Everybody Sing (1938 film)

This article is about the 1938 film by Edwin L. Marin. For the Philippine game show, see Everybody, Sing!.

Everybody Sing
File:Everybody Sing poster.JPG Theatrical release poster
Directed by	Edwin L. Marin
Produced by	Harry Rapf
Written by	Add'l dialogue: James Gruen Milton Merlin (uncredited) Contributing: Bert Kalmar (uncredited) Harry Ruby (uncredited) Dalton Trumbo (uncredited)
Screenplay by	Florence Ryerson Edgar Allan Woolf
Story by	Florence Ryerson Edgar Allan Woolf
Starring	Allan Jones Judy Garland Fanny Brice
Music by	{see article}
Cinematography	Joseph Ruttenberg
Edited by	William S. Gray
Production company	Metro-Goldwyn-Mayer
Distributed by	Loew's Inc.
Release dates	February 4, 1938 (1938-02-04)
Running time	80 or 91 minutes
Country	United States
Language	English
Budget	$795,000
Box office	$1,003,000

Everybody Sing is a 1938 American musical comedy film starring Allan Jones, Judy Garland, and Fanny Brice, and featuring Reginald Owen and Billie Burke. The film was a significant step in Garland's career.

Plot

Young Judy Bellaire (Judy Garland) has trouble fitting in at school, causing trouble by introducing her jazzy style into music class and being expelled as a result. Returning home to her dysfunctional and financially challenged family, where her frustrated playwright-father (Reginald Owen), ditzy actress-mother (Billie Burke), and beautiful elder sister, Sylvia (Lynne Carver) compete for attention along with the funny Russian maid, Olga (Fanny Brice) and the hunky singing cook, Ricky (Allan Jones), who is not-so-secretly in love with Sylvia. Judy foils her father's attempt to ship her off to Europe by escaping from the ship and then trying out for a musical show as a blackface singer, taking advantage of her love of jazz to enchant the show's producer, who hires her and makes her a star of his new show. Meanwhile, Ricky cuts a record, musically expressing his love for Sylvia. Nevertheless, Sylvia is forced into engagement with another man.

When the distraught parents discover their younger daughter is appearing in a musical show, Sylvia rejoins her love, who is also appearing in the show. Finally, all the cast members are reunited, including Olga, who finds her lost love, Boris. The film's happy ending includes an extravagant stage piece with gorgeously attired chorus girls, happily reunited parents and child, and the happy kiss between Sylvia and Ricky, who is now the producer of a successful musical show.

Cast

• Allan Jones as Richard "Ricky" Saboni
• Judy Garland as Judy Bellaire
• Fanny Brice as Olga Chekaloff
• Reginald Owen as Hillary Bellaire
• Billie Burke as Diana Bellaire
• Reginald Gardiner as Jerrold Hope
• Lynne Carver as Sylvia Bellaire
• Helen Troy as Hillary's secretary
• Monty Woolley as John "Jack" Fleming
• Adia Kuznetzoff as Boris, the bus driver
• Henry Armetta as Signor Giovanni Vittorino, Cafe Nappo
• Michelette Burani as Madame Le Brouchette
• Mary Forbes as Miss Colvin

Cast notes

• Everybody Sing is the final film Allan Jones appeared in for MGM, and the first MGM contract film for Monty Woolley.

Music

In Everybody Sing, Allan Jones introduces the pop standard "The One I Love", with lyrics by Gus Kahn and music by Bronisław Kaper and Walter Jurmann. The film also includes three other songs from the same composing team: "(Down On) Melody Farm," "Swing Mr. Mendelssohn," and "The Show Must Go On". Jones also sings part of Kaper and Jurmann's hit song "Cosi-Cosa", which he introduced in the MGM film A Night at the Opera (1935). The music and lyrics for "Quainty, Dainty Me" and "Snooks (Why? Because!)" are by Bert Kalmar and Harry Ruby. The "Snooks" number is based on the character "Baby Snooks" played on Broadway and on the radio by Brice. The St. Brendan's Boys Choir, directed by Robert Mitchell, provided the singing voices for the schoolgirl chorus that backs Judy on her numbers.

The musical numbers were staged by Dave Gould, except for "Quainty, Dainty Me", which was staged by Seymour Felix; the dance director was Val Raset. Fanny Brice's dancing was doubled by Iola Cochran.

Production

Working titles for the film were "The Ugly Ducking" – a reference to Garland's character – and "Swing Fever". Principal photography took place from September 2–3, and then late September to December 21, 1937. Retakes took place January 8–10, 1938.

After a stalled career, this was one of the films marking the picking up of momentum in Judy Garland's ascent to stardom. Following the sensational audience reaction to her singing "You Made Me Love You" to a picture of Clark Gable in Broadway Melody of 1938 (1937), she was rushed into shooting two films back to back, Thoroughbreds Don't Cry (1937) and this film, which was held for later release.

According to TCM.com:

As important as the film itself in the development of Garland's career was a seven-week, seven-city promotional tour that started in Miami Beach and included stops in New York and Chicago. With Garland mentor Roger Edens accompanying her on the piano, she stepped alone for the first time onto huge stages to sing in front of adoring crowds and began to establish the audience rapport that would, in time, make her one [of] the world's greatest live entertainers.

Reception

The reviewer for Film Weekly wrote that Garland's singing put the film into the "excellent" class, and that "Anyone who stands up to Miss Brice at her own comedy game is very good indeed."

According to MGM's records the film earned $655,000 in the US and Canada and $348,000 elsewhere, resulting in an overall loss of $174,000.

External links

• Sing Everybody Sing at the American Film Institute Catalog
• Everybody Sing at IMDb
• Everybody Sing at the TCM Movie Database
• Everyone Sing at AllMovie
• Everybody Sing at the Judy Garland Database