Biutiful
Biutiful | |
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File:Biutiful (2010 movie poster).jpg
Theatrical release poster
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Directed by | Alejandro González Iñárritu |
Produced by |
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Screenplay by |
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Story by | Alejandro González Iñárritu |
Starring |
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Music by | Gustavo Santaolalla |
Cinematography | Rodrigo Prieto |
Edited by | Stephen Mirrione |
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Release dates
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Running time
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147 minutes[2] |
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Language |
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Budget | $35 million[3] |
Box office | $24.7 million[3] |
Biutiful is a 2010 psychological drama film directed, produced and co-written by Alejandro González Iñárritu and starring Javier Bardem. This film was González Iñárritu's first feature since Babel (2006) and fourth overall, and his first film in his native Spanish language since his debut feature Amores perros (2000).
The film was nominated for two Academy Awards in 2011: Best Foreign Language and Best Actor for Javier Bardem; his nomination was the first entirely Spanish-language performance to be nominated for the award. Bardem also received the Best Actor Award at Cannes for his work on the film.
The title Biutiful is in reference to the phonetic spelling in Spanish of the English word beautiful.
Contents
Plot
Uxbal lives in a shabby apartment in Barcelona with his two young children, Ana and Mateo. He is separated from their mother Marambra, who is a woman suffering from alcoholism and bipolar disorder and works as a prostitute. Having grown up an orphan, Uxbal has no family other than his wealthier brother Tito, who works in the construction business (and sometimes solicits the services of Marambra). Uxbal earns a living by procuring work for illegal immigrants, a group of Chinese who make forged designer goods which a group of African street vendors then sell. He is a psychic medium to the dead and is sometimes paid for passing on messages from the recently deceased at wakes and funerals. When he is diagnosed with terminal prostate cancer leaving him with only a few months to live, his world progressively falls apart.
Uxbal initially begins chemotherapy, but he later ends the treatment at the advice of his friend and alternative healer Bea. She also gives him two black stones which she asks him to give his children before he dies. The group of Africans are brutally arrested by the police, despite Uxbal's regular payment of bribes, because they also deal in drugs. When one of them is deported back to Senegal, Uxbal offers his wife Ige and baby son a room in his apartment. Meanwhile, an attempt at reconciliation with Marambra fails when Uxbal realizes she cannot be trusted to look after their children. As the Chinese are out of work, Tito brokers a deal to get them employed at a construction site. However, almost all of them die in the night from carbon monoxide poisoning, as the cheap gas heaters Uxbal bought in an effort to help were not safe. An attempt by a human trafficker to dump the bodies into the sea fails when they are washed up on the shore shortly after, causing a media sensation.
As Uxbal's health continues to deteriorate, he is plagued with guilt that he is responsible for the expulsion of the Senegalese and the death of the Chinese. With his death drawing nearer, he realizes that there will be nobody to take care of Ana and Mateo once he is gone. He entrusts the remainder of his savings to Ige, asking her to stay with the children after his death. She accepts his request but later decides to use the money to return to Africa. At the apartment, Uxbal sees Ige's silhouette behind the bathroom door and hears her voice saying she has returned. Uxbal lies down next to Ana and, after having passed on to her a diamond ring which his father had once given to his mother, he dies. In a snowy winter landscape he is reunited with his father, who had died before Uxbal's birth shortly after having fled Francoist Spain for Mexico.
The ending of this film has led to a great deal of speculation; we know that Uxbal often has visions, and is on powerful drugs due to his Chemotherapy. As Ige's return is only shown in silhouette, many have theorized that she is simply a hallucination, and did in fact leave for Senegal with the remainder of Uxbal's savings. An even darker theory is that she in fact was murdered--she was, after all, walking around with a great deal of cash in a very unsafe area. She is in fact never shown again after that scene, although Uxbal leaves his room to talk to his daughter Ana before he passes. While many have stated that that interpretation is too bleak, the unrelenting grimness of this film makes this theory a grim possibility.
Production
Biutiful was produced in both Spain and Mexico. The film is produced by Menageatroz, Mod Producciones, Focus Features, Television Espanola, Televisió de Catalunya, Ikiru Films, and Cha Cha Cha Films. Individual producers of the film include Alejandro González Iñárritu, Jon Kilik, Fernando Bovaira, Ann Ruark, and Sandra Hermida. The writers of the film include Alejandro González Iñárritu, Armando Bó Jr, and Nicolás Giacobone.
The film's model, Akira Kurosawa's Ikiru, is described as a similar structure and morale in The Guardian's article by Philip French. French writes, "the way a middle-aged Japanese civil servant reacts to the news that he has terminal cancer – and transformed it into a profound statement about the human condition."[4]
Cast
- Javier Bardem as Uxbal
- Luo Jin as Li Wei
- Maricel Álvarez as Marambra
- Hanaa Bouchaib as Ana
- Guillermo Estrella as Mateo
- Diaryatou Daff as Ige
- Taishen Cheng as Hai
- Nasser Saleh as Muchacho
Reception
Critical reception
Lua error in package.lua at line 80: module 'strict' not found. Review aggregator website Rotten Tomatoes reports an approval rating of 66% based on 155 reviews, with an average rating of 6.43/10. The site's critical consensus reads, "Javier Bardem's searing performance helps to elevate Biutiful, as does Alejandro González Iñárritu's craftsmanship, but the film often lapses into contrivance and grimness."[5] On Metacritic the film has a weighted average score of 58 out of 100, based on 33 critics, indicating "mixed or average reviews".[6]
Kirk Honeycutt of The Hollywood Reporter calls the film, "a gorgeous melancholy tone poem about love, fatherhood and guilt", and describes Bardem’s performance as "...a knockout."[7] Betsy Sharkey of the Los Angeles Times wrote, "Bardem gives a performance of staggering depth, unquestionably one of the year’s best."[8]
Some dismissed the story as too bleak; Justin Chang of Variety wrote Iñárritu is "...stuck in a grim rut."[9]
Box office
Biutiful grossed $5.1 million in North America and $19.6 million overseas for a worldwide total of $24.7 million, against a production budget of $35 million.[3]
Awards
The film competed for the Palme d'Or at the 2010 Cannes Film Festival. It premiered at Cannes on 17 May 2010,[10] with Bardem winning for Best Actor, an award shared with Elio Germano for La Nostra Vita.[11] On 17 December 2010, the film was named Best Foreign Language Film of 2010 at the 17th Dallas–Fort Worth Film Critics Association Awards.[12][13]
On 25 January 2011, the film was nominated for the Best Foreign Language Film at the 83rd Academy Awards while Javier Bardem received a nomination for Best Actor.[14] The film was also nominated for the 64th British Academy Film Awards for Best Film Not in the English Language, while Javier Bardem was nominated for Best Actor. Biutiful received eight nominations for the 25th Goya Awards; Best Actor for Javier Bardem, Best Supporting Actor for Eduard Fernández, Best Supporting Actress for Ana Wagener, Best Original Screenplay for Alejandro González Iñárritu, Armando Bó Jr. and Nicolás Giacobone, Best Cinematography for Rodrigo Prieto, Best Editing for Stephen Mirrione, Best Art Direction for Brigitte Broch and Best Original Score for Gustavo Santaolalla.
The film was also nominated at the 16th Critics' Choice Award for Best Foreign Language Film and the 68th Golden Globe Awards for Best Foreign Film, but lost to The Girl with the Dragon Tattoo and In a Better World, respectively.
Award | Date of ceremony | Category | Recipient(s) | Result |
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Academy Awards[14] | 27 February 2011 | Best Actor | Javier Bardem | Nominated |
Best Foreign Language Film | Mexico | Nominated | ||
British Academy Film Awards[15] | 13 February 2011 | Best Leading Actor | Javier Bardem | Nominated |
Best Foreign Language Film | Nominated | |||
Goya Awards | Best Actor | Javier Bardem | Won | |
Best Supporting Actor | Eduard Fernández | Nominated | ||
Best Supporting Actress | Ana Wagener | Nominated | ||
Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
Best Cinematography | Rodrigo Prieto | Nominated | ||
Best Editing | Stephen Mirrione | Nominated | ||
Best Art Direction | Brigitte Broch | Nominated | ||
Best Original Score | Gustavo Santaolalla | Nominated | ||
Denver Film Critics Society | 28 January 2011 | Best Foreign Language Film | Nominated | |
Golden Globe Awards[16] | 16 January 2011 | Best Foreign Language Film | Nominated | |
Phoenix Film Critics Society Awards[17] | 28 December 2010 | Best Foreign Language Film | Won | |
Utah Film Critics Association Awards | 23 December 2010 | Best Foreign Language Film | Nominated | |
Chicago Film Critics Association Awards[18] | 20 December 2010 | Best Foreign Language Film | Nominated | |
St. Louis Gateway Film Critics Association Awards | Best Actor | Javier Bardem | Nominated | |
Best Foreign Language Film | Nominated | |||
Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
Satellite Awards[19] | 19 December 2010 | Best Actor | Javier Bardem | Nominated |
Best Foreign Language Film | Nominated | |||
Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
Houston Film Critics Society Awards | 18 December 2010 | Best Foreign Language Film | Nominated | |
Dallas–Fort Worth Film Critics Association Awards[12] | 17 December 2010 | Best Foreign Language Film | Won | |
Las Vegas Film Critics Society Awards[20] | 16 December 2010 | Best Foreign Language Film | Nominated | |
San Diego Film Critics Society Awards[21] | 14 December 2010 | Best Foreign Language Film | Nominated | |
Critics' Choice Award | Best Foreign Language Film | Nominated | ||
Southeastern Film Critics Association Awards | 13 December 2010 | Best Foreign Language Film | Nominated | |
Indiana Film Critics Association | 12 December 2010 | Best Foreign Language Film | Nominated | |
Washington D. C. Area Film Critics Association Awards[22] | 6 December 2010 | Best Foreign Language Film | Won | |
Cannes Film Festival | 23 May 2010 | Best Actor | Javier Bardem | Won |
Palme d'Or | Nominated |
See also
- List of submissions to the 83rd Academy Awards for Best Foreign Language Film
- List of Mexican submissions for the Academy Award for Best Foreign Language Film
References
- ↑ 1.0 1.1 Biutiful at Box Office Mojo
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External links
- Official website
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). Biutiful at IMDb
- Biutiful at Box Office Mojo
- Biutiful at Rotten Tomatoes
- Biutiful at Metacritic
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- Use dmy dates from May 2013
- Pages with broken file links
- 2010 films
- Official website not in Wikidata
- 2010 drama films
- Mexican films
- Mexican drama films
- Spanish films
- Spanish drama films
- Spanish-language films
- Chinese-language films
- Wolof-language films
- Films directed by Alejandro González Iñárritu
- Films with screenplays by Alejandro González Iñárritu
- Films about cancer
- Films about immigration
- Films set in Barcelona
- Films shot in Barcelona
- Films shot in Spain
- Cha Cha Cha Films films
- Films about dysfunctional families
- Roadside Attractions films
- Films scored by Gustavo Santaolalla
- Films produced by Edmon Roch
- 2010 multilingual films
- Mexican multilingual films
- Spanish multilingual films