El Monstruo resucitado

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El Monstruo Resucitado
Directed by Chano Urueta
Produced by Sergio Kogan Abel Salazar
Written by Arduino Maiuri (story), Chano Urueta
Starring Miroslava
Carlos Navarro
José María Linares-Rivas
Fernando Wagner
Alberto Mariscal
Stefan Berne
Music by Raúl Lavista
Cinematography Víctor Herrera
Edited by Jorge Bustos
Production
company
Distributed by Azteca Films Inc.
Release dates
1953
Running time
85 min
Country Mexico
Language Spanish

El Monstruo Resucitado ("The Revived Monster") is a 1953 Mexican horror film directed by Chano Urueta.

Plot

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Cast

  • Miroslava ... Nora
  • Carlos Navarro ... Ariel / Serguei Rostov
  • José María Linares-Rivas ... Hermann Ling
  • Fernando Wagner ... Gherásimos
  • Alberto Mariscal ... Mischa
  • Stefan Berne ... Crommer

Production

Lua error in package.lua at line 80: module 'strict' not found. The film was one in a string of films in Mexican Cinema that attempted to imitate famous films produced by Universal Studios. El Monstruo Resucitado itself was partially inspired by Universal's Frankenstein and was one of several films in Mexican Cinema that were based on Universal Studios' 1931 film.[1][2] Another film Fernando Méndez's 1956 film Ladrón de Cadáveres which was also partially based on Universal Studios' Frankenstein, was one of several Mexican films which also included El vampiro (based on Universal's Dracula) also directed by Mendez had brought about the Golden Age of horror and Fantasy films in Mexican Cinema, El Monstruo being one of the many films that were spawned by Ladrón's and El Vampiro's critical and financial success.[3][4]

Release

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Reception

Lua error in package.lua at line 80: module 'strict' not found. The film received mixed to positive reviews upon its release, it currently has a 5.5/10 on IMDb.[5] It has been considered by some to be one of the best horror films in Mexican Cinema[2] with some critics praising its atmosphere[6] Glenn Erickson of DVD Talk.com gave the film a positive review stating that the "camera direction kept pace with the 'theatrical delirium' of the performances by evoking the expressionist angles and lighting of Universal films". Erickson also praised the film's cinematography, atmosphere, art direction, and designs.[7]

Legacy

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References

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External links


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