Mattia Preti
Mattia Preti | |
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Il Cavalier Calabrese
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Born | Taverna, Calabria, Kingdom of Naples |
24 February 1613
Died | Script error: The function "death_date_and_age" does not exist. Valletta, Hospitaller Malta |
Nationality | Italian |
Style | Baroque painting |
Signature | |
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Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.
Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660.[1] His early apprenticeship is said to have been with the "Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio.
Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice,[2] but remained based in Rome until 1653, returning later in 1660–61. He painted frescoes for the church of San Biagio at Modena (app. 1651–2) and participated in the fresco decoration of the Palazzo Pamphilj in Valmontone (documented 1660–61), where he worked along with Pier Francesco Mola, Gaspar Dughet, Francesco Cozza, Giovanni Battista Tassi (il Cortonese), and Guglielmo Cortese.
During most of 1653–1660, he worked in Naples, starting with a Saint Nicholas. There he was influenced by another prominent painter of his era, Luca Giordano. Preti's major works include a series of large fresco ex-votos depicting the Virgin or saints delivering people from the plague, which were painted on seven city gates and are now lost - two sketches for them are in the Capodimonte Museum in Naples, [3] including a bozzetto of the Virgin with the baby Jesus looming over the dying and their burial parties which envisions a Last Judgement presided over by a woman.[4] Preti also won a commission to supervise the construction, carving, and gilding for the nave and transept of San Pietro a Maiella, along with producing a Judith and Holofernes and Saint John the Baptist, both still in Naples.
Having been made a Knight of Grace in the Order of St John, he visited the order's headquarters in Malta in 1659 and spent most of the remainder of his life there. Preti transformed the interior of St. John's Co-Cathedral in Valletta with a huge series of paintings on the life and martyrdom of St. John the Baptist (1661–1666). In Malta one also can find many paintings of Preti in private collections and in parish churches. His increased reputation led to an expanded circle of patrons, and he received commissions from all over Europe.[5][6]
Preti was fortunate to enjoy a long career and have a considerable artistic output. His paintings, representative of the exuberant late Baroque style, are held by many great museums, including important collections in Naples, Valletta, and in his hometown of Taverna, Calabria.
Gallery
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Preti - sant'antonio abate.jpg
Sant'Antonio Abate c.1628, 62 x 62 cm, private collection
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The Concert c.1630, Hermitage Museum, Saint Petersburg
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Accademia - Homer by Mattia Preti.jpg
Homer c.1635, 102 x 81 cm, Gallerie dell'Accademia, Venice
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The Martyrdom of St. Bartholomew c.1650, Basilica of St. Joseph Proto-Cathedral
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The Marriage at Cana c.1655-1660, National Gallery, London[7]
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Mattia Preti, Pilato si lava le mani, The Metropolitan Museum of Art, New York.jpg
Pilate Washing His Hands, c. 1663, The Metropolitan Museum of Art, New York
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Mattia Preti 002.jpg
Calling the Apostle Matthew c. 1630-1640, 104 x 164 cm, Kunsthistorisches Museum, Vienna
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Unbelieving Thomas, c. 1656-1660, 187 x 145 cm, Kunsthistorisches Museum
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Cristo en gloria con santos (Mattia Preti).jpg
Christ in Glory with Saints, 1660-1661, Museo del Prado, Madrid
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La Mort de Sophonisbe - Mattia Preti.jpg
The Death of Sophonisba c.1660-1670, 198 x 174 cm, Museum of Fine Arts of Lyon
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Mattia Preti 004.jpg
A Mother Entrusting Her Sons to Christ c. 1635-36, 143 x 193 cm, Pinacoteca di Brera, Milan
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La cena del ricco Epulone - M. Preti.jpg
The Banquet of the Rich Glutton c.1665, 148 x 200 cm, Gallerie Nazionali di Arte Antica, Rome
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Mattia Preti - Diogenes and Plato - Google Art Project.jpg
Plato and Diogenes c.1688, 101 x 151 cm, Capitoline Museums, Rome
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Matti Preti, Liberazione di San Pietro, Dresda, Gemäldegalerie Alte Meister.jpg
The Deliverance of St. Peter from Prison, c. 1650, 205 x 226 cm, Gemäldegalerie Alte Meister, Dresden
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Mattia Preti - St. George on Horseback - WGA18397.jpg
Saint George on Horseback 1658, 275 x 207 cm, St. John's Co-Cathedral
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St John the Baptist Wearing the Red Tabard of the Order of St John - Mattia Preti.jpg
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Saint Veronica with the Veil LACMA M.84.20 (1 of 2).jpg
Saint Veronica with the Veil, 1655-1660, 100 x 74 cm, Los Angeles County Museum of Art
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Mattia Preti - Saint Paul the Hermit - 1969.109 - Cleveland Museum of Art.tiff
Saint Paul the Hermit, c. 1662-1664, 103 x 76 cm, Cleveland Museum of Art
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St. John the Baptist Preaching, c. 1665, Fine Arts Museums of San Francisco
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Mattia Preti - Adorazione dei pastori, Walker Art Gallery, Liverpool.jpg
Adoration of the shepherds, c. 1678, Walker Art Gallery, Liverpool
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Giuditta e Oloferne - Mattia Preti.jpg
Judith and Holofernes, c. 1653-1654, 186 x 143 cm, Museo di Capodimonte, Naples
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Mattia Preti - Baldassarre's Feast - WGA18380.jpg
Baldassarre's Feast, 1653-1659, 202 x 297 cm, Museo di Capodimonte
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I quattro evangelisti - Mattia Preti.jpg
The four Evangelists, 1650, 153 x 207 cm, Palazzo Abatellis, Palermo
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Cristo e l'adultera - Mattia Preti.jpg
Christ and the adulteress, 1650, 85 x 117 cm, Palazzo Abatellis
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Basilica di Sant'Andrea della Valle 23.jpg
Martyrdom of Saint Andrew, 1650-1651, Sant'Andrea della Valle, Rome
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Preti-figliuolProdigo.jpg
Return of the Prodigal Son, 1658, 202 x 285 cm, Royal Palace of Naples
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Mattia Preti 007.jpg
Aeneas, Anchises and Ascanius Fleeing Troy, 1630, 86 x 153 cm, Gallerie Nazionali di Arte Antica, Rome
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St Sebastian c1660 Mattia Preti.jpg
Saint Sebastian, 1660, 240 x 169 cm, Museo di Capodimonte
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Preti Adoration of the Shepherds.jpg
Adoration of the Shepherds, 1645, 148 x 197 cm, National Museum, Warsaw
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Martirio di santa Caterina - M. Preti.jpg
Martyrdom of Saint Catherine, 1659, 365 x 267 cm, Church of Saint Catherine of Italy, Valletta, Malta
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Mattia Preti, Belisario riceve l' elemosina, Museo Boijmans Van Beuningen, Rotterdam.jpg
Belisarius receiving alms, 1665-1669, 152 x 198 cm, Museum Boijmans Van Beuningen, Rotterdam
References
- ↑ John T. Spike, Mattia Preti: I Documenti, Florence: 1999.
- ↑ Wittkower, 360
- ↑ James Clifton, "Mattia Preti's Frescoes for the City Gates of Naples," Art Bulletin (1994), 479–501
- ↑ Clifton, 480. Preti's salary for the work was 1500 ducats.
- ↑ Bonello, Giovanni (2000). Art in Malta – Discoveries and Recoveries Archived 2016-08-28 at the Wayback Machine. Fondazzjoni Patrimonju Malti. p. 69-102. ISBN 99909-959-7-4. ISBN 99909-959-8-2.
- ↑ Alessandro Cosma. Paintings for the Knights of Malta. Mattia Preti and the Celebration of Martyrdom. Actual Problems of Theory and History of Art: Collection of articles. Vol. 6. Eds: Anna V. Zakharova, Svetlana V. Maltseva, Ekaterina Yu. Stanyukovich-Denisova. St. Petersburg, NP-Print Publ., 2016, pp. 468–473. ISSN 2312-2129.
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Further reading
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External links
- Media related to Lua error in package.lua at line 80: module 'strict' not found. at Wikimedia Commons
- Christ Seats the Child in the Midst of the Disciples, c. 1680-85. Museum & Gallery, Inc. Greenville, SC
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- 1613 births
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- People from the Province of Catanzaro
- 17th-century Italian painters
- Italian male painters
- Italian Baroque painters
- Knights of Malta
- Caravaggisti
- Catholic painters