Prince of Central Park (musical)

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For the 2000 film starring Kathleen Turner, see Prince of Central Park.
Prince of Central Park
Original Broadway Playbill
Music Don Sebesky
Lyrics Gloria Nissenson
Book Evan H. Rhodes
Basis The Prince of Central Park by Evan H. Rhodes
Productions 1988 Workshop (Key West)
1988 World Premiere (Miami Beach)
1989 Broadway

Prince of Central Park is a 1989 Broadway musical with music by Don Sebesky, lyrics by Gloria Nissenson and a book by Evan H. Rhodes. It is based on Rhodes' 1974 novel The Prince of Central Park and its 1977 television movie adaptation which starred Ruth Gordon and Brooke Shields. The musical was a notorious flop, losing nearly $2 million and closing after only four performances. Today, it is best remembered for a humorously negative review by Frank Rich in The New York Times.[1][2]

Synopsis

The musical tells the story of Jay-Jay, a 12-year-old runaway who tries to escape an abusive foster mother and the terrors of New York City by living in a tree in Central Park. Communicating via chalk messages on a park bench, he begins an unlikely correspondence with Margie Miller, a middle aged divorcé who jogs through the park and whose daughter is conspiring to send her to a Florida retirement village. Eventually Margie befriends Jay-Jay, helping him to fight off the gangs and drug pushers of the park, while learning about life and herself in the process. Together they become a sort of surrogate family.

Development and World Premiere

After the success of the TV movie, Rhodes was approached by BMI to adapt his book The Prince of Central Park into a possible musical.[3] A world premiere starring Martha Raye and staged by Tony-winning director Albert Marre was announced and scheduled to open on November 7, 1985 at the Drury Lane Oakbrook Terrace Theatre in Oakbrook Terrace, Illinois,[4] but this production was ultimately canceled when the producer was sent to jail on tax charges.[3]

In December 1985, Jan McArt, a performer and theater producer who was nicknamed "The First Lady of Florida's Musical Theatre," was introduced to Rhodes and became interested in the project. After securing the rights from Lorimar, who had produced the TV movie,[5] McArt began to develop the show with Rhodes writing the book, Don Sebesky writing the music and Gloria Nissenson writing the lyrics. The first production meeting was held in August 1987 at the Boca Raton Resort and Club, where Bob Bogandoff was selected as the director.[3] In May 1988, McArt flew to Los Angeles to personally offer the musical's leading role to Nanette Fabray.[5]

The show premiered as a "work in progress" on October 25, 1988 at McArt's Mallory Square Cabaret Theatre in Key West starring Fabray as Mrs. Miller, 13-year-old Richard H. Blake as Jay-Jay (the title character), Anthony Galde as Elmo, a gang leader and an ensemble of 9 actors.[3][6] At the second performance, Fabray was sick so producer McArt played the role as her understudy.[5] The show closed on November 29.

Impressed with the musical, Abe Hirschfield, a Miami Beach real estate magnate, joined on as producer and mounted a full production at his 900-seat Hirschfeld Theatre in the Clarion Castle Hotel in Miami Beach. The cast was expanded to 20, with Fabray, Blake and Galde remaining in the leads; producer McArt appeared in a "cameo"[7] as a crazy homeless bag lady who makes telephone calls from a broken phone; Hirschfeld's granddaughter also appeared in the show.[3][8] The production was directed by Bob Bogandoff and choreographed by Michael DiFonzo.[9][10]

Prince of Central Park ran from February 3 to March 5, 1989 and was generally well received by local audiences, though critics were mixed. The Miami Herald wrote that the show was "not yet" ready for Broadway.[11] The Sun-Sentinel felt the show was "overlong" and "occasionally tedious" but ultimately "charming." It singled out Blake's performance, calling him "an '80s male echo of the appeal Andrea McArdle brought to the original Annie.[10]

Pre-Broadway Rewrites and Casting Troubles

From April to June, the show was substantially rewritten with the addition of nine new songs before it headed to Broadway with a scheduled opening date of October 30, 1989.[12] Among the changes were an addition of "Red," a musical number set at Bloomingdale's in which mannequins come to life and begin dancing.[1]

Although she was with the show from the beginning, Fabray was let go from the project during the summer of 1989. Director Bogandoff was also fired as the producers searched for a replacement with Broadway credentials (and a Tony nomination).[5]

Fabray was replaced by Gloria DeHaven and Bogandoff was replaced by Tony Tanner, who also served as choreographer. On September 26, DeHaven left the show due to an injury to her rib and "unspecified artistic differences." Producer Jan McArt later told the Boca Raton News that because the show was being rewritten daily, DeHaven was having trouble learning her new lines and they needed someone who was "a quick study."[13] Broadway wags, sensing a troubled production, began to call the show "Ain't Miss DeHaven."[14]

McArt, whose theatre hosted the show's first production, took over the roll for two weeks until DeHaven could be replaced.[15] Jo Anne Worley quit a California production of Mame[16] to join the cast on October 10 and the show's opening date was postponed until November 9 to allow her more time to rehearse.[12]

Broadway Production

On October 24, 1989, Prince of Central Park began previews on Broadway at the Belasco Theatre and opened on November 9 with Worley and Blake in the leads. At 14, Blake became the youngest Broadway performer to have his name above the title of the show.[17] The sets and costumes were designed by Michael Bottari and Ronald Case and the lighting design was by Norman Coates.

Characters

Musical numbers

Critical Response and Frank Rich Review

The musical received overwhelmingly negative reviews by Broadway critics, who found that the show was both amateurish and made light of serious social issues such as street crime, drugs, homelessness and child abuse, while turning gritty New York City into a sentimental fairy tale.[18] Though aimed at a family audience, critics noted that the show had moments of vulgarity, such as a scene in which two gay men happily emerge from the bushes after having sex[19] and jokes in which the character of Margie comments on her sagging breasts and her estranged husband's penis.[20]

In his famously scathing and humorous write-up in The New York Times, Frank Rich wrote disparagingly:

"Prince of Central Park, the new musical at the Belasco, is a numbing evening of such guileless amateurism that it will probably have a future as a Harvard Business School case study, whatever its fate in the annals of drama. Even modest Broadway shows like this cost more money than the gross national product of some third world nations. People put up this money. As long as there are people as gullible as the sponsors of Prince of Central Park, the theater need never fear for its survival."[20]

Rich's review went on to include a deliberately incorrect and funny summary of the plot:

"In Act II, Jay-Jay and Margie bravely overcome outmoded legal obstacles and moral attitudes to get married. They adopt five children, two of whom become the first sibling astronauts and together head a successful manned space mission to Pluto. Actually, I am lying. Something else entirely happens in Act II. But I assure you that my version is more interesting.[20]

Rich also mocked the fact that the authors seemed to have no connection to New York City, writing:

"The biggest unintentional laugh for a New York audience arrives when Ms. Worley ventures into Bloomingdale's and is immediately welcomed by a kindly silver-haired saleswoman who offers her complete undivided attention."[20]

Ironically, Blake, who had turned down Michael Eisner's offer of a part on The Mickey Mouse Club to be in the production,[17][21] was compared by Rich to "an aging Mouseketeer." The review concluded with:

"Prince of Central Park also has a serious obsession with Tavern on the Green, whose name is dragged into nearly every scene before and after serving as a setting for a dance number. Given the vehicle for these insistent plugs, it's hard to know whether the restaurant should consider itself the beneficiary of free advertising or the victim of a dissatisfied customer's personal vendetta."[20]

The New Yorker called the show "a really bad musical" and "a howler" and agreed that it had "so many references to the Tavern on the Green that it's almost impossible to believe that the restaurant's owners haven't underwritten the show."[19]

The Associated Press, in a kinder review, said that the show was "a New York fairy tale told with a modest amount of musical imagination and wit ... a small musical in almost every respect. It's not awful, but its mildness and meager musical numbers make it a dim prospect to last very long on Broadway."[22]

Linda Winer of Newsday found Worley to be "likable" and "surprisingly restrained" while calling Blake "a major young talent."[23]

Aftermath

The opening night after-party was held at Tavern on the Green, where 600 formally attired patrons showed up to celebrate. At the party, Rhodes predicted that the show would run for years,[9] but after the uniformly negatively reviews were published in the morning papers, hopes began to fade.

Producer and majority backer Abe Hirschfeld, who had successfully run for Miami Beach City Commission during the production, at first tried to counter the bad reviews with an extensive advertising campaign, calling the critics "liars," claiming that New York critics had a "vendetta" against South Florida shows and emphatically stating "we are not closing the show."[22] To help boost the show, the actors agreed to work for scale and the Shubert Organization, owners of the Belasco Theatre (which had been dark for two years) offered to waive its rental fee for four months until February 1, 1990. But within a few days, after production costs quickly began to mount, Hirschfeld closed the show himself stating "I kept saying there should be no changes from the Miami Beach version. You can`t come into New York with a new show without trying it out. It was destroyed by the way it was changed about. Since I didn't like the show, I didn't think it was worth it."[24]

Prince of Central Park ran for only four performances.[25] The $2 million production (75 percent of which was put up by Hirschfeld)[26] earned only $128,907 during its entire run (4 performances and 19 previews).[27]

In Hot Seat, Frank Rich's annotated book of his New York Times theatre reviews, he recalled that Prince of Central Park was "laughed off by all the critics and quickly disappeared" and that Variety had accused him of tricking his readers "by supplying his own, ostensibly superior libretto for the show" in his review. Rich wrote that Hirschfeld went on to purchase the New York Post for two weeks (nearly destroying it) and later served time in jail and that in retrospect, the flop was one of the finer achievements of his career.[2]

In 2000, Hirschfeld was convicted of criminal solicitation for trying to hire a hit man to kill his former business partner Stanley Stahl, with whom he had a "survivor take all" business partnership.[28] Hirschfeld was sentenced to three years in prison, of which he served two. When he got out of prison he ran for the U.S. Senate, calling himself "Honest Abe".[29]

References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ 2.0 2.1 Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ 3.0 3.1 3.2 3.3 3.4 "Production's a 'Prince'" from Boca Raton News, December 30, 1988; Byline: Skip Sheffield; page 5W. Retrieved on 2013-02-03.
  4. ↑ "Gary Sinise Signs To Direct His 1st Film" from Chicago Tribune, May 30, 1985, Byline: Sid Smith. Retrieved on 2013-02-02
  5. ↑ 5.0 5.1 5.2 5.3 "One Play's Trip From Key West To Broadway" from Sun-Sentinel, November 5, 1989; Byline: Jack Zink and Norine Dworkin. Retrieved on 2013-02-02.
  6. ↑ "Producing a 'Prince'" from Boca Raton News, July 21, 1988; Byline: Skip Sheffield; page 6W. Retrieved on 2013-02-03.
  7. ↑ "Nanette Fabray Her 'Prince' Has Come The Veteran Actress Wasn't Interested In Doing A Musical Until Producer Jan McArt Showed Up On Her Doorstep With The Script Of The Prince Of Central Park." from Sun-Sentinel, February 5, 1989; Byline: Jack Zink. Retrieved on 2013-02-02.
  8. ↑ Richard H. Blake discussing the show live June 17, 2012
  9. ↑ 9.0 9.1 "'Prince' dethroned after critics turned It into frog;" from Boca Raton News, November 14, 1989, page 1C & 5C. Retrieved on 2013-02-02.
  10. ↑ 10.0 10.1 "'Prince' A Charming, Nostalgic Musical" from Sun-Sentinel, February 13, 1989; Byline: Jack Zink. Retrieved on 2013-02-03.
  11. ↑ "'Prince is Still Short of Broadway" from Miami Herald, February 15, 1989; Byline: Section: Amusements; Page: 7D. Retrieved on 2013-02-03.
  12. ↑ 12.0 12.1 "Worley Takes Broadway Role" from Sun-Sentinel, October 4, 1989; Byline: Jack Zink. Retrieved on 2013-02-02.
  13. ↑ "New Star for Boca Producer's Broadway Show" from Boca Raton News, October 13, 1989; Byline: Skip Sheffield; page 10W. Retrieved on 2013-02-03.
  14. ↑ "Critic's Notebook; Twisted Titles or the Edsels Of Broadway" from The New York Times, February 25, 1994; Byline: David Richards. Retrieved on 2013-02-03.
  15. ↑ " 'Prince Of Central Park' Opening Delayed" from Sun-Sentinel, October 25, 1989; Byline: Jack Zink. Retrieved on 2013-02-02.
  16. ↑ "Sock-it-to-me Time On Broadway 'Laugh-in' Star Opens In Fantasy." from New York Daily News, November 14, 1989, Byline: Patricia O'Haire. Retrieved on 2013-02-02
  17. ↑ 17.0 17.1 "The Leading Men: Blake, Borle and Turner"
  18. ↑ "McArt, Hirschfeld Open Their 'Prince' On Broadway" from Sun-Sentinel, November 11, 1989; Byline: Norine Dworkin. Retrieved on 2013-02-02.
  19. ↑ 19.0 19.1 "The Theatre; byline: Mimi Kramer" from The New Yorker, November 20, 1989. Retrieved on 2013-02-02.
  20. ↑ 20.0 20.1 20.2 20.3 20.4 "The City Is Sweet and Muggers Are Merry;" from The New York Times, November 10, 1989. Retrieved on 2008-01-31.
  21. ↑ Richard H. Blake discussing the show and performing the title song "The Prince of Central Park" on June 17, 2012
  22. ↑ 22.0 22.1 "McArt, Hirschfeld Open Their 'Prince' On Broadway" from Sun-Sentinel, November 11, 1989; Byline: Norine Dworkin Zink. Retrieved on 2013-02-02.
  23. ↑ "Out-of-Town 'Central Park'" from Newsday, November 10, 1989; Byline: Linda Winer. Retrieved on 2013-02-02.
  24. ↑ " 'Prince Of Central Park' Prince Of Central Park" Closes Early On B'way" from Sun-Sentinel, November 15, 1989; Byline: Jack Zink. Retrieved on 2013-02-02.
  25. ↑ Internet Broadway Database
  26. ↑ "On Stage" from NY Times, August 18, 1989; Byline: Enid Nemy. Retrieved on 2013-02-02.
  27. ↑ Playbill Vault
  28. ↑ Abe Hirschfeld, Eccentric Tycoon Who Craved Publicity, Dies at 85, Washington Post
  29. ↑ Wealthy eccentrics | 9 | FORTUNE

External links

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