Okinawan music

Okinawan music (沖縄音楽, Okinawa ongaku), also known as Ryukyuan music (琉球音楽, Ryūkyū ongaku), is the music of the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture, which also covers the Miyako and Yaeyama Islands. It derived from the larger musical traditions of the Southern Islands.

Genres

A dichotomy widely accepted by people of Okinawa is the separation of musical traditions into koten (classical) and min'yō (folk). Okinawa was once independent as the Ryūkyū Kingdom. The pechin class in its capital Shuri developed its high culture while they frequently suppressed folk culture in rural areas. Susumu Kumada added another category "popular music" to describe songs that emerged after the kingdom was abolished.

Classical music

File:Uzagaku.jpg

Uzagaku

Ryukyuan classical music (琉球古典音楽, ryūkyū koten ongaku) is the court music of Ryūkyū. Uzagaku (御座楽) is the traditional chamber music of the royal palace of the Ryūkyū Kingdom.

The texture is essentially heterophonic using a single melodic line. Pitched accompaniment instruments each play a simultaneous variation on the vocal line.

Folk music

Traditionally seen as "low culture" by the pechin class, folk music gained positive evaluation with the rise of folkloristics led by Yanagita Kunio. Folk music is described by the term min'yō, which is also applied to other parts of Japan. Since the kingdom was abolished, some members of the former pechin class spread Shuri-based high culture to other areas of Okinawa. Some of such new elements are today seen as part of folk culture.

Okinawa's folk songs are generally accompanied by one (or more) sanshin.

Yunta (ユンタ) is a genre of folk song originating in the Yaeyama Islands. The verses and choruses of the song are sung alternately by the men and the women. The word origin of yunta is said to be from yumi uta (読み歌, "reading song") or yui uta (結い歌, "tying/knotting song")

The suffixes -ondo and -bushi may also be attached to the title of folk songs, however songs named without these clarifiers are more common. Eisā and kachāshī are Okinawan dances with specific music styles that accompany them.

Warabe-uta

Warabe uta (童歌) is a general term for nursery rhymes and children's songs.

Popular music

New folk songs

"New min'yō" (新民謡, shin min'yō), composed in the style of traditional Okinawan min'yō, have been written by several contemporary Okinawan folk musicians such as Rinshō Kadekaru, Sadao China, Shōkichi Kina, Seijin Noborikawa and Tsuneo Fukuhara. These songs are often heard in contemporary pop music arrangements. Haisai ojisan (ハイサイおじさん), with music and lyrics by Shōkichi Kina, is typical of this genre.

Okinawa's (new) folk songs are sometimes referred to as shima-uta. It is not a native term of Okinawa but was introduced from the Amami Islands in the 1970s. It is originally a genre of songs originating from Amami.

Okinawa pop

The music of Okinawa came under the influence of American rock music beginning with the end of World War II. Many musicians began to blend the Okinawan folk music style and native instruments with those of American popular and rock music. This is called "Uchinaa pop."

Instrumentation

The instrument that defines Okinawan music is the sanshin. It is a three-stringed lute, very similar to the sanxian and a precursor to the shamisen. The body is covered in snake skin and it is plucked with a plectrum worn on the index finger.

Okinawan folk music is often accompanied by various taiko drums such as shime-daiko (締太鼓), hira-daiko (平太鼓), and pāranku (パーランク). Pāranku, a small hand-held drum about the size of a tambourine, is often used in eisā dancing.

Other percussion instruments such as sanba (三板), yotsutake (四つ竹) and hyōshigi (拍子木) can often be heard in Okinawan music. Sanba are three small, flat pieces of wood or plastic that are used to make rapid clicking sounds, similar to castanets. Yotsutake are two sets of rectangular bamboo strips tied together, one set held in each hand, clapped together on the strong beat of the music. Traditionally they have been used in Ryukyuan classical music, but recently they have been used in eisā dancing.

A group of singers called a hayashi (囃子) often accompanies folk music, singing the chorus or interjecting shouts called kakegoe (掛け声). Also finger whistling called yubi-bue (指笛) is common in kachāshī and eisā dance tunes.

Additional instruments are often used in Ryukyuan classical music, and sometimes incorporated in folk music:

• Kutu (箏, クトゥ) – an Okinawan version of the koto; often called Ryūkyū sō (琉球箏) or Okinawa goto (沖縄箏)
• Kūchō (胡弓, くーちょー) – an Okinawan version of the kokyū
• Fue (笛) – an Okinawan transverse flute; also called fansō (ファンソウ) or ryūteki (琉笛)

Tonality

The following is described in terms used in Western disciplines of music.

Music from Okinawa uses tonal structure that is different in music from the mainland Japan and Amami, in particular the intervalic content of the scales used.

The chief pentatonic scale used in mainland Japan, for example, uses scale degrees 1, 2, 3, 5, and 6, also known as Do, Re, Mi, So, and La in the Kodály system of solfeggio. This structure avoids half step intervals by eliminating the fourth and seventh scale degrees.

In contrast, music from Okinawa is abundant in the half steps. Common structures used in Okinawan music are a pentatonic scale utilizing scale degrees 1, 3, 4, 5, 7, or Do, Mi, Fa, So, Ti, or a hexatonic scale with the addition of the second scale degree, 1, 2, 3, 4, 5, 7, or Do, Re, Mi, Fa, So, Ti. Half steps occur between the third and fourth (Mi and Fa), and also the seventh and first (Ti and Do) scale degrees. In particular, the interval from 7 to 1, or Ti to Do is very common. A folk tune can often be recognized as being Okinawan by noting the presence of this interval.

Notable Okinawan music

Title	Local name	Notes
"Tinsagu nu hana" "Chinsagu nu hana" ("Tensagu no hana")	てぃんさぐぬ花 ちんさぐぬ花 (てんさぐの花)	"The Balsam Flowers"; a warabe uta; Okinawan children will squeeze the sap from balsam flowers to stain their fingernails. The lyrics of the song are Confucian teachings. Of the six verses, the first three relate to filial piety, while the latter three refer to respecting one's body and one's goals. Each verse has exactly the same number notes using language and meter devices that are solely Okinawan. The English translation tells of the content of the verses but fails to convey the precision and the beauty of the song: "Just as my fingernails are stained with the pigment from balsam flowers, my heart is painted with the teachings of my parents. Although the stars in the sky are countable, the teachings of my parents are not. Just as ships that run in the night are guided to safety by the North star, I am guided by my parents who gave birth to me and watch over me. There's no point in possessing magnificent jewelry if you don't maintain it; people who maintain their bodies will live life wonderfully. The desires of the person who lives sincerely will always run true and as a result she will prosper. You can do anything if you try, but you can't if you don't."
"Asadoyā yunta" "Asadoya yunta"	安里屋ユンタ 安里屋ゆんた	"Song of Asadoyā"; Originating at Taketomi in the Yaeyama Islands, this is one of the most recognized and often performed Okinawan folk songs.
"Tanchamē"	谷茶前	a song originating in the village of Tancha in Onna, Okinawa
"Tōshin dōi"	唐船ドーイ 唐船どーい	"A Chinese Ship Is Coming"; The most famous kachāshī dance song, it is often performed as the last song of an Okinawan folk music show.
"Nākunī" "Naakunii"	ナークニー	a lyrical song expressing deep longing
"Haisai ojisan"	ハイサイおじさん	a "new min'yō", music and lyrics by Shoukichi Kina
"Bye-bye Okinawa"	バイバイ沖縄	music and lyrics by Sadao China
"Akata Sun dunchi" "Akata Sundunchi"	赤田首里殿内	"Inside Akata Shrine in Shuri"
"Tsuki nu kaisha" "Chiki nu kaisha"	月ぬ美しゃ	"The Moon is Beautiful"; a song from the Yaeyama Islands
"Bashōfu"	芭蕉布	Bashōfu is Okinawan banana cloth.
"Kādikū" "Kadiku"	嘉手久	a courtship kachāshī dance song
"Shichi-gwachi eisā"	七月エイサー	an eisā dance song
"Warabi-gami"	童神	a lullaby
"Shima nu hito"	島ぬ女	"Island Woman"
"Nishinjō bushi"	西武門節	written in 1933 by Matsuo Kawata (川田松夫)
"Sai-sai bushi"	さいさい節 サイサイ節	a drinking song originally from Okinoerabujima in the Amami Islands; "Sai" is the Amami word for sake.
"Irabu tōgani"	伊良部とーがに	a song from Irabu in the Miyako Islands
"Kagiyadefū bushi" "Kagiyadefuu bushi" "Kajadifū bushi"	かぎやで風節	a classical (koten) Okinawan dance song; Also called "Gojin fū" (御前風), it was played before Ryukyuan kings.
"Jin jin" "Jing jing"	ジンジン	a warabe uta; The title means "firefly"; the lyrics implore the firefly to "come down and drink". Shoukichi Kina and Champloose's version of this song, with slide guitar by Ry Cooder, was a minor hit in British discos. Takashi Hirayasu and Bob Brozman released a 2000 collaboration album by the same title that is a collection of various Okinawan songs or nursery rhymes. Their song "Jin Jin" is track 6 on this album.
"Tenyō bushi"	てんよー節	A common song involving red and white flags played at the Obon Festival.
"Nada Sōsō"	涙そうそう	"Great Tears Are Spilling", 2000 single with music by Begin, lyrics by Ryoko Moriyama
"Hana – Subete no hito no kokoro ni hana wo"	花~すべての人の心に花を~	music and lyrics by Shoukichi Kina

• "Futami Jouwa"
• "Ninjoubushi"
• "Kudaka"

Okinawan musicians and musical ensembles

Traditional

• Sadao China
• Rinshō Kadekaru
• Misako Koja
• Nēnēs
• Seijin Noborikawa

Pop

• Begin - from the Yaeyama Islands
• The Boom – rock band from Yamanashi Prefecture, known for the song Shima Uta
• Cocco
• High and Mighty Color
• HY
• Shoukichi Kina & Champloose
• Mongol800
• Rimi Natsukawa
• Orange Range
• Rinken Band
• Ryukyu Underground - A duo fusing traditional Okinawan music with Electronica genres such as Dub.
• DA PUMP
• Fuzzy Control
• RYUU-unit
• Ryukyudisko
• Fujiko Shuri

External links

• Chicago Okinawa Kenjinkai: Okinawan Music – audio selections