tale of reversals of fortune are simple. Planning to increase his wealth, the merchant is ruined by the wheel of Fortune's turns. Only when he has been reduced practically to an inhuman form, the "sponge of a creature" attached to a chest washing up on the shore, does Fortune smile on him. Yet unlike the restlessly adventuresome hero Ulysses, after his return to Ravello, this H
It is in these days of March 2006 that an extraordinary donation from Bruce Kovner, of Caxton Ass... more It is in these days of March 2006 that an extraordinary donation from Bruce Kovner, of Caxton Associates and the Chairman of the Board of The Juilliard School of Music, has been highlighted in any number of sources, from National Public Radio to internet blogs and the New York ...
The twenty-five original essays in this remarkable book constitute both a state of the art survey... more The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world's great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why-and how-do we read Dante in today's global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante's texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuli...
L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzione e diff... more L'avvento del mezzo digitale ha profondamente trasformato tanto le dinamiche di produzione e diffusione del testo letterario, quanto la relativa prassi editoriale. Nonostante ciò, le questioni di fondo che pone la filologia conservano tutta la loro importanza: la volontà d'autore, la conservazione dei documenti, le modalità di pubblicazione sono sempre al centro di un dibattito particolarmente vivace Oltreoceano. Con una selezione degli autori più influenti, questo libro intende offrire un'introduzione alle principali questioni poste dalle varie forme della testualità digitale e dalla circolazione dei testi letterari nel mondo attuale. Aspetti quali la digitalizzazione di massa, le nuove dinamiche di lettura, l'obsolescenza dei supporti digitali e le nuove forme di didattica e ricerca collaborativa sono solo alcuni dei temi affrontati dai capitoli di questo libro, in gran parte pubblicati negli ultimi vent'anni.
Michelangelo Zaccarello insegna Filologia italiana presso l'Università di Pisa, dopo vari anni di docenza tra Dublino, Oxford e Verona. È autore di saggi e volumi pubblicati in Italia e all'estero, di varie edizioni critiche e di un manuale di Filologia italiana (L'edizione critica del testo letterario, Mondadori 2017).
Premessa. Introduzione. La svolta digitale nelle pratiche di lettura e studio della letteratura di M. Zaccarello 1. Il testo "sociale" fra volontà d'autore e pubblico di J. J. McGann 2. Le nuove dinamiche di edizione e lettura nell'era digitale di S. Hockey 3. L'edizione come "cantiere" testuale: conservazione, edizione, restauro di P. Eggert 4. La svolta digitale e lo studio della letteratura nel nuovo contesto di P. Shillingsburg 5. La letteratura born digital: gli scrittori e il Word Processor di M. Kirschenbaum 6. Dal cartaceo al "digitale di massa": biblioteche virtuali, diritto d'autore e il caso Google Books di M. Borghi, S. Karapapa 7. Il contesto "collaborativo" degli studi letterari e la dimensione "sociale" delle edizioni scientifiche di P. Robinson 8. Quantità e qualità dei testi online: il problema della digitalizzazione di massa di D. Kichuk 9. La conservazione nel contesto digitale: quale protocollo di qualità per le biblioteche virtuali? di P. Conway 10. Ritorno alla filologia: la memoria del testo letterario nel contesto digitale di J. J. McGann
This volume will help instructors lead their students through the many dimensions—historical, lit... more This volume will help instructors lead their students through the many dimensions—historical, literary, religious, and ethical—of Dante’s difficult and rewarding Divine Comedy. An overview of the important scholarship is provided, along with ways of teaching the work through its contemporary culture and ours. Various teaching situations are considered, an updated bibliography is offered, and many available translations are discussed.
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Michelangelo Zaccarello insegna Filologia italiana presso l'Università di Pisa, dopo vari anni di docenza tra Dublino, Oxford e Verona. È autore di saggi e volumi pubblicati in Italia e all'estero, di varie edizioni critiche e di un manuale di Filologia italiana (L'edizione critica del testo letterario, Mondadori 2017).
Premessa. Introduzione. La svolta digitale nelle pratiche di lettura e studio della letteratura di M. Zaccarello 1. Il testo "sociale" fra volontà d'autore e pubblico di J. J. McGann 2. Le nuove dinamiche di edizione e lettura nell'era digitale di S. Hockey 3. L'edizione come "cantiere" testuale: conservazione, edizione, restauro di P. Eggert 4. La svolta digitale e lo studio della letteratura nel nuovo contesto di P. Shillingsburg 5. La letteratura born digital: gli scrittori e il Word Processor di M. Kirschenbaum 6. Dal cartaceo al "digitale di massa": biblioteche virtuali, diritto d'autore e il caso Google Books di M. Borghi, S. Karapapa 7. Il contesto "collaborativo" degli studi letterari e la dimensione "sociale" delle edizioni scientifiche di P. Robinson 8. Quantità e qualità dei testi online: il problema della digitalizzazione di massa di D. Kichuk 9. La conservazione nel contesto digitale: quale protocollo di qualità per le biblioteche virtuali? di P. Conway 10. Ritorno alla filologia: la memoria del testo letterario nel contesto digitale di J. J. McGann