Helen Allingham
Helen Allingham | |
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File:Helen Allingham, photograph.jpg
Helen Allingham in 1903
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Born | Helen Mary Elizabeth Paterson 26 September 1848 Swadlincote, Derbyshire, England |
Died | 28 September 1926 Haslemere, Surrey, England |
Nationality | British |
Other names | H. Paterson |
Occupation | illustrator and watercolour artist |
Spouse(s) | William Allingham (1874–1889) |
Website | Helen Allingham society |
Helen Allingham (née Helen Mary Elizabeth Paterson) (26 September 1848 – 28 September 1926) was an English watercolour painter and illustrator of the Victorian era.
Contents
Biography
Helen Mary Elizabeth Paterson was born on 26 September 1848, at Swadlincote in Derbyshire, the daughter of Alexander Henry Paterson, a medical doctor, and Mary Herford Paterson. Helen Paterson was the eldest of seven children. The family moved to Altrincham in Cheshire when she was one year old. In 1862 her father and her 3-year-old sister Isabel died of diphtheria during an epidemic. The family then moved to Birmingham, where some of Alexander Paterson's family lived.[1]
Paterson showed a talent for art from an early age, drawing some of her inspiration from her maternal grandmother Sarah Smith Herford and aunt Laura Herford, both accomplished artists of their day. Her younger sister Caroline Paterson also became a noted artist. She initially studied art for three years at the Birmingham School of Design (founded 1843). From 1867 she attended the National Art Training School in London, which had a separate division for women; her aunt Laura Herford had previously studied there. The School is presently the Royal College of Art.[2]
Career
While studying at the National Art Training School, Paterson worked as an illustrator, eventually deciding to give up her studies in favour of a full-time career in art. She painted for children's[3] and adult books, as well as for periodicals, including The Graphic newspaper. One highlight was her commission to provide twelve illustrations for the 1874 serialisation of Thomas Hardy's novel Far from the Madding Crowd in Cornhill Magazine.[4] Her illustrations from this era were signed "H. Paterson".[5] She became a lifelong friend of Kate Greenaway whom she met at evening art classes at the Slade School of Fine Art.
While Vincent Van Gogh was developing as an artist by studying English illustrated journals he was struck by Patterson's work in The Graphic.[6][7]
On 22 August 1874 she married William Allingham, Irish poet and editor of Fraser's Magazine, who was almost twice her age. After her marriage she gave up her career as an illustrator and turned to watercolour painting. In 1881 the family moved from Chelsea to Witley in Surrey. Helen started to paint the beautiful countryside around her and particularly the picturesque farmhouses and cottages of Surrey and Sussex for which she became famous. To her critics, however, despite elements of protest in 'The Condemned Cottage' for example, hers was an overly sentimental, conservative vision of the area.[8] She went on to paint rural scenes in other parts of the country – Middlesex, Kent, the Isle of Wight and the West Country – and abroad in Venice, Italy. As well as landscapes, she completed several portraits, including one of Thomas Carlyle. In 1890, she became the first woman to be admitted as a full member of the Royal Watercolour Society.
Legacy
There is a Helen Allingham Society, founded in 2000.[9] Her time in Altrincham is commemorated by blue plaques at 16 Market Street, Altrincham and at Levenhurst, St. John's Road, Bowdon.[10]
Burgh House, Hampstead, has the world's largest archive and collection of her work.[11]
Paintings
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WilliamAllingham1876.jpg
William Allingham 1876
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Allingham Helen Irish Cottage.jpg
Irish Cottage
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Helen Allingham - A Herbaceous Border.jpg
A Herbaceous Border
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Helen Allingham - Harvest Moon.jpg
Harvest Moon
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Allingham Helen A Cottage With Sunflowers At Peaslake.jpg
A Cottage With Sunflowers At Peaslake
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Helen Allingham - The Lady of the Manor.jpg
The Lady of the Manor
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Helen Allingham - Morning at the Quay Venice.jpg
Morning at the Quay in Venice
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Thomas Carlyle, historian and essayist (1795 - 1881)
Bibliography
- Illustrated by Helen Allingham
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- Paterson, Arthur Henry (1905). The homes of Tennyson (Adam & Charles Black). Paterson was Helen Allingham's brother.
- Written by Helen Allingham
- Seedtime and reaping (Samuel Tinsley, 1877).
See also
- Walter Tyndale (1855–1943), influenced by Allingham and also lived in Surrey.
- Myles Birket Foster
Notes
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- ↑ Allingham illustrated Juliana Ewing's Six to Sixteen: a story for girls (1876) and A Flat Iron for a Farthing
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- ↑ Alison Light, Mrs Woolf and the Servants (2007) p. 102
- ↑ The Helen Allingham Society
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Further reading
- Lua error in package.lua at line 80: module 'strict' not found. A recent essay on Allingham and her art.
- Lua error in package.lua at line 80: module 'strict' not found. See also Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found. New edition of Lua error in package.lua at line 80: module 'strict' not found. Taylor's recent biography of Allingham.
- Lua error in package.lua at line 80: module 'strict' not found. Reproductions of Allingham's paintings of cottages along with contemporary photographs of the same structures.
External links
Wikimedia Commons has media related to Helen Allingham. |
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- Pages with broken file links
- EngvarB from October 2013
- Use dmy dates from October 2013
- Articles with hCards
- Commons category link is defined as the pagename
- 1848 births
- 1926 deaths
- English illustrators
- English watercolourists
- English landscape painters
- English women painters
- 19th-century English painters
- 20th-century English painters
- Alumni of the Royal College of Art
- People from Altrincham
- People from Swadlincote
- Women of the Victorian era
- People of the Edwardian era
- 20th-century women artists
- 19th-century women artists